Traditional Culture Encyclopedia - Photography and portraiture - How to avoid portrait-sized eyes when taking pictures

How to avoid portrait-sized eyes when taking pictures

Here are some tips to avoid big eyes and small eyes when shooting:

1, in fact, everyone has a little "big and small eyes"-one eye is smaller than the other. It's just that some people are mild, while others are obvious. The human aesthetic tends to appreciate "symmetrical beauty", so we need a little skill to deal with the model's "big and small eyes" when shooting portraits, and we can make the model's smaller eyes close to the camera when shooting. Use spatial perspective to make two eyes look the same size. On the other hand, we should also avoid keeping the model's smaller eyes away from the camera, otherwise it will emphasize the difference between eyes.

It should be noted that don't tell the model your purpose, otherwise it will make the other party embarrassed and nervous. You can simply let the other person look at your fingers, turn your head with your fingers and guide them to turn left or right. But the rotation range should not be too large, otherwise the lights need to be readjusted.

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Street shooting skills

1. The fewer devices, the better.

It's not a good idea to take too many lenses and lights if you want to sweep the street and take good photos. These burdens will distract your observation, and when the good time for taking pictures appears, you can't attack quickly. Small numbers, side shafts, cameras with rotating screens, and even mobile phones are also sharp tools for sweeping the street and taking pictures.

2. Choose the scene of revival and activation

Don't just go to places like tourist attractions to find subjects. Although it's crowded there, it's easy for people to get up the courage to point their cameras at strangers and try to find more life and real scenes hidden under the surface. For example, start with your life and familiar environment.

3. Learn to predict the decisive moment

Learn to predict the picture that will appear, prepare the camera in advance, press your shutter and take a decisive moment.

4. Try color photography more.

Street shooting is mostly documentary. At this time, black and white photos will make the facts appear more powerful and formal, especially when news photography is shooting emergencies. However, some street shooting themes are very suitable for color photography, such as expressing a pleasant mood or objectively describing the street scene environment, and the restored colors will be more vivid, real and pleasing to the eye.

5. Discover the visual symbols on the street

Visual symbols such as billboards, signboards and graffiti on the street, if used as the background, may make your photos more street-like and different, and can also be used as the theme when there is no eye-catching shooting theme.

6. Street shooting can be very experimental.

Try diagonal composition to break the limitation of horizontal and vertical composition. Either diagonal graphics appear in the picture or tilt your camera. Street shooting is very casual, blind shooting. Shake it, zoom in and out, and let your photos experiment.

7. Change your perspective

Shooting the scenery across the street, the unique perspective will surprise people.

8. Performance

Parades and performances, as well as other entertainment activities on the street, and major events are also common scenes in street shooting.

9. Where people gather

Taking big scenes is to go to places where people gather, such as playgrounds, markets, performance venues, parks, sports activities and exhibitions, and you can take good photos.

10. New shooting angle

Try to find a higher or lower angle to shoot, even if the head-up angle is unique, shooting down or up is easier to guide the line of sight.

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After a period of practice, not only your shooting skills will improve, but also your insight into the surrounding things will continue to improve.

12. Luck is often brave.

Don't be afraid of the photographer's little resistance, be brave enough to get close to your subject and the truth, so as to shoot shocking and impactful works.

Baidu encyclopedia: portrait photography