This "familiar face at noon" says: actors don't know how to cherish it, and they will soon become amateurs.

The following are excerpts from the interview. Please click on the video to watch the full content.

Actors who don't know how to cherish will become drama bastards.

Uncle Si Wei Du

I

will play some roles that I can try my best to play.

Tan Fei: Welcome to Si Wei Du! Let's recall Mr. Liu's past again. Of course, we don't need to recall Mr. Liu. You are very young, from Shunzhi in Kangxi Dynasty to Wang Xianmin, the villain in Six Groups of Serious Crimes 3, to the overbearing president of Everything is Fine. Of course, the most impressive thing is Sheng Yi in Do You Know If It Should Be Green, Fat, Red and Thin, which gives me the feeling that I am a person with a thousand faces. How do you switch freely? Which of these roles do you think is more like yourself?

Liu Jun: Let's talk about the first one. I have played many roles. In the process of playing these roles, some seniors have pointed out to me that you can't do this. You should grasp a certain characteristic of yourself, the favorite characteristic of the audience. Don't be afraid to cater to the word. If you enlarge the favorite things of the audience, you will be able to become famous quickly.

Tan Fei: You are a spokesperson for this series.

Liu Jun: This contradicts my previous education. In the past, our education was all about drama, to create characters. Don't think about your own things, try to post people, but you have to choose between them. When I am hungry, no matter what role comes, I promise first, in order to survive. After the problem of survival is solved, I can make some appropriate choices, and I will see if this role has the ability to reach enough. It's really out of reach. I have self-knowledge. I don't think an actor can be omnipotent. You really can't act. You work hard to act.

Tan Fei: Instead, he outsmarted himself and put himself in a very embarrassing state.

Liu Jun: I can see a lot of these. If I try my best to suckle, I will definitely have no chance. I will definitely not touch them. No matter how much money you give me, I will not touch them. But, for example, I had this concern at that time, but after thinking about it for several days, I thought I could try my best to get enough. I think there are such people in my life, and I can capture this state of such people. And every time I try, there is another me, who objectively examines and tests my own performance, just like the audience. Is this play true or false? I feel fake and uncomfortable myself, so there must be something wrong with the performance.

Tan Fei: So you show the complexity of Sheng Yi very accurately, and it is also very hierarchical. The biggest scene and your true colors are revealed. You were in the palace with Zhao Liying. Later, when the rebels came in, you had to take care of the funeral. Just say that you should go first. At that time, the audience thought that this father was respectable and he would not sacrifice himself, but his daughter.

Liu Jun: This is the complexity of people.

Tan Fei: Yes, he was sincere at that moment. You have to live, and there is nothing wrong with me.

Liu Jun: Actually, he is afraid of death.

Tan Fei: Yes, he was afraid of death, but at that time, he thought his daughter was more important than him, and instead, he showed his lovely side. In a very complicated situation, he had to be kind to the older lady and tell the younger one that he loved you. His sons and daughters were competing with each other, so you had to be accurate in your discretion. As soon as you entered the back room, you always looked at it first. It's not that I'm the owner of this house, so I should just walk around. You're not. How do you think about this capture?

Liu Jun: I am selfish and selfless from two aspects. Man is a selfish animal. Has he always been selfless to his family? He is still selfish. We are all people of this age, with families and children. Before the filming of this scene, the camera was placed here and let me enter the gate. Just like you just gave this example, how can I enter this painting when I go in to see it? I probably didn't think about it beforehand, and I didn't design this thing. When I was filming, I would do it all of a sudden. We filmed this play for seven months, and the main scene was set up in the shed. I had feelings for that house. When I was filming, I was in the house and everyone was in the script. When I wasn't filming, I was in the yard. Because there are many emotions related to this, you have to take off this dress and return to your life. Many things are reluctant at that moment.

Tan Fei: If you have a sense of substitution, it will be very profound. You may mix your self-knowledge and your knowledge of this role with your knowledge of society, and many of them are manifestations of your behavior.

Liu Jun: Well, it's possible that we may have analyzed so many results in hindsight, but I wouldn't have made it so complicated at that time. Many things were right and we could close the seam.

Tan Fei: It includes your opposite play with Liu Lin, and even makes people suspect that it is a couple. Many people will think so.

Liu Jun: Liu Lin is a very good actor. When I play with her, I think she is an aunt in a street in my life, or even an aunt or an aunt in our family.

Tan Fei: I have the strength to be grounded.

Liu Jun: It's so vivid. Have you noticed that it's okay to separate our roles and put them in other years, as long as we put the language back a little?

Tan Fei: So you two should play some of those couples in the future, I think on other occasions.

Liu Jun: Look for opportunities.

Second

Compared with the leading role, there are more places for supporting roles

Tan Fei: And your role is full. Although you are not a male, many of your plays are more complicated than a male. Is that a particularly enjoyable feeling? You are an official, a husband and a father. Do you feel that all I can perform and my abilities can be reflected in it?

Liu Jun: Yes, this role gives this possibility. Another reason is that he is not the hero, but my space will be big. I played a lot of leading roles when I was young, and then at this age, I suddenly found that I enjoyed playing this role, and the leading role was sometimes limited. In this drama, you carry a task, a lot of things, but I don't mean absolutely all of them. Have you seen Breaking Bad?

Tan Fei: Yes.

Liu Jun: I studied the character of Breaking Bad, and he showed the complexity of the character. Sometimes you say that there is a lot of information. In fact, I sometimes wonder a question. You are releasing a lot of information, which is useful and which is useless? When I'm preparing, the more the better. I want to add, and I want to subtract when I shoot. We sometimes see a good work, a good character, which is actually not said much in the play, but as soon as the character appeared, he said a word and immediately felt what he used to do.

Tan Fei: Pre-history

Liu Jun: That's the power of an actor. This kind of actor brings in that kind of information. What is not in the script, what is not in the text, he just comes out with it in his aura through some small moves, even without moving.

Tan Fei: I feel this way as soon as I sit there.

Liu Jun: This is amazing. You see, I especially admire an actor, that is, Daniel Day-Lewis.

Tan Fei: That's awesome.

Liu Jun: This actor, my God, is a god.

Tan Fei: I recently saw one of his old movies, playing a fashion designer. He told the audience the information of a person's personality between ambiguity and uncertainty.

Liu Jun: When I was in the isolation period, I took out his New York Gangster. As soon as the characters came out, I could immediately imagine what this person was like when he was young. It's so scary what a chilling rage this man has when he walks in front of you.

Tan Fei: But I think you still attached some extra information to Sheng Yi, letting people know how many ups and downs this person experienced when he came out of school, and how much he cared for himself and his family. Moreover, he has a ranking, and it can still be seen that this person's inner things are still relatively thick.

Liu Jun: Actually, he is just like what you just said. If we specialize in "Biography of Sheng Yi", it will be very rich. You didn't explain the play when you looked at his history, but he brought out what he was like when he was young.

Tan Fei: His character is formed.

Liu Jun: He used to be an illegitimate child. He loved concubines and killed his wives at home, including officials at that time. How did he go from a small place to Beijing and climb to that position? I don't know. Do you remember? The first time I went to court, the scene was very simple, that is, long, but there was only one sentence in it. Does anyone know what the emperor asked? Come out from behind Sheng Mi. I know this. Who are you? I just came here today. You write well, I know you.

Tan Fei: I saw that one.

Liu Jun: Then he talked about someone else, leaving him aside.

Tan Fei: On the surface, it's just a show.

Liu Jun: There is no mention of this person in the whole script, but at the last moment, the emperor also cried and the minister became angry. There is a saying in the back that Sheng Yi was scared to see all this. There is such an adjective that the whole scene has nothing to do with him. But I took that scene as my reenactment, and I had to stand with my ass between my legs and my waist. So I have to prepare for this scene. I have to think about how I prepared at home the night before. I got up early, ate my breakfast well, but I couldn't eat it. I was excited and nervous, just like the feeling that we were going to enter the examination room. I wanted to arm all these things and arm them on me. That's how I performed the scene. So the scene was going on. As soon as I knelt down, I threw away the water board. After throwing away the water board, I found several points. In fact, this piece of water board was shot alone. I said to get a machine to shoot this piece of mine alone, so I told the executive director at the scene. I said, just give me a few points. I don't need to play so long. Don't let other teachers take the whole scene for me. Because taking my shot will bring it to the people behind, you have to have a signal, and they all react a little when the emperor drops the cup. So when I was about to reach it, I broke the cup and my hand retracted. I took it while people came down, so I got this thing back.

Tan Fei: Yes, it's actually very interesting for you to play in court in it, because apart from the scene you just mentioned, you are in court with your son-in-law, but you don't necessarily agree with him. As far as you are concerned, I can see what you are thinking.

Liu Jun: Because the drama in the court is a complete decoration, just like a living prop.

Tan Fei: You are not the center of contradiction.

Liu Jun: How do you act this kind of play? The director will definitely give the camera, but if you have nothing and no expression, he may cut it for you later and won't use you.

Tan Fei: You have to practice this skill. The director must not cut me at first sight.

Liu Jun: The director thinks it's interesting here. It's very good here.

Tan Fei: This man has a chance.

Liu Jun: Looking back, I basically didn't cut mine, so I kept all of them.

Third,

If you don't cherish it, people will soon become showmen and showmen.

Tan Fei: So you just talked about your mentality, because you were a male, and we also know that you later played some supporting roles for various reasons. But in fact, you have never lost your mind about how an actor catches the audience, and you have even become more refined. Can you comment like this?

Liu Jun: In the past, it may have been too smooth. One hero after another was playing, and it has been very smooth and smooth. But this is a turning point in my life and a turning point in my career. Suddenly at this age, the whole market has changed a little. I immediately realized a problem, the replacement is coming, leading the way, playing the leading role, and the next crop is coming. After my age, I will gradually play the role of father and villain. There are few protagonists writing plays for this age, and there is less space. At that time, I experienced a psychological adjustment, so we received the play at that time and had a mentality of cherishing it. At this age, I can receive such a play and join this team. I have to cherish this opportunity. In the process of my turning point, I have to cherish it. If I don't cherish it, I will soon become one of those amateurs and amateurs, and that's it.

Tan Fei: It's like a beam of noon sunshine hitting you. You think it's a good thing, so I have to cheer up.

Liu Jun: That's a great description. A beam of noon sunshine hit me here and warmed me up at once.

Tan Fei: That means you still keep a good attitude. Some people think that they are the sunset, and there is no midday sun, which means that the bright spot on you has also been caught by the midday sun.

Liu Jun: The key is good luck. I met such a group of like-minded people, that is, many of you.