What are the allusions between Yangchun Baixue and Xialiba people? Concise? 1? three

During the Warring States Period, Song Yu of the State of Chu asked the King of Chu: "There are absolutely people in Qian Qian who live in peace, starting with the Ba people. ..... is the spring snow, and there are dozens of people who belong to middle schools. " "Xialiba people" and "Yangchun Baixue" are the songs of ancient Chu. Song Yu, the eldest disciple of Qu Yuan, once wrote "Ask the King of Chu": "There are singers in the Song Dynasty, which means that there are thousands of Liba people who belong to the middle school ... they are all in the spring, but only a few dozen people belong to the middle school." "Xialiba" and "Yangchun Baixue" were later used to refer to popular and elegant literary works. The allusion of Yangchun Baixue comes from Song Yu's answer to the king of Chu in Chu Ci. King Xiang of Chu asked Song Yu if there were any hidden virtues in Mr. Chu. Why don't people praise you so much? Song Yu said that there were singers in Chu State, and the earliest one was "Xialiba People", and there were thousands of peacemakers in Qian Qian. When the singer sang Yang A Xielu, there were only a few hundred middle school peacemakers. When the singer sang Chun Xue, there were only a few dozen middle school peacemakers. There were only three people in the Intermediate People's Court when some difficult skills were added in the Song Dynasty, that is, "attracting business and carving feathers, and miscellaneous to levy". Song Yu's conclusion is, "it's its high and low." The more elegant and complicated the song "Chun Xue" is, fewer and fewer people can sing it, that is, the songs are sung in high voices. One of the top ten famous songs of Guqin. According to legend, it was written by a musician of Jin State or Liu of Qi State in the Spring and Autumn Period. Yangchun and Snow White in the existing piano scores are two instrumental works. "Magic Secret Spectrum" said in solving the problem: "In the spring, everything knows spring, and the wind doesn't matter; Snow white is awe-inspiring, clean and neat, and the sound of snow bamboo is beautiful. "The allusion of spring snow comes from Song Yu's answer to the king of Chu in Chu Ci. King Xiang of Chu asked Song Yu if there were any hidden virtues in Mr. Chu. Why don't people praise you so much? Song Yu said that there were singers in Chu State, and the earliest one was "Xialiba People", and there were thousands of peacemakers in Qian Qian. When the singer sang Yang A Xielu, there were only a few hundred middle school peacemakers. When the singer sang "Spring Snow", there were only dozens of middle school students and peacemakers. There were only three people in the Intermediate People's Court when some difficult skills were added in the Song Dynasty, that is, "attracting business and carving feathers, and miscellaneous to levy". Song Yu's conclusion is, "It's its high and low. "The more elegant and complicated the song" Chun Xue "is, fewer and fewer people can sing it, that is, the song is high and few. Of course, the purpose of this discussion between Song Yu and the King of Chu is not to talk about the Song itself, but to emphasize the huge gap between elegance and vulgarity, because their talents and virtues are not recognized by the world. Song Yu went on to say that "birds have phoenixes and fish have Kun", which is naturally extraordinary. Song Yu said: "Not only birds have phoenixes, but also fish have Kun and scholars." Finally, Song Yu came to his own conclusion, that is, "a virtuous man is elegant, detached and lonely; "How can a secular person know what a priest is doing?" Song Yu means that any great and extraordinary person in the world is often maverick, and his thoughts and actions are often not understood by ordinary people. In the Northern Song Dynasty, Shen Kuo pointed out in Meng Qian Bi Tan, Volume 5, Music Law I that Song Yu clearly put forward that "the guest has a song in Ying", that is, the guest sings in Ying. Not that English people can sing, let alone that English people can sing. Shen Kuo thinks that Zhong Ying is the old capital of Chu State with a large population. The reason why there are so few people in harmony is because they don't know or have never heard of this song. Song Yu's own situation is somewhat unreasonable. Isn't it ridiculous to accuse people because they are not familiar with songs like Spring Snow? Shen Kuo also pointed out that some details in the allusions of Yangchun Baixue were later misinterpreted and circulated. For example, those who sing well are called "English people", while the original text means that English people sing badly. The allusion of Chun Xue shows that different appreciators have great differences in aesthetic taste and ability. The higher the artistry of music, the fewer people will appreciate it. I have to admit that this difference has a lot to do with the subjective taste of the audience, and sometimes it is difficult to get an objective and fair evaluation. Just as Ge Hong in the Western Jin Dynasty pointed out in his book Guangpi: "It is very good to watch and listen, but it is difficult to love and hate." For those who are used to listening to the songs of Sangjian Pushang and the voices of Xialiba people, of course, they can't appreciate the elegance of Yangchun Baixue and Huangzhong Road. From this perspective, there is not much difference between ancient and modern times. Nowadays, people appreciate music, mostly because "the ears listen better, but the heart listens faster." "There is no common feeling between snow and who sings." A diversified world is inseparable from "snow songs" and "vulgar feelings". The more popular any music is, the more people support it. This is the same reason that the best box office receipts today are often pop songs concerts. Of course, elegant art has its own value, and the longer it takes, the more precious it becomes. In China in the 1940s, Mao Zedong tried to combine elegant art with popular culture. Mao Zedong once said in "Speech at Yan 'an Forum on Literature and Art": "Even if your work is" Chun Xue ",since it is temporarily enjoyed by a few people, the masses are still singing" Lower Liba People "there. Then, if you don't improve, you will only curse and it will be empty. Now it is a question of the unification of "Yangchun Baixue" and "Xialiba people", and it is a question of improving and popularizing the unification. Without unification, the highest art of any expert will inevitably become the narrowest utilitarianism; To say this is sublime, it is only self-styled sublime, and it is only self-styled sublime, and the masses will not recognize it. "The original intention of reunification may be good, but in the era of # extreme left #, Yang became the object of criticism and the servant became a political vassal. Although "Yangchun Baixue" is regarded as an elegant art, when the classical song "Yangchun Baixue" is solved in many books, it is said that it vividly shows the early spring scene with fresh and smooth melody and lively and brisk rhythm, in which winter goes and spring comes, the earth recovers, and everything is thriving and full of vitality. Obviously, this is the literal meaning of the word "Yangchun Baixue". The allusions of "Spring Snow" and "Spring Snow" are far apart and have no musical connection. The song "Chun Xue" is probably related to Sanqu in Yuan Dynasty. Yang's Yuan Qu Chun Xue is a famous collection of Yuan Sanqu. Yuanqu has certain requirements in rhyme and meter. There is a saying in Bai Renfu's Listening to Horses, which is included in Chun Xue, "Chun Xue, a west wind is heartbroken." It can be seen that the tune of Yangchun Baixue already existed in the Yuan Dynasty. As for Chun Xue, the heartbreaking song of Yuan Dynasty, how to evolve into a lively and smooth song today is a long way to go. I haven't finished yet, so I'll leave it here blank and enjoy it with all my friends. "Chun Xue" is a pipa suite composed of several variants of folk instrumental instrument "Eight Plates" (or "Six Plates"). Yangchun Baixue: A Pipa Suite composed of several variants of folk instrumental music "Eight Plates" (or "Six Plates"). The variation cycle of "Eight Bantou" reappears, the variation of "Eight Bantou" is combined into a variation relationship, and then the new material of "A hundred birds flock to the phoenix" is inserted, so it is a variation structure with cyclic factors. There are two different versions of Yangchun Baixue, namely "Dayangchun" and "Xiaoyangchun". "Da Yangchun" refers to ten and twelve pieces of music edited by Li Fangyuan and Shen Haochu. Xiaoyangchun is a biography of Wang Yuting, also known as Allegro Yangchun, which is widely circulated. What is introduced here is Xiaoyangchun. = = = = = = = = = = = = = = = = = = = = = = = = = = "Xialiba people" and "Yangchun Baixue" are the songs of the ancient State of Chu. Song Yu, the great disciple of Qu Yuan, once wrote "Ask the King of Chu": "There are songs among the guests. "Xialiba" and "Yangchun Baixue" were later used to refer to popular and elegant literary works. The "Ba people" here are generally considered to be Ba people living in the Yangtze River and Xiajiang River basins. How the Ba people sang at that time has long been a mystery in the history of China, because there are no ancient books to check. The countdown to the impoundment of the Three Gorges Project has promoted the archaeological process in Xiajiang area. In recent years, the mystery of the Ba people has gradually surfaced. Experts believe that in the Shang Dynasty, the Central Plains Dynasty did not control the Xiajiang area. By the Spring and Autumn Period and the Warring States Period, the residents in the eastern part of Xiajiang were influenced by Chu culture, that is, the Xialiba people mentioned by Song Yu just now. Li Xiaren is a folk song of Chu, and Ba people are also Ba people's music in Xiajiang area. Although Ba people make a living by fishing and hunting, the salt industry in Xiajiang area provides economic security for Ba people. It is said that Ba people do not spin and have clothes to wear, and they do not farm and have food to eat. The salt industry at that time was like the oil industry today. Ba people "love birds to sing and phoenix birds to dance", and they are singing and dancing. But it is also because of the salt industry of the Palestinians that several neighboring countries are salivating. Since the archaeological work in Ba people's areas began, a large number of bronze weapons have been unearthed in Ba people's tombs. Some experts believe that the history of Ba people is a history of war. Influenced by Shu culture in the west of Xiajiang River, many experts think that Bashu culture cannot be viewed alone. In the late Warring States period, the State of Qin and the State of Chu seized the salt industry of the Ba people, which caused the Ba people to be attacked on both sides and civil strife occurred in Pakistan. Qin Chu took this opportunity to occupy a large area of Palestinian land. There is a story in history that Pakistani general Manzi borrowed three cities from the Chu army to pacify the civil war. But afterwards, Ba Man Zi hanged himself with his sword and thanked the King of Chu for saving three cities that had been promised to Chu. Pakistan finally disappeared before and after Qin unified China. However, the salt industry in Xiajiang area lasted until the end of the 20th century, and "salt bar" has become a fixed vocabulary in Chinese. In late June this year, another amazing discovery about Ba people was made in Luojiaba, Xuanhan County, Sichuan Province. I was lucky enough to go to the scene immediately and get a sneak peek. Luojiaba is a dam of Qujiang tributary in the Yangtze River basin. 1999, there was an archaeological excavation, and in 200 1 2000, the State Council announced "Luojiaba Site" as a national key cultural relics protection unit. In 2003, Sichuan Institute of Archaeology was entrusted with the task of excavating 300 square meters, with the purpose of doing preliminary work for the overall planning of Luojiaba in the future. This year's excavation began in March and was presided over by captain Chen Zujun, with the cooperation of Xuanhan County Museum. Captain Chen and his party are composed of photographers, painters and restorers. The archaeological team rented a farmhouse as a base. This year's excavation can be regarded as two phases because of the influence of grave robbery. In the early stage, that is, the planned excavation of 300 square meters, a * * * cleared 32 tombs. According to captain Chen's preliminary estimate, the scope involved this year can be seen to have changed for 500 years. The bodies of the owners of several tombs showed obvious signs of death. In late April, an excavation occurred 90 meters east of the 300-square-meter excavation area, which immediately attracted the attention of the public security department. After 40 days of cross-provincial reconnaissance, the suspect was finally arrested in Zhengzhou, Henan Province. Because of the inspection of roads, railways and waterways set up by SARS in late April, thieves did not transport the stolen goods dug out of the local area. Finally, according to the clues provided by the suspect, the public security personnel found seven stolen bronzes in the riverbank of Luojiaba. It is said that after the thieves dug up these things, they were immediately scared and trembled because of their exquisiteness and value, knowing that they might die if caught. At the same time that public security personnel began to put on record for investigation, Captain Chen also made a rescue excavation of the stolen site, which is the second excavation of Luojiaba this year. When the author arrived at Luojiaba, it was at the climax of excavation. Although it rained heavily, the author was extremely excited. I got off the highway and looked at the archaeological site across the river, because the river surged and crossed a tributary of Qujiang. At that time, I felt as if I had gone to Liangshan in Shui Bo. Fortunately, now I have the arrowless phone number of Zhu Gui Bank. I called Captain Chen from my hometown by the river, and I really saw the boat in the direction of Luojiaba. The boatman asked me if I was afraid of the surging river. He didn't know that the author had been a sailor for ten years on the Yangtze River. Captain Chen is waiting for me at the dam with an umbrella. He was soaked to the skin when he arrived at the base. Captain Chen briefed me on the situation. He believes that the ruins disturbed by thieves should be a sacrificial pit, temporarily named K 1, with the bones of three people in the middle and a large number of bronze weapons and a small amount of pottery in the south of the pit. The filler in the pit contains a lot of charcoal, which is estimated to be related to the sacrificial ceremony. During the burial process, some animal limbs and pottery were thrown into the pit. The next day, the water in Qujiang tributary continued to skyrocket, and Captain Chen ordered: forcibly extract the items in the pit. The author witnessed the intense work of archaeologists. As a result, 130 pieces of bronzes, some decorations, painted pottery and household utensils were unearthed. Because the pit is from the late Spring and Autumn Period to the early and middle Warring States Period, plus the scale, it is an unprecedented discovery. From March to July this year, Captain Chen and his party have been stationed in Luojiaba for nearly four months, and the hard work in the field is obvious to all. Captain Chen himself is a graduate of the Department of Archaeology and History in Peking University from 65438 to 0985. Since he was engaged in archaeological work, he has presided over many major archaeological excavations. In fact, the author has always respected those archaeologists who have studied rigorously. I dreamed of studying archaeology since I was a child, and one day I could go to the archaeological site to talk with the ancients, review the gains and losses, and discuss life. Unfortunately, the subsequent Cultural Revolution made the author lose the opportunity to learn, and the illusion of archaeology vanished. Taking the photo report as an opportunity, I ate and lived with Captain Chen and his party, shared the surprise of discovery, and fulfilled my boyhood dream. A week later, the author left Luojiaba, and Captain Chen personally rowed me across the river and took a bus. The archaeological team still has some finishing work to do. The author continues his trip to Fuling in Chongqing and Mao Ping in Hubei, where there are traces of Ba people that the author wants to follow. Chinese civilization is one of the earliest civilizations of mankind. Ba culture is one of Chinese civilizations, and Ba people are also one of our ancestors. Whether it's the people in Lower Liba or Chun Xue, all these are like a trickle flowing into the Yangtze River.