Traditional Culture Encyclopedia - Photography and portraiture - Report on Social Practice in Modern History of China

Report on Social Practice in Modern History of China

1, pull the lens: its function is to let the audience understand the relationship between people and the environment, parts and the whole from point to surface on the basis of seeing a key point clearly. Pulling the lens makes people feel broad and stretched.

2. Glasses lens: As the name implies, the lens always follows an object in action to show his activities continuously and in detail, or his ongoing actions and feelings. ?

3. Pan: This refers to putting the camera in a fixed position, looking around, panning the panorama, or panning with the movement of the subject. Often used to introduce the environment or highlight the significance and purpose of people's actions. ?

4. Pushing: It means that the position of the subject is fixed, and only by moving the camera can it be pushed into a close-up or close-up shot. The same lens content, slowly approaching, gives people a calm, stretched and subtle feeling. Rapid advancement will produce nervous, hasty and flustered effects. Pushing and patting can guide the audience to feel the inner activities of the role more deeply and strengthen the atmosphere. ?

5. Subjective shot: The shot of the film is regarded as the eyes of the characters in the play to observe and express objective things, which can simulate feelings and render the atmosphere. Subjective shots are often used to express the mental state of characters under special circumstances, and also reflect their hallucinations and imagination, which often appear in movies.

6. Empty shot: This kind of shot shows a certain time and place with a specific visual image (that is, a picture). There are no people, no language, and only the natural scenery and atmosphere scenes with certain significance are lost.

7. Integrated lens: Integrated lens means that the lens moves in various ways. Sometimes, in order to make the film show a certain plot more fully and prominently, the lens of pushing, pulling, up, down, shaking and moving is often used together in a focal plane.