Comments on Taklimakan Drum

After watching the drum of Taklimakan, 1 After the movie "Drum of Taklimakan" premiered in Xinjiang, on May 3rd, the Xinjiang Uygur Autonomous Region Federation of Literature and Art (hereinafter referred to as? Autonomous Region Federation of Literary and Art Circles? ) Connecting with work practice and combining with the overall goal of social stability and long-term stability in Xinjiang, this paper analyzes the great changes and brilliant achievements that have taken place in the north and south of Tianshan Mountain since the Central Xinjiang Work Forum. Visiting Huiju? The significance of work, held a symposium on the film "Taklimakan Drum".

The symposium specially invited Silzati, director of the film "The Drum of Taklimakan"? Ya Hefu, screenwriter Li Mushi, actor Meili Guli? Ahmed, Bakhtia? A Zi and other creative staff shared some unknown stories behind the film creation, including the efforts of the whole crew before the script writing, the key expression of emotions in the film creation and shooting process, the determination of artistic style, and the excavation with folk music and dance as the carrier, telling the story of how the nagra drum runs through the whole film plot behind the creation.

Li Xueliang, Chairman of the Autonomous Region Federation of Literary and Art Circles Photographers Association, Huang Yongzhong, President and Deputy Editor of the Western Magazine of the Autonomous Region Federation of Literary and Art Circles, President and First-class Writer of Xinjiang Art (Han) Magazine of the Autonomous Region Federation of Literary and Art Circles, Secretary General of the Autonomous Region Film Association and Deputy Research Librarian Cai and other artists from all over Xinjiang 10 analyzed and released the film.

Alati, deputy secretary of the Autonomous Region Federation of Literary and Art Circles and chairman of the Xinjiang Writers Association? Asmu said that the film "Drums in Taklimakan" is a thoughtful, moving, thought-provoking and positive film with a theme close to our real life, strong appeal and full of positive energy, symbolizing care and hope; It is an excellent film that depolarizes in the form of a film, builds a healthy modern life, encourages people of all ethnic groups to build a beautiful home and create a beautiful life. It is of great practical significance in the process of implementing the overall goal of social stability and long-term stability.

? When watching movies, I was repeatedly shocked, moved, moved, and tears filled my eyes. ? Zhang Yingshu, deputy editor-in-chief and editor of the Western Magazine of the Autonomous Region Federation of Literary and Art Circles, said that on the basis of in-depth exploration of the theme, the film also has many wonderful pens in artistic presentation. ? Drum? This image runs through. It represents a healthy and active life, represents the excellent culture and tradition of Uighurs, is the voice of the masses, and is a symbol of the confrontation between positive energy and extreme religious forces represented by the task force. From secretly beating drums, locking drums, collecting drums, willingly delivering drums, and finally beating drums, from one drum to dozens or hundreds of drums, this ups and downs process shows that the working group has won the hearts of the people with sincerity, sincerity, love, patience and care, and has won the hearts of the people, which also reflects the people's yearning and pursuit for a better life.

Zhang Xinsheng, Party Secretary and Vice Chairman of the Autonomous Region Federation of Literary and Art Circles, concluded that "The Drum of Taklimakan" is a masterpiece that highlights the responsibility and responsibility of Xinjiang literary and art workers. Literary and artistic creation should have correct artistic pursuit, based on stable spiritual inheritance, and concentrate on discovering the truth of reality, the goodness of people and the beauty of life; To have a solid life accumulation in literary and artistic creation, the key is that the creator should take root in the fertile soil of life, absorb the nourishment of the people, be true with carefully polished details, and faithfully practice the artistic principle that literary and artistic creation originates from life and is higher than life; We should conscientiously sum up the creative experience of this film in order to pursue truth, goodness and beauty and promote positive energy? Drums? Inspire the creative passion of the vast number of literary and art workers, integrate the political requirements of learning the general goal, implementing the general goal and implementing the general goal into all aspects of literary and art creation practice, and strive to dedicate more literary and art works to the people of all ethnic groups, so as to maintain social stability and achieve long-term stability in Xinjiang and make due contributions to the literary and art fronts and literary and art workers.

It is understood that the film "Drums in Taklimakan" is being performed in the autonomous region with the great changes that have taken place in various social undertakings in Xinjiang since the Central Xinjiang Work Forum as the background? Visiting people's feelings, benefiting people's livelihood and gathering people's hearts? In the Village tells a touching story about a little girl named Ayi Guli who realized her dance dream with the support of the resident team. The film artistically reproduces the vivid reality of social stability, improvement of people's livelihood, national unity and career progress in Xinjiang in recent years, and shows the good spirit and high fighting spirit of cadres and masses of all ethnic groups in Xinjiang working hand in hand to achieve the overall goal of social stability and long-term stability.

Look at the Drum of Taklimakan 2 Recently, the 20 17 key film "Drum of Taklimakan" of Tianshan Film Studio premiered in Beijing and Xinjiang respectively, which brought a strong shock to audiences inside and outside Xinjiang. Taklimakan Drums is based on the great changes that have taken place in various social undertakings in Xinjiang since the Central Xinjiang Work Forum. Visiting people's feelings, benefiting people's livelihood and gathering people's hearts? Working in the Village is a narrative clue that tells the story of a little girl named Ayi Guli. Visiting Huiju? With the support of the resident team, the moving story of finally realizing the dream of dancing, the art reproduces the vivid reality of social stability, improvement of people's livelihood, national unity and career progress in Xinjiang in recent years, and shows the good spirit and high fighting spirit of cadres and masses of all ethnic groups working together to achieve the overall goal of social stability and long-term stability. Today, this newspaper published four articles by experts and scholars to deeply analyze the success of this excellent film for readers.

Mental shock

Dong Libo, Vice Chairman of the Federation of Literary and Art Circles of the Autonomous Region, Honorary Chairman of Xinjiang Writers Association.

Autonomous region? Visiting Huiju? Everyone deeply felt the great changes that have taken place in all aspects of society since Xinjiang has fully carried out the work of staying in villages. A large number of cadres sent by the party and the government went into the village to lead the people of all ethnic groups and? Three forces? Struggle, hit hard Three forces? The arrogance that can be seen everywhere in the north and south of Tianshan Mountain, the peaceful scene of national unity and social stability. As a literary and art worker, I can't help thinking about how to describe this fiery reality in the form of literature and art, and to praise those cadres and masses who are willing to give everything for the benefit of the motherland.

The artists of Tianshan Film Studio acted first. With a high sense of responsibility and good professional quality, under the leadership of director Huang Gaogang, they United as one, went deep into the grassroots to collect materials, organized experts to repeatedly demonstrate, and the script was easy to draft, which overcame many unexpected difficulties in shooting. Finally, in the spring of 20 17, this feature film named Taklimakan Drum was released. As a first reaction? Visiting Huiju? Literary and artistic works working in the village have naturally attracted the attention of all walks of life.

To tell the truth, I walked into the cinema with anxiety and expectation. I am worried that the creation of this theme is too difficult, and some topics are sensitive, which will affect the profound expression of the theme. But at the same time, it is also expected that this work will become a primrose, providing experience and enlightenment for literary and artistic creation of similar themes and bringing a prosperous scene to Xinjiang's literary and artistic spring.

I don't know how others feel when they watch this feature film. I can only say that after the film was released, this story, which lasted 100 minutes, made me feel that I had not seen enough. After the light came on, I still sat in the chair and didn't want to leave. I wanted to continue reading. Because my whole body and mind are still immersed in the atmosphere of the story, I was deeply shocked by the drums coming from the depths of the Taklimakan desert. In other words, my troubles are gone, and I have seen what I expected.

Every nation has its own way to express its inner feelings. The warm, open-minded and optimistic nature of Uighurs makes the place where they live known as the hometown of singing and dancing. But in recent years, due to the poison of religious extreme thoughts, many beautiful villages began to become depressed and silent. Although this feature film does not directly show those hateful religious extremists, it still makes us feel the harm caused by religious extremists to society and people through a lot of real and powerful plots. There was no laughter or singing at the wedding; Beautiful girls who love dancing are deprived of their freedom and forced to marry early; The old man who has been playing nagra drums all his life wants to hide the drums in a box, so he can only secretly take them out in the middle of the night and feel them? Black fog enveloped the once blue sky in the countryside.

However, all this is in? Visiting Huiju? The arrival of the resident team has changed. Cadres of all ethnic groups who enter the village from the government work with the villagers at sunrise and rest at sunset. Although they are few in number, their special status makes them like messengers of the sun, which will bring light and warmth to people wherever they go.

Thanks to the efforts of the resident team, the village has the first asphalt road. From then on, no matter whether it is windy or rainy, the villagers are no longer troubled by mud and dust. The village has built a square where cultural and sports activities can be carried out, giving villagers, especially young people, a place to learn knowledge, relax and entertain, greatly squeezing the space for the infiltration of religious extreme thoughts; The task force invited agricultural technicians to the fields to teach farmers the advanced technology of planting red dates and make the villagers' dream of getting rich come true; Team members and village cadres go home and send not only daily necessities, but also the care of the party and the government.

A touching scene in the movie, right? Visiting Huiju? There is no artistic exaggeration or fiction in the true presentation of the village's works. He Jianjiang, the captain of the task force, was unable to visit because of his mother's critical illness and held on to his post until the bad news of her death came. He held the mobile phone with tears in his eyes, which made people unable to help but be moved. It was the courage and dedication of many players that finally made the long-lost songs ring in the rural areas of southern Xinjiang, and a group of men made a mighty drum array across the world, pushing the whole movie to a climax.

"Taklimakan Drum" comes at the right time, and it will bring spiritual shock to every audience. It is hoped that more artists will devote themselves to literary creation that pays attention to reality and carries forward the main theme, and launch more masterpieces to inspire the confidence and determination of people of all ethnic groups to jointly build a beautiful home.

On the afternoon of May 3rd, Xinjiang Federation of Literary and Art Circles held a symposium on the film "Drum in Taklimakan". The film's creators and experts from the Federation of Literary and Art Circles jointly discussed the artistic achievements and characteristics of the film.

The film Drum in Taklimakan is based on the great changes that have taken place in various social undertakings in Xinjiang since the Central Xinjiang Work Forum. Visiting people's feelings, benefiting people's livelihood and gathering people's hearts? In the Village tells a touching story about a little girl named Ayi Guli who realized her dance dream with the support of the resident team.

Zhang Xinsheng, Party Secretary and Vice Chairman of the Autonomous Region Federation of Literary and Art Circles, said at the forum. The new film "Drum in Taklimakan" of Tianshan Film Studio is a good film that pays attention to reality, promotes righteousness and is exquisite in art. What is particularly commendable is that the film faces the harsh reality of the spread of religious extreme thoughts, takes the lofty feelings and artistic responsibility of artists and people to share joys and sorrows, and profoundly tells the emotional pain and mental trauma hidden in the heart of the simple and kind Uighurs because of the influence of extreme thoughts, and carries forward it with touching artistic appeal. ?

Alati, deputy secretary and chairman of the Autonomous Region Federation of Literary and Art Circles? Asmu said:? The film "Drums in Taklimakan" is a thoughtful, unique and rich artistic expression, touching, thinking and positive film, which is very close to real life. The film shows us the power of thought and the feast of art. Almost all the pictures and details contain the aesthetic concept of moving people with emotion and are full of life. ?

Cai Cai, secretary-general and deputy research librarian of the Film Association of the Autonomous Region, said: The drum in Taklimakan has made a bold attempt and experiment. For example, the nagra drum in the film itself is a national folk image. The film makes full use of the ritual folklore phenomenon, and magnifies it into a cultural spectacle or a cultural feast through the lens, bringing a shocking viewing experience to the audience. ?