Composition skills of wedding photography

Composition skills of wedding photography

How to take a wedding photo to have a good-looking effect? The key to the success of wedding photos lies in composition and posture. Next, I will share the composition skills of wedding photography. Welcome to reading. .

Let the model fill the picture

Wedding photography is about people, so don't be afraid to zoom in. But remember, zooming in is not only about taking pictures of faces, but also making the picture "compact" and taking some recent photos of models sitting in chairs or leaning against trees.

Keep your eyes on the top third.

This is the most natural spatial arrangement for wedding photos. Unless you deliberately create tension, try not to violate this principle. Another exception is when the model is in the lower third of the photo.

Use composition to attract the attention of models.

Instead of trying to eliminate the bad environment, we should make good use of it. The arch, window and terrace in front of the door can play a role in highlighting the main body and strengthening the visual effect.

Create texture

If you can't eliminate the distracting background, you should make good use of it. Keep the subject away from the background and use aperture priority mode, and use shallow depth of field to blur the background to create artistic texture. In this way, the model can stand out from the background without deleting those interesting things from the picture.

Use lines

Brick walls are the perfect background for wedding photography. Although the lines on the wall add a lot of interest, they also distract attention from the main body. Any "line" that extends out of the picture or points to the subject is very powerful.

Change the shooting angle

Sometimes eliminating interference only needs to change the angle of the camera. By constantly moving left and right, high or low, you can completely shield those distracting branches or telephone poles. The look-up angle and wide-angle lens make the background a foil for the protagonist.

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