The difference between Assassin Nie Yinniang movies and classical Chinese works

1. Looking for an article on the difference between the movie and the novel about Assassin Nie Yinniang

I will look at the deletions myself, and I will find the answer for you.

In the movie, there are natural sounds of wind, birdsong, and seasonal changes. People today can feel the temperature and humidity where the ancients lived. Just like the bowls and teapots hanging in movies such as "Nian Nian Feng Chen" and "Sad City", the simple wooden buildings (beautiful brackets) and shiny and elegant gold and silverware occupy a lot of space in "The Assassin Nie Yinniang" However, although the visual space is very close to the "Qi" in the original novel, in the creation of the character Nie Yinniang, the movie almost goes the opposite way from the original work.

The novel is about a fifteen-year-old woman’s self-choice. Nie Yinniang was kidnapped by a Taoist nun when she was ten years old. When she returned five years later, she was already a super mature assassin with no worries in her future life.

In the next five years, Ni sent Yin Niang home and told Feng, "The teaching has been completed, but my son has received it." Ni Xi also disappeared.

The family was sad and happy and asked what they had learned. Said: "In the beginning, I only read scriptures and recited mantras, and there was nothing else."

Feng didn't believe it and asked him earnestly. Yinniang said, "If you really tell me, you won't believe me. How about that?" Feng said, "But if you really tell me,"

This was Yinniang's first conversation with her family after returning home. Don’t believe it.” She already knew that she was an alien, and she also understood that even if she was a close relative, she could not understand and tolerate an alien. After telling her family about the adventure, the reaction was just as she expected - "Feng was very scared when he heard the words.

Later, he disappeared at night and returned in the morning. Feng no longer dared to question him, so he didn't Very compassionate."

Family love is so practical and weak. In terms of marriage, Yinniang is also special: Suddenly, when the young man Mojing came to the door, the daughter said: "This man can be my husband."

Bai's father did not dare to disobey, so he married him. Her husband can only temper mirrors, but there is nothing else he can do.

My father gave me plenty of food and clothing, so I lived outside the house. It is rare to see a man who chooses his own husband completely on his own, and who is completely incompatible with him, but his family members dare not disobey him. This is true from ancient times to the present.

In the novel, the mirror-grinding boy appears twice. One place is: when a magpie makes a noise in front of him, the husband misses with his bow and bullet.

The wife seizes her husband's bullet, and kills the magpie with one pill. Once again, it shows that the husband is weak and the woman is strong.

Another place is: In the eighth year of Yuanhe, Liu Zi promised to go to the palace, but Yinniang was unwilling to do so. It says: From then on, I searched for mountains and rivers and visited people, but I only begged for a gift from my husband.

Her only worldly request is to arrange a job for her husband. It seems that Yinniang not only understands but also cares about this husband who "has nothing else to do". The greater the ability, the lower the requirements for others.

For a strong man, the highest requirement for a partner is ordinary companionship. In addition to dealing with the relationship with relatives and partners, the largest part of the Tang novel "Nie Yinniang" is her choice of who to take charge of.

After "knowing that Commander Wei is not as good as Liu", Yinniang "is willing to sacrifice him and do this, and obey the gods." As an assassin, this kind of rebellion is actually very unprofessional.

This is also true, which shows that Nie Yinniang is not a killing machine, but has a very clear value judgment and independent personal choice. This decision can be traced back to the earliest days, when she was studying with a Taoist nun and failed in her mission: "I saw someone teasing me in front of me, she was cute, so I couldn't bear it, so I took action."

The description of Nie Yinniang’s superb martial arts is very exciting in the novel, especially against Kong Kong’er and Jing Jing’er. In such a situation, it would be better for Tsui Hark to film it.

It was completely changed in the movie. The realistic version of the wizard doesn't look that good, and the Doyle handheld version should be even better. The Nie Yinniang depicted in the novel never had any entanglements about her life after she came out of the mountains. She just kept making choices and moving forward.

Her superb martial arts is what makes her different from ordinary people, and it also protects her differences, allowing her to move forward completely according to her own wishes step by step. Nie Yinniang finally rode on a donkey, like a enlightened person.

Perhaps it is because the protagonist of the novel is so charming, such an independent woman, it is easy for modern people to ask: What is the necessity for such a strange woman to appear in the Tang Dynasty? The screenwriters tried their best to solve this mystery and gave a complicated logical background such as power struggle. The time and place in the novel have become clues.

Starting from the word "Wei Bo" in the first sentence of the novel "Nie Yinniang is the daughter of Nie Feng, the general of Wei Bo in the Zhenyuan Dynasty", this method of searching for things based on pictures has turned "The Assassin Nie Yinniang" into The prequel to the legendary novel "Nie Yinniang". Nie Yinniang in the novel has a strong and transparent aura after she comes out of the mountain, and she completely becomes the master of herself.

In the movie, she gradually completes herself by slowly giving up her old love, her teacher, her relatives, and finally politics. Nie Yinniang in the movie is much inferior to that in the novel, not as cool and charming.

It can be said that at the end of the movie, Nie Yinniang has just become the beginning of Nie Yinniang in the novel. One person has no similar kind.

Such a slogan seems to indicate that the director has the same goal as the original work, describing Nie Yinniang. In fact, the movie "The Assassin" depicts politics.

After expanding the historical background of the novel and adding a large number of characters and plots (the bloody plot between Nie Yinniang and her cousin), the movie does not want to clearly describe Nie Yinniang (compared to the novel, the heroine’s personality (On the contrary, it has been weakened), and the focus is on photographing a non-centered profile of the Tang Dynasty, a small conflicting area full of tension, a kingdom of impurities where the orthodox royal family and the "rebels" will breed together. Different from other directors' rendering of the center of the Tang Dynasty and the prosperous age of the Tang Dynasty, Director Hou chose a non-mainstream little character with a female assassin as the protagonist, and set the expanded story background in a non-mainstream separatist feudal town instead of Chang'an.

Weibo, as a festival of the Tang Dynasty, is full of complex, tense and coexisting relationships between local and central authorities, between internal parties, between the Tang Dynasty and non-Tang Dynasty, etc. Nie Yinniang connects all these, and she represents It represents perseverance and displacement; it represents revenge and tolerance. One person has no similar kind.

Initially, this was the experience of a Tang princess who married Wei Bo. It was a kind of cultural and spiritual loneliness. Between the guqin of the Han Dynasty and the tambourine of the Western Regions, which one would you choose for joy or mourning? When Director Hou was thinking about Nie Yinniang, he was not in Chang'an, but completing and constructing a more complex "Tang" outside Chang'an. This way and location of attention are somewhat related to his Taiwanese identity. On the whole, Director Hou restored the Tang Dynasty to the Tang Dynasty that he seemed to have lived in. The word "Tang" is completely Hou's style.

Long shots, long shots, long shots, forcing the audience to wash their eyes in the beautiful and quiet scenes. This is the first time that Hou's film has been released in mainland China. Many people may not be able to accept this style. 2. What are the different reasons why Princess Jiaxin kills Tian Ji'an in the original Assassin Nie Yinniang and the movie?

It doesn't matter at all. The original work is different from this movie

Original text

Nie Yinniang was the daughter of Nie Feng, the general of Wei Bo in Zhenyuan. When he was ten years old, a nun was begging for food in Feng's house. He saw Yin Niang and was pleased with her. He said, "Ask Yaya to beg for this female teacher." Feng was furious and scolded the nun. Ni said: "If it is stored in the iron cabinet of the Yamen, it must be stolen." At night, Guo lost sight of Yin Niang. The front is frightening and makes people search. There was no impact. Every time my parents think about it, they cry.

In the next five years, Ni sent Yin Niang home and told Feng, "The teaching has been completed, but my son has received it." Ni Huan also disappeared. The family was sad and happy and asked what they had learned. He said: "In the beginning, I only read scriptures and recited mantras, and there was nothing else." Feng didn't believe it and asked him earnestly. Yinniang said: "I'm afraid I won't believe it, so what?" Feng said: "But I really told you." He said: "Yinniang was first captured by the nuns, and she didn't know how many miles she had traveled. By the Ming Dynasty, there were dozens of holes in the big stone cave. There are no people living there, and there are many apes and Usnea. There are two girls, each ten years old. They are both smart and beautiful, and they can fly on the cliff like a quick climber without any stumble. Lost. The nun gave me a pill, and ordered me to hold a sword with a length of about two feet, which was sharp and blowing hair. I ordered the two women to climb together. After a year, I gradually felt that I was as light as the wind. After stabbing tigers and leopards, they were able to fly after three years. The blade of the sword was gradually reduced by five inches, and the birds did not know where they were coming from. After four years, they were left to guard. He picked me up in the city, I don’t know where he was. He pointed at the person and counted his faults one by one, saying: "I stabbed his head, but he didn’t feel it." Determining its courage is as easy as flying a bird. "He was given a ram's horn dagger, which was three inches wide, and he stabbed the person in the city during the day. No one could see him. He put the head in his bag, returned to the owner's house, and used medicine to turn it into water. Five years later, he said: "A certain big man If the officer is guilty and has harmed several people without any reason, he can enter his room at night and kill him. He then entered the room with a dagger, checked that there was no obstacle in the door gap, and lay down on the beam. When he was in silence, he took his head and returned. The nun was furious and said, "Why is it so late?" A certain person said: "When I saw someone teasing me, I saw it was cute, so I couldn't bear it and I started to attack." "Ni Chi said: "If you meet this person in the future, first cut off what you love, and then kill him. "I thanked you." The nun said, "I opened the back of your head and hid the dagger without any damage. I can draw it out immediately after use." He said, "You have mastered your art and can return home." Then he sent it back and said, "We won't see him again until twenty years later." "When Feng heard the words, he was very frightened." Later, he disappeared at night and returned in the morning. Feng no longer dared to question him. Because of this, he is not very affectionate.

Suddenly, when the mirror-grinding boy came to the door, the girl said, "This man can be my husband." Bai's father didn't dare to disobey, so he married him. Her husband can only temper mirrors, but there is nothing else he can do. My father gave me plenty of food and clothing, so I lived outside the house. A few years later, his father died. Wei Shuai knew a little about the difference, so he appointed the Jin and Silk Department as his left and right officials. So for several more years. During the Yuan Dynasty, Wei Shuai was at odds with Chen Xu Jiedu's envoy Liu Changyi, so Yin Niang stole his head. Yin Niang's promise to resign. Liu Neng's divine calculation knew what was coming. Summon the Yamen general and order him to go to the north of the city early in the morning to wait for a husband and a woman. They each cross the white and black guards to the gate. When they encounter a magpie making noise in front of them, the husband misses with his bow and bullet, and the wife seizes her husband's bullet and kills the magpie with one pill. Yi Zhiyun said: "I want to see each other, so I can only greet you from afar." The Yamen will be restrained and meet them. Yinniang and his wife said: "Liu servant is a god of shooting fruits. Otherwise, how can you tell me? I would like to see Liu Gong." Liu Laozhi. Yinniang and his wife bowed to each other and said, "If you join forces, you will be killed." Liu said, "Otherwise, it is normal for everyone to kiss his master. What is the difference between Wei Jin and Xu? I would like to stay here, but I am suspicious." Yinniang Xie said: "I have no one on my left and right, but I am willing to leave him alone and do this to obey the gods." He knew that Wei Shuai was not as good as Liu. Liu asked what he wanted and said, "Just two hundred coins a day is enough." He complied with the request. Suddenly the two guards were nowhere to be seen. Liu sent people to look for him, but he didn't know where he was going. After diving into the cloth bag, I saw two paper guards, one black and one white.

More than a month later, Bai Liu said: "I don't know where he lives, so I will send someone to follow him. Please cut your hair tonight, tie it with red gauze, and send it to Commander Wei in front of his pillow to show that you will not come back."

Liu listened to it. At the fourth watch, he returned and said, "I have sent his letter." The night after tomorrow, the spirits will be sent to kill someone and the thieves and servants to shoot them in the head. At this time, there are many plans to kill him, but I don’t worry about his ears. "Liu is open-minded and generous, and has no fear of color. It was a bright candle at night, and after midnight, there were two flags, one red and one white, fluttering like hitting each other on the four corners of the bed. After a long time, I saw a person standing looking up into the sky, with his head in a different place. Yin Niang also said: "Jing Jing'er is dead." " He was dragged out of the hall and turned the medicine into water. His hair was gone. Yin Niang said: "The next night, I will let my master arrive empty-handed. Kong Kong'er's magical technique, no one can see its use, no ghost can sneak up on its traces, it can enter the dark from the void, and the good can be invisible and destroy the shadow. Yin Niang's art, therefore cannot create its state. This is the blessing of Pu She. However, if the Khotan jade is wrapped around his neck and wrapped in a quilt, Yinniang will turn into a midge and sneak into the servant's intestines to wait. The rest will have no escape. "Liu Ruyan. At the third watch, when he was closing his eyes and not yet mature, he heard a clanging sound on his neck. The sound was very sharp. Yin Niang jumped out of her mouth and congratulated, "I'm fine with my shooting." This person is like a handsome falcon. If he misses a shot, he will fly away. It is shameful that he missed the shot. He has already traveled thousands of miles before even one watch. "Looking at the jade from behind, it turned out that there were scratches with a dagger, and the marks were more than a few cents. From then on, Liu turned to give him a generous gift.

In the eighth year of Yuanhe, Liu Zi promised to go to the palace, but Yin Niang was unwilling to comply. It says: “Since then I have searched for mountains and rivers and visited great people. But he begged for anything and gave it to his husband. "Liu did as promised, but gradually lost track of him. When Liu died in command of the army, Yinniang also whipped the donkey and went to the coffin of the capital, wailed and left. When Kai came of age, Chang Yizi eliminated the governor of Lingzhou and went to the plank road in Shu, where he met Yinniang. , looks as good as that time. I am very happy to meet you. I cross the white guard as usual and say: "Lang Jun is in trouble, it is not suitable for this." "Take out a pill of medicine and order it to be swallowed. He said: "In the coming year, I will be forced to leave my official position and return to Luo, so that I can escape this disaster. My medicine is only effective for one year. "Even though she didn't really believe it. She left her silk ribbons behind, and Yinniang suffered nothing, but she left drunkenly.

The next year, even though she didn't retire from office, she died in Lingzhou. Since then, there has been no trace of her. Meet Yin Niang. 3. What is the relationship between Tian Xing and Tian Jizhong in Assassin Nie Yin Niang?

It was probably to weaken Tian Jian or the Tian family. Although Tian Xing was demoted due to different political views with Tian Jian, he was still demoted. He is a member of the Tian family, and the person named Qiu who was killed before may have just been demoted. Tian Ji'an has no intention to kill these two people, and they may be reused in the future, so just kill them. Tian Ji'an cannot be severely injured, but it will also cause damage.

In addition, in history, Tian Ji'an died at the age of 32. After his death, his son succeeded him but had no real power. Later, he actually took power and became the next Wei Bo Jiedushi. It's Tian Hongzheng, who is also Tian Xing, so Tian Xing should be a very powerful person (the above content is from Baidu)

What impressed me deeply is that in the movie, Tian Xing pretended to be sick after returning home (it seems). Is it paralysis?) Then Tian Ji'an found out that he was lying and dismissed him. I feel that pretending to be sick has been used as an excuse to block various things since ancient times. Unfortunately, the effect is not necessarily good. 4. What Is the Mirror-Grinder (Assassin Nie Yinniang) Film Review

Let me first talk about what this movie is about? It is about young women who are more capable of fighting and killing scumbag men.

When I came down from the mountain, I saw that the scumbag was so weak that he was too lazy to kill me. The world was boring to the core, and he escaped from the world with a worldly expert who grinded his glasses. Some movies are like novels, some movies are like essays, and some movies are like essays. It's like poetry, and the closest thing to "Nie Yinniang" is the game process video

So please join me in adding the tag #杀scumbagman#1. No matter how hard you try, you can't convince yourself that this is. A good work. I can't even convince myself that this is not a show-off work - after thinking about it for 600 times, I still feel that without this visual style, I would have left halfway.

Director Hou must have great ambitions and high pursuits, but film production is a relatively complicated process. In this process of shooting locations everywhere, working hard, and gathering elites from all walks of life, "Nie Yinniang" became a play. Experimental art... 2. Long lens, fixed lens, documentary aesthetics, etc. When I was studying, memorizing explanations of terms was really disgusting. It’s so disgusting that now, whenever I feel like someone is trying to talk to me about this, my first reaction is basically to get up and run away. Run. I like "City of Sadness", "Love in the Wind", "Once Upon a Childhood" and other works very much, but it is still difficult to compare with "Nie Yinniang"

Eight hundred *** can't change the fact that the story level is very ordinary: a relatively capable young woman comes to hunt down the scumbag. It's disappointing to see how the scumbag has become so weak that he is too lazy to kill him. I was sad and bored to the bone, so I ran away with a worldly expert who polished my glasses... 3. If "vision" is really not its advantage, then I would be wronged to death. I once did a student project that was probably considered pioneering. I really liked the story. I felt that the story at least had something to say. To this day, I am still trying to rewrite it.

Because I have to work part-time, take exams, and my technical skills are not high enough to take classes, etc., the effect of this film is relatively cultivating. The problem was with the part where I mixed it with footage from other films.

During the broadcast, the teacher criticized me: Why did you come up with a half-finished product? Not finishing it? 4. At that time, I was so ashamed that I wanted to jump off the building - although this film is very cult, it is really not a semi-finished product. It was designed consciously by me. If I had shot it myself, it would have been much faster than this, okay? Give me some more time to fix the picture. It will definitely look much better than this, okay? I'll try to explain. I said that's my approach.

Before I could even say the word "technique", the teacher interrupted me: What's the explanation! What’s the use of explaining! Once your work is handed over, explanations are useless! Which director still explains after handing over his work? The right of interpretation must be left to the audience! Then I understood that true celebrities don’t explain, at most they only prove. If you can't prove it, it will be wiped out. If you want to be tough, you have to be cold to the end.

5. Then "Nie Yinniang" becomes a marketing problem, it is not even an artistic problem. I am doing marketing now, and I feel that it has created a new form called "blank marketing", which is very luxurious and elegant.

It successfully made the audience desperately explain it, like noble and cool green tea. If I hadn't read any analysis before, I wouldn't have been able to understand any artistic conception from it.

If this is a presentation of ancient poetry, then at the very least, it should pay attention to rhythm and rhythm, right? After reading the analysis, I became very confused: Do I have to learn something from it, such as the classics, such as culture, such as the Tang Dynasty, such as seclusion, such as loneliness - but this mode of thinking is really too crude. , so rough that it makes me embarrassed. 6. Faced with the large blank space that is said to be "blank", I found that as long as I want to interpret it, I can interpret it freely, and I can interpret my entire life from it; but if this is the director's superb artistic technique, I'm sorry. I can't agree.

Of course, the author does not need to care about the audience, does not need to tell the audience where to look, and allows the audience to find what they want from a lot of blank spaces, but at the very least, the author himself should have something to say. Things? It is not inexplicable that the master is better than his thoughts and consciousness. Many works that seem unclear and powerful may not be really that powerful. It’s just that there are many things in them that are not written for you. The author does not have you in his heart and does not care about you. Only the author who truly respects you will be careful and careful. Make up your mind to delete all the paragraphs that you may not be interested in, for fear that you will be frightened while wandering in this vast dark night - this is not a compromise to business, it is purely a matter of care or not.

Of course, many times, what we pursue is fear. 7. The thing is, as long as we have the mentality of "I want to interpret something", we can interpret a lot of things from most good movies.

"Creators" are very attentive creatures. They have spent countless sleepless nights, repeatedly revising every word, every stroke, just hoping that the careful design can be understood. They are so enthusiastic.

The commercial silly films that young literary and artistic people despise the most are precisely the ones that respect the audience the most in terms of design. They have put in no less effort than "Nie Yinniang", and they are also working hard to create a certain "artistic conception". What it reflects may also be more profound than "Nie Yinniang". You must know that the action scenes in "Nie Yinniang", especially the part where Qinggong goes to the house, are not even physically convincing... I think this is also quite disrespectful to the audience.

Of course, people are cheap, and you who take care of you are often not useful. You have to "do it" until you are alive or dead in order to feel comfortable. 8. Because of the famous names such as Hou Hsiao-hsien and Cannes, "Nie Yinniang" has become a poetry appreciation question.

This question is: "What method did the author use to express 'one person has no likeness' on the poster?" I got zero points for this question. Interpreting such a topic is simply an insult to my intelligence: I heard that Nie Yinniang was betrayed, but anyone who can "negative" me must be my kind, because aliens can't talk about betraying me, and the moment when a similar kind betrays me, it's just that It proves that the "similar people" (in my imagination) are actually alien, then this just proves again and again that everyone is lonely.

Is this anything worth photographing? "Lonely and no one understands" is childish enough. The girl's thoughts and the knowledge of love are difficult to understand and cannot be figured out. The girl herself is very clear about this, so the high-level treatment is not "lonely and helpless". "People understand" - this doesn't happen. 5. Who knows the legendary story of Nie Yinniang

Hello, editor? ? ? ? ? "Nie Yinniang" is a Tang legend, collected in "Legends" written by Pei Kai.

Tang Chuanqiu: refers to the short stories (classical Chinese) of the Tang Dynasty. Nie Yinniang was the daughter of Nie Feng, a general under Wei Bo Jiedushi during the Zhenyuan period of Tang Dezong.

When Nie Yinniang was ten years old, a nun forcibly stole her away and taught her various Taoist arts. Within five years, she learned a "flying sword" spell - which will pass through The sword tempered by Taoism is shrunk into a ball and hidden in the back of the head; when it is needed, it is taken out and activated by will, flying a hundred miles away to kill the enemy. Using this magical Taoist technique, Nie Yinniang became an assassin, often eradicating corrupt officials who committed evil acts on behalf of the people.

After Yinniang finished her studies, she returned to her father. Her father's chief, Wei Bo Jiedushi, valued her very much and appointed her as an official.

Wei Bo's Jiedu envoy Tian Ji'an was at odds with Chen Xu's Jiedu envoy Liu Changyi. They often clashed and ordered Nie Yinniang to assassinate him.

Liu Changyi knew fortune telling and knew the details in advance. Yinniang was very impressed and turned to him. She also told Liu Changyi that other people would come to assassinate him and that he needed to take all precautions. The first assassin to come was Jing Jing'er.

In this fight, only one red and one white flag was seen, and the two flags were swaying fiercely; not long after, Jing Jing'er's head was missing, and Nie Yinniang solved it. The second one is Miaoshou Kongkonger.

His Taoist skills are very good. He comes and goes without a trace. Nie Yinniang was not an opponent in the first place, but he had a habit of making only one attack and leaving regardless of success or failure.

Nie Yinniang took very careful precautions, surrounding Liu Changyi's neck with a piece of jade, and transformed herself into a small insect, hiding in Liu Changyi's intestines to protect her secretly. That night, I only heard the sound of a knife cutting something, and everything returned to calm.

The next day, I saw that the jade stone around Liu Changyi's neck had a deep crack. We finally got through the crisis safely.

Nie Yinniang saved Liu Changyi's life, but was unwilling to accept any reward. After staying for a while, she left with her husband on two donkeys, one black and one white. From then on, no one saw her again.

The biggest feature of "Nie Yinniang" is that she has many magical and bizarre spells, such as flying swords, magical movements, transformations, etc., which are closely related to Taoist immortal thoughts. This feature had a profound influence on later martial arts novels, especially in the early years of the Republic of China, such as Pingjiang Buxiaosheng's "The Legend of Jianghu" and Huanzhu Louzhu's "The Legend of Shushan Swordsman". Inspired by the legend of the Tang Dynasty.