Tell me why 95 is a classic in my mind.

As a matter of fact, I am not an idolater who is fascinated by some people or things. I'm past that age. I was born in 1987. If I were a younger teenager, I might be more enthusiastic. Now I'm pessimistic. But recently, I really can't stand the version of the shooting sculpture released by Ma Yu that ruined my childhood. In addition to the current situation, I can't help but say a few words.

I think the Ninth Five-Year Plan is a classic, not because I am infatuated with someone or preconceived, but because he is a classic.

Speaking of fans, I am a fan of Liu. I have liked him since I was a child. I have also carefully watched the 83rd edition of the sculpture he played. The owner said that he and the little dragon girl were the little dragon girls in his mind, which I think is not bad, because when he was young, Andy was absolutely heroic, but really a very light woman, very similar to the little dragon girl in the original book (anyone interested can check it out). Although Liu He's Yang Guo and girls are also very good, why don't I say that the 83rd edition sculpture is a classic? There are many reasons.

Huazai has not become a spoiled child in people's minds, because Huazai's acting skills are really green. His heroic spirit is handsome enough for Yang to come over, but his acting skills are really crude.

I like Lao Liu, but personally I think his acting skills when he was young can only be summarized in two words: handsome. When he was young, classic movies should be regarded as "dream catchers with love in heaven", but they may have their own components. Lao Liu's acting skills have changed. It's Ah Fu. His acting skills are great. It's the first part of Infernal Affairs. Personally, I always think that Infernal Affairs should be given to Lao Liu, not Tony Leung Chiu Wai, although I like Tony Leung Chiu Wai very much. Actually, Tony Leung Chiu Wai didn't make any breakthrough in that play. He has performed similar plays before and saluted the hearse in an alley. Infernal Affairs is just a repetition. He acted well in that play, but I think Liu acted better in that play.

Chen Yulian's little dragon girl really doesn't eat human fireworks. She is also the little dragon girl in the eyes of many older Hong Kong people. But why did the 95 version of the idol set off a viewing frenzy in Hong Kong after it appeared?

Because a drama wants to be a classic, it needs to be comprehensive in many aspects. We'll talk about this later. If you want to write, you'll spread it too much.

Besides, preconceived notions. There are many assertions on the Internet. Many people think that 06 sculpture is not as good as 95 because of preconceived reasons, which is sheer nonsense. I can seriously tell you that the earliest statue I saw was Morphy Pan Yingzi's version. My hometown is in the countryside. At that time, the TV station in the town would take out the Morphy version of the idol every Spring Festival and broadcast it two or three times. I can also sing the theme song in it. What about drawing a long sword? Carve a cross, XXXXXXX, be gentle, give up love, pure and clean (sorry, I forgot the middle word). What impressed me the most at that time was Morphy's version of Yang Guo's ecstasy palm, which was a series of connected numbers. That was when I was in primary school. Besides Tianma Meteor Boxing and Lushan Dragon Overlord, my favorite big move is the ecstasy palm ... Haha, now think about it, good seconds.

In fact, I didn't come into contact with the original work of the sculpture, but I was a good baby until junior high school. I thought the children's shoes I rented from the martial arts books were all rotten silver. I didn't really start reading until junior high school. At that time, I didn't understand it. I just felt that the little dragon girl and Yang Guo in the book could not be associated with Pan Yingzi and Morphy. I didn't know what cold was at that time. Pan Yingzi is too dazzling, but I just don't like it. This situation continued until I saw the 95-year-old sculpture, and I finally found my Yang Guo and Little Dragon girl.

The 95-edition statue of god should have come in after 1998, right? When I saw it, it was about 99 years ago. I remember it was summer anyway. At that time, there were frequent power outages in the countryside, and I looked forward to calling Xiangfan TV station every day to watch the condor heroes.

When I arrived at the university, the 06 God was carved out. I actually like Liu Yifei, so I went to see it specially, but it really didn't feel right. Then I watched some intermittently at home.

Actually, I'm not Zhang Jizhong's black. I think Zhang Jizhong's Tianlong is good, and 97 Tianlong is good as a whole, but Zhang Jizhong's Tianlong is really good. Perhaps Hu Jun's Qiao Feng is not heroic enough, and Felix Wong Yat Wa's Qiao Feng is really incomparable, but Jimmy Lin's Duan Yu's extravagance, Gao Hu's Xu Zhu's stupidity are enough to connect the short board, and Hu Jun's Qiao Feng's domineering, although not so heroic, is really not bad. But the Zhang Jizhong version of the idol really doesn't work. I will analyze this carefully later.

In fact, I also took a look at the Richie Jen version of the idol. Speaking of which, my big Xiangfan TV station is invincible. When I was a child, I watched Hong Kong and Taiwan dramas next to it: Ma Jingtao's version of "Eternal Life", Wu Qihua's version of "Eternal Life", 83 God Carvings, 83 God Carvings, 95 God Carvings, 97 Dragon Carvings, Travels to the East, and Drunk Golden Branches. Even his mother's Richie Jen version, I looked at it twice and suddenly went blind. Who is that woman with black and green eye shadow? Is it your aunt? Shit, change the channel right away.

Having said that, I just want to tell you that I actually analyzed these versions of sculpture from an objective standpoint, which may be a bit nonsense, almost two thousand words. Next, we will analyze it slowly.

I think whether a drama can become a classic can be divided into several aspects: 1, the matching degree and acting skills of the hero and heroine, 2, the matching degree and acting skills of the supporting roles, 3, whether the plot is reasonable, and 4, the scene special effects.

The most important thing in a drama is the choice of the hero and heroine, which can be seen from the crazy spit in the Richie Jen version and the netting version. In the novel, there is a breeze in Yushu, Yang Guo, and the little dragon girl looks like a fairy and doesn't eat human fireworks. If you choose two ugly guys, you will definitely be spit out. This world is a world of looking at faces, but in TV, besides looking at faces, it depends on acting skills.

If the beauty of several protagonists. I think Andy Lau and Chen Yulian, Louis Koo and Carman Lee, Liu Yifei and Huang Xiaoming will do. Yang Guo, a little dragon girl from Morphy and Pan Yingzi, one is a handsome passerby, and the other is too delicate and inappropriate, so we won't discuss it next.

Beauty, in fact, it's hard to say, everyone's appreciation standard is different, and I also saw a screenshot of the Singaporean version of Yang Guo on the Internet these days. Actually, that guy is pretty handsome, too. But beautiful doesn't mean coincidence, handsome or not, beautiful or not, and it doesn't mean like it or not.

We'll talk about coincidence. Andy Lau's Yang Guo's heroic spirit is actually quite consistent, except that Yang Guo's paranoia is a little less, and Andy Lau's acting skills are too green, and the shooting skills of the crew are not particularly good, so his consistency should rank second. In my opinion, the little dragon girl in Chen Yulian is closer to the little dragon girl in Carman Lee. If the older generation likes Chen Yulian, then she is the little dragon girl, while the new generation born in 1980s will think that Carman Lee is the little dragon girl. Liu Yifei is beautiful, which is undoubtedly good by coincidence. If we don't discuss acting, I don't mind you saying that Liu Yifei is a young version of Little Dragon Girl. As for Huang Xiaoming's version of Yang Guo, unlike Yang Guo's paranoid temperament in the original, he often falls into a dead end. His arrogance is actually a disguise to hide his deep inferiority complex. His eyebrows should hide sadness. Huang Xiaoming has the wrong temperament and no depth.

This is why many people think that Louis Koo is Yang Guo. Yang Guo is a posthumous child who lost his mother at an early age. It can be said that he experienced a bumpy life and finally found Uncle Guo and Aunt Guo. Huang Rong was also extremely wary of him, and he bullied him. He is always insecure. In layman's terms, Yang Guo is a hedgehog in disguise, using spikes and defenses to protect his inner weakness. Because of this, when the little dragon girl gives him a sense of security, he can turn his back. When he was in the grave, he didn't know his feelings for the little dragon girl, but he was willing to die at the hands of Li Mochou.

"I don't care, I will be good to whoever is good to me." Yang Guo's logic is as simple as that.

Therefore, Yang Guo should be a cheerful and lively person with a hidden fear inside. He looks enthusiastic in the spring breeze, but there is a trace of sadness in his eyes. Because of his personal life experience, his personality is extreme, his behavior is weird and violent, and he does nothing. He should have a hint of evil.

Andy Lau's Yang Guo is too orthodox to let go, while Huang Xiaoming's Yang Guo is too pompous, like a punk (the owner of the gold commented on Huang Xiaoming's Yang Guo in a video), and only Yang Guo is handsome as a flower, with a hint of sadness hidden in her casual eyes, which is why many people think this is the reason for Yang Guo in the book when they see the version of Yang Guo.

In fact, it has something to do with life in Louis Koo. I hung out with young people before I debuted, and I was in prison. After turning over a new leaf, he may have hidden inferiority and pain inside. Therefore, Louis Koo in those days was most in line with Yang Guo's mood. When Louis Koo got a Tan to play Qin Xunji, you looked for Yang Guo's inferiority and anxiety in his eyes, but it was clear.

As for the Richie Jen version and the Ma Yu version of Yang Guo and Little Dragon Girl, I won't comment. First, I didn't read it. Second, I'm tired of just looking at pictures. 16 years later, Ma Yu's version of Yang Guo not only lost the sense of vicissitudes of life, but also gained two more white hairs, much like the evil father-in-law in Dongchang or the old fairy in the stars written by Jin Yong. Is this fucking thing?

Let's talk about the little dragon girl again.

The little dragon girl in Chen Yulian has a high degree of coincidence, comparable to that in Carman Lee, because she is a cold woman by nature, which is known to the older generation of Hong Kong people. Moreover, Chen Yulian just broke up with Fage when he played the little dragon girl (the inside story has now been exposed, which is related to the underworld), and Fage married his sister-in-law like lightning. When Chen Yulian played the little dragon girl, it was the time when her feelings were hurt, so she put on this sad drama. Many people who have experienced emotional injury know that during the period after emotional injury, they always feel that they will never love again in their lives. Chen Yulian may be at that stage, and the weather is very cold.

Carman Lee's version of Little Dragon Girl also fits well. If you insist on finding fault, you are not as good as the 16-year-old girl described in the book, but who can do it in reality except the book? Carman Lee's aunt took part in the play, so she played the little dragon girl very much.

Liu Yifei's little dragon girl is really young and beautiful, but her experience makes her irresistible. With the help of hair dryer and special effects, she is really tall, but she is a young girl, not an aunt. Maybe someone will argue that the little dragon girl written by Kim exorcist looks like a girl of 16 or 17. But 16 years have passed, and after so many twists and turns, I still don't understand anything in my eyes. Is this the little dragon girl in the story? The ancient tomb school's kung fu is to hold your temper and not be sad or happy, but it doesn't mean that you don't care about anything. I think Liu Yifei can only compare with menstruation 16 years ago, not to mention acting. If you say acting, it is even more ridiculous.

Next, I will talk about acting and opponents. The protagonist in a play, whether the opponent plays well or not, determines the moving degree of a play. Just imagine, even if Yang Guo and Little Dragon Girl in the book are really allowed to come out and perform the play in front of everyone, if they play their own roles without interaction and emotional input, everyone will definitely feel bored.

In fact, Yang Guo of Hua Zai has worked hard. He himself said that he had seen The Condor Heroes many times, but he was too young, and his handsome face deprived him of many acting talents. However, he also showed the flavor of Yang Guo, because he had a crush on Chen Yulian, which he admitted. So when we look at the 83 sculpture, you can find that Andy looked at his aunt in a really different way.

But the opponent is two people. He finished this half, but the other half didn't respond. Chen Yulian has just been hurt, and her heart is cold. She is acting, and her acting skills are good, but she didn't really get into the play. She has no feelings for Andy Lau in the play. So when we look at their opponents, we always feel that something is missing. This is the root of the problem. If Chen Yulian had a little crush and love for Andy Lau, the sculpture of God 83 we saw would not be like this now.

Huang Xiaoming's Yang Guo, handsome, temperament does not match, acting is nothing. He played an infatuated and paranoid Wei Xiaobao Yang Guo. Master Jin Yong said that his Yang Guo was hooking up with his aunt in an ancient tomb, and he was absolutely right.

Liu Yifei people are beautiful, but they dare not laugh or cry. In the original, the little dragon girl is just cold-tempered, not wooden-faced. The little dragon girl in Liu Yifei relies almost entirely on beautiful scenery and special effects, and has almost no acting skills.

As for the interaction between two people, I think it is completely different. They didn't play. It can be said that people wearing little dragon girls and Yang Guo coats just stand there and act, which won't make people feel that they are a couple, let alone Yang Guo and little dragon girls.

Speaking of which, it's time to talk about the 95-year-old god carving. In fact, I don't want to praise the 95-year-old statue too much, because it will make people feel that it is deliberately holding the 95-year-old statue to speak, which is biased. But in 1995, the two protagonists' opposite plays were really amazing.

Louis Koo and Carman Lee have always been shy since the sculpture. They hardly talk about each other in the interview, and they will change the subject when they encounter problems. However, when they were filming, there must have been a spark. That look in the eye is really overwhelming.

There are several very important scenes in the sculpture, which is the most important. For example, the little dragon girl in Yang Guo got married and met Yang Guo and Guo Xiang 16 years later (in fact, Guo Xiang-fenglingdu is my favorite sculpture, and Yang Guo missed his life at first sight). From the moment he met Yang Guo, Guo Xiang fell, and finally became a monk in Emei and became a disciple and teacher of Fengling. The name Fengling was seen in the story of "Eternal Dragon Slayer", which made people feel deeply.

The story of Yang Guo's little dragon girl's marriage can't be compared, and it may have its own merits. Let's talk about the details of simplifying, and compare who is more in line with the original in Yang Guo.

After meeting Guo Xiang, Yang Guo gave her three silver needles, and Guo Xiang took the first one, which made Yang Guo take off his mask. The action of taking off the mask is compared with a dynamic picture in Weibo. You can search and have a look.

I remember a detail described in the original book, that is, Guo Xiang grabbed Yang Guo's hand. It is said in the original book: Yang Guo was charming and laughing when he was a teenager, but since the little dragon girl left, he has been unhappy and restrained. Walking in the Jianghu for more than ten years, I met young women, even more polite than Mr. Daoism. Although he saw Guo Xiang's naivety, he had become accustomed to it for more than ten years, and even dared not touch her palm.

With this passage, let's look at several versions of the mask removal: the lens of the Huazai version is too shaky, and the shooting method is neither handsome nor special, mainly because the photography is handsome. But I can't stand that Guo Xiang. Is this a sixteen-year-old girl? I believe all 36-year-old aunts.

The Louis Koo version took off its mask, which means it looks unremarkable, and then the camera turned to Guo Xiang. With a pair of stars, the girl's spring sprouted and she was proud all the way. Personally, I think this contrast shooting technique is only told in silence, not in sound.

The Singapore version took off its mask, beamed with smiles and Chun Qing corners of its mouth, and simply said: Am I handsome? Handsome or not? Handsome, huh? Although not deliberately seduced, but also narcissistic.

Richie Jen takes off his mask: Forget it, you'd better put it back. It looks better without taking it off.

Then, Master Huang took off his mask, turned his face, deliberately took off his skin mask, then posed, handed it to Guo Xiang in pose's hand, and then looked back at his face at a 45-degree angle, feeling like a black uncle seducing an underage girl: Little girl, be infatuated with uncle! I told you not to marry for life to get back at your mother Huang Rong for not teaching me martial arts.

Finally, take off the mask of mom's version. When I took off my mask, I immediately knelt down, and there were only two words in my heart: the stars are old and the fairies are boundless. Grandpa Dongchang is mighty and invincible.

So it is clear at a glance who conforms to the original.

/kloc-meet again after 0/6 years.

I believe I have seen several versions of this scene, and the most impressive one is definitely the 95 God Carved Edition.

I said Louis Koo entered the play because he really cried. People's eyes are actually connected to the nose, which is in the lacrimal gland. When people want to cry and try to hold back, they will definitely have a runny nose-not a runny nose, but tears coming out of their nostrils. After reaching the bottom of the valley, Louis Koo reached out and knocked at the door, but he was afraid. He pushed the door and entered the room, saw the rope where the little dragon girl slept, touched the dusty table and bed, and made sure that the little dragon girl was not dead, and her tears and nose had come out.

In fact, no one wants others to see themselves make a fool of themselves, especially when their noses are running out, but seeing this scene in the camera, I believe that people who know the plot will feel their eyes moist.

I write my own novels. Personally, I have always believed that if you want to touch readers, you must first touch yourself. I think acting should be the same. How can you touch the audience if you can't touch yourself?

Finally, Yang Guo met the little dragon girl. They are relatives, but they are not sure. They reached out to touch each other, but they were afraid it was a dream. After several tests, they moved each other. That scene was really touching. I've been thinking about you for too long, and I've seen it in my dreams countless times. Now I really see it. I'm afraid it's a dream.

In the original book, Yang Guo saw the little dragon girl turn a somersault with excitement. In my opinion, this is actually a failure. Sixteen years of missing each other suddenly won't be ecstatic. Recalling the hardships of sixteen years must be unforgettable. I would rather hold hands and face each other quietly than sing and laugh loudly.

Perhaps in the original work, Jin Zhu wrote this way because he considered Yang Guo's arrogant personality, but he forgot one thing: sixteen years of yearning and introversion, even if he is arrogant like a teenager chasing the wind, he will grow up.

China people's expression of emotion has always been restrained and reserved. The more restrained the implicit expression, the easier it is to impress the hearts of China people. The 95-year-old sculpture can become a classic in many people's minds, and this scene is indispensable.

As for the other two versions, I won't comment any more, because in retrospect, my mind is full of tears of the 95 th edition, and the somersault of the Master Huang version is exactly the same as the original, but there is no emotion (I remember the somersault too clearly, I can't help it).

Next, let's talk about supporting roles.

In fact, the supporting roles in the 83rd edition are all borrowed from the 83rd edition of Dongfeng. Hong Qigong, Lao Du, Mei Chaofeng and Huang, the 83rd edition, are almost all original people, and they are all very old-fashioned people with acting skills. Speaking of which, the supporting role in the 83rd edition is really good. But I can't stand Guo Xiang inside, and I have no impression of Guo Fu now. In fact, there are only a few supporting roles left in my mind, including Andy and Chen Yulian.

Many supporting roles in 95 are brilliant. Li Mochou in Sydney is charming and vicious, really Li Mochou, and Guo Xiang in Li Qihong. Now whenever I think of Guo Xiang, I think of her. In fact, after watching 95, my favorite is not the two protagonists, but Guo Xiang, who doesn't show up much. Maybe it has something to do with personal preference. I have always been irresistible to this pure and lovely girl type. In addition to these two unforgettable supporting roles, there are old urchins, Huang, Du Fu, Hong Qigong and King Jinlun, all of whom are brilliant, and several female companions. After reading the materials today, I suddenly realized that Cheng Ying's actor is actually one of the protagonists in War and Beauty. This is really an afterthought-maybe I don't admire it too much.

In 1995, there were three people who must be mentioned, and that was Roland, the actor of Qiu Qianchi. This Montana is my childhood nightmare. She played Qiu Qianchi in 1983, and all the Hong Kong ghost films I remember have this Montana. There is also a supporting actor with a gold medal, that is, Ke Zhene. His image is so classic. When I think of Ke Zhene, it must be him in my mind. There are also Hong Qigong, Montana, 83 Condor, 83 Condor and 95 Condor, all actors in Hong Qigong, and the whole person has been integrated with Hong Qigong.

Here, I would like to pay tribute to the three supporting gold medals.

By the way, in 1995, Yin Zhiping did well, too. In fact, Yin Zhiping is a man with a little fanaticism and lewdness in righteousness, because he is a decent teenager himself, and he also has a firm stand in the struggle with Mongolia. He just did a despicable thing in his passionate love for the little dragon girl. And this version of Yin Zhiping is absolutely brilliant, in fact, it is very handsome in itself, but every time I look at Miss Long, that kind of look is infatuation.

Let's talk about the supporting role of version 06 first. In fact, I also like some supporting roles in version 06, such as Mongolian actor Jin Lunwang. I forgot his name and didn't bother to look it up again. He played supporting roles in many martial arts dramas in Zhang Jizhong, such as Nine Mo Zhi, which seems to be in the legendary swordsman, but I didn't watch it very much, so I can't remember who he played. By the way, is it like Zhang Jizhong playing Zhe Bie in The Condor Heroes?

In addition to the Golden Wheel French King, there is also Guo Jing of Wang Luoyong. I think he is very heroic in Guo Jing, and he really shows the feeling of a father (the scene of Mr. and Mrs. Guo Jing in the sculpture is more about parents than heroes who are interested in Jianghu).

But I can't stand other supporting roles, such as the dusty version of Guo Fu, alas, artificial awl face and dusty face, and Huang Rong. In fact, to be fair, this version of Huang Rong really works hard, but it's really not like Huang Rong. Huang Rong in the sculpture should be full of maternal brilliance, and this edition is a young woman who just got married.

As for Guo Xiang in Yang Mi, I won't comment, because in my eyes, there is no Guo Xiang after Li Qihong. Yang Mi was not bad before plastic surgery, but acting. I'm sorry for the title of little east evil.

As for the other supporting roles, I won't comment, not because of anything else, but because I can't remember them at all ... Well, even that ugly and scary Qiu Qianchi has an impression on me, and I can't remember a few legendary beauties. What do you think is going on?

In fact, in the final analysis, the new generation of actors in Chinese mainland are too impetuous. It's all about one face. I don't care. How can everyone remember the roles they have played? Even if Guo Jing in Wang Luoyong is called a hero by some people, at least he can leave an impression on everyone. Those important supporting actors who don't even remember, hey ...

Then pull out a few supporting roles of Ma Yu version, such as the popular Li Mochou. Hey, have all your aesthetics been cosmetic surgery together by cosmetic surgeons? Will be rated as the most beautiful Li Mochou. After Li Mochou's emotional injury, he practiced martial arts for fifteen years before coming out of the mountain. How can she be a beautiful young woman? Li Mochou in Meng Guangmei is also quite satisfactory. The new version has found an artificial face-lifting version of big breasts, and you are satisfied? Compared with steamed bread, it looks much better, but does it go with Li Mochou?

Next, let's talk about the plot arrangement and scenery.

In fact, there are two things that I am most dissatisfied with' 95'. First of all, Yang Guo, Dawu, Guo Fu, Cheng Ying and Lu Wushuang were played by several adult actors from the beginning. Maybe it's a question of cost. After all, child stars are hard to find and the shooting cost is high (delayed). Followed by the scenery. Completely rockery. This is still a matter of cost.

I have imagined more than once that it would be nice if the props and scenery of version 06 could be returned to the 95-year-old sculpture.

The scenery of the 83 sculpture is the same as that of the 95 sculpture, and the lens processing of the 83 sculpture is not good. I don't know if it's because I changed editing and photography after 83 Condor shooting. Anyway, many places feel awkward.

But the most important thing in a TV series is the actor's acting skills and performance in the play, such as special effects scenery, which are secondary things. It's like buying chocolate. The packaging is beautiful, but the taste is the most important thing. Simple packaged fine chocolate, like the junk chocolate in the gift box, must taste good.

This is also the reason why I like the 95-year-old sculpture best.

The last comment is the theme song Fairy Tale for the 95-year-old vulture.