Don't they know that TV dramas are peeling and filtering now, which is ugly?

As the most common and typical artistic expression in the field of popular culture, TV plays should be devoted to being close to life, reappearing life and expressing people's true feelings. However, some domestic TV dramas under the filter, from images to narration to the expression of aesthetic and cultural values, are generally filled with some sense of distortion, which greatly dispels the basic morphological characteristics of TV drama art in image presentation.

We can generalize the filter syndrome as "the wind of peeling filters", but it is different because of different themes and types.

In TV dramas with urban emotional themes, we usually choose "bleached" pictures and contrast-enhanced filter styles to express the life atmosphere dominated by urban elites' aesthetic interests. Pushing hands, I only like you, coming late, Mr. Love and other plays. Not only the skin of the protagonist is quite unreal, but also the lipstick of the female character is rendered into a dramatic purple lip color because of the excessive pursuit of bright colors.

However, the filter style of TV series with the theme of youth campus is either covered with a layer of yellow softening filter to highlight its nostalgia and retro feeling, or the Abao color filter with pink phase is selected to show a strong "sweet feeling of love", which is more common in TV series such as love O2O, sweet storm, new meteor garden, etc.-behind the filter is actually the creator's wrong imagination of the youth color after 80 s, 90 s and even 00 s.

If the filter style of urban emotion and youth campus drama makes life empty on the basis of "from life", then Xianxia fantasy drama and historical harem drama distort history and blur culture on the level of "from history".

Fairy fantasy dramas such as to the sky kingdom, A Tale of Choosing Heaven and The Legend of the New White Snake usually use super filters to focus on the amazing image wonders of the fairy world. This should be the content of post-computer special effects, but the creator relies on rough and simple filter technology to cover up the defects and shortcomings of special effects technology.

The harem drama has become the hardest hit area of this grotesque aesthetic. In such works as Lonely Empty, Missing in Spring, The Legend of Wu Mei Niang, The Palace Lock the Pearl Curtain, etc. The contrast and saturation increased by the creator in order to improve the face value of traffic stars undoubtedly ruined the sense of time that historical scripts should have and cast a strong "fantasy sense" on history.

In the final analysis, it is mainly because creators and actors are eager to make quick money and have no dedication and responsible performance.