Traditional Culture Encyclopedia - Photography and portraiture - The photography height usually used for television photography is

The photography height usually used for television photography is

The photography heights usually used in television photography are overhead shooting, flat shooting, and overhead shooting.

1. Upward shot

The lens is lower than the subject, and the picture taken has an upward looking effect. The subject is exaggerated, showing majesty, solemnity, and Grand and powerful. In film and television photography it is called "background amplification".

2. Flat shot

The lens and the subject are placed at the same height, and the visual effect is roughly close to what people feel in daily life. The angle of view of the camera is at an equal angle with the subject, giving people a sense of impartiality and equal treatment. It also easily creates a stable, friendly and ordinary image of the subject.

3. Overhead shot

Overhead shot is just the opposite of overhead shot. Since the lens is higher than the subject, the subject is looked down from above. It creates a sense of oppression, a contemptuous and contemptuous attitude toward the subject, and also creates an image of the subject being small, surrounded, and powerless.

Shooting angle

1. Frontal shooting

When shooting in the frontal direction, the camera lens shoots directly in front of the subject. Frontal shooting is helpful to express the positive characteristics of the subject; it is easy to show a solemn, stable, serious and quiet atmosphere.

2. Backside shooting

Backward shooting is shooting behind and directly behind the subject. Back-direction shooting makes the viewing direction shown in the picture consistent with the subject's viewing direction, giving the viewer the subjective effect of having the same line of sight as the subject.

3. Side shooting

Side shooting is divided into two situations: front side direction and oblique side direction. Shooting from the front and side is helpful to express the movement and posture of the subject and the changing outer contour lines. Usually the side lines of characters and other moving objects change most abundantly and diversely during movement, which best reflects their movement characteristics.