Traditional Culture Encyclopedia - Photography and portraiture - Nikon d7000 glasses

Nikon d7000 glasses

If you are taking artistic and artistic photos, then these two lenses may not be suitable because they cannot create such effects due to aperture issues. First of all, the 18-200 lens is an 11x zoom lens. In addition to the 18MM wide-angle end which is still sharp, the 200MM telephoto end has no sharpness at all, even when the aperture is opened to F8. This is the shortcoming of the large zoom.

The 18-105 focal length is good, but the problem still lies in the aperture, so I recommend several cost-effective lenses to you.

Sigma 17-70 F2.8-4 OS HSM Marco, a standard zoom lens, the 70MM end can also shoot portraits with the maximum aperture of F4, and the 70MM telephoto can also shoot general landscapes and humanities. Because I use this first-generation lens, the 17-70 F2.8-4.5 HSM Marco.

Tamron A16 17-50 F2.8, also a standard zoom lens, with a constant large aperture of F2.8

Nikon AF-S 24-120 F4 lens, a full-frame lens mounted on The D7000 will not have the advantage of wide angle, but overall the image is very good, and the constant large aperture of F4 is enough.

Nikon AF-S 16-85 MM F3.5-5.3, the 16MM wide angle can capture most landscapes. When shooting portraits, as long as you can master it well, you can also use the wide angle to capture exaggerated portrait effects. Come.

As for the telephoto lens, you can consider the Sigma Black 5th generation, 70-200 F2.8 OS HSM Marco. The image quality is very good, sharp inside the focus and soft outside the focus. The price is much lower than the small bamboo cannon.

To summarize, if you want artistic and artistic photos, then when choosing a lens, the first consideration is not how much the focal length can cover, but how much the maximum aperture can reach, usually at least F2.8 and above to be competent. Of course, composition, lighting, and adjusting white balance are also very important.

I can only say that for a photo with artistic conception, 30% depends on the equipment, 65% depends on the head behind the lens, and the remaining 5% depends on your luck.