How to make different feelings about those subjects that are easy to fall into stereotypes?

The subject matter of photography, whether plain or not, refers to the material used to express the theme of the work. It also refers to the material used by photographers to express the theme of their works, usually referring to life events or life phenomena that have entered the works after concentration, selection and refinement. This is basically fixed, which is also a direction of the work, the so-called, soul. How to shoot the feeling makes the viewer feel refreshed, which really tests a photographer's solid photographic skills, skillful control of photographic equipment and light and shadow, and unique aesthetic taste. At the performance level of a work technology,

I think we can try to shoot "feeling" from the following aspects:

A. Pay attention to the shooting position, shooting angle and shooting scene of the subject, from the viewer's familiarity with vision to freshness;

B. The bold and exaggerated comparative use of objects (people) in skills, such as size, contrast between light and shade, cold and warm, movement, hiding and revealing …

C. in terms of composition, the relationship between subject and companion is clearer. Composition is like a movie, which has both emotional narration and rambling, simple, capable and impactful;

D. the use of light in photography, just read a man's concise answer under the topic, thinking that light should be abandoned, not messy light. I think on the contrary, light is the mysterious charm in photography. Without the shadow of light, "optical painting" is impossible. You only need to have unique control ability, how to simplify clutter, how to express the theme in low light, how to interpret the picture you want to express with a camera in backlight, and how to borrow scenes, such as fog, snow, water and silhouette.

The progress and advancement of photography first lies in dissatisfaction with oneself, and any photographer who plays photography will encounter bottlenecks. As for how to break through his own limitations, it also lies in his attitude towards photography. Although photography has a low threshold, it is mostly easy to shoot but difficult to shoot! It is even more difficult to shoot art. The so-called "Kung Fu is outside the poem". The above points are hard to avoid being simple, but it is easier said than done for me, so sharing them with you can be regarded as attracting jade!