Background Wall Mural Landscape Mural —— Artistic Features of Landscape Painting

Landscape painting is a distinctive branch of China, which began in Sui Dynasty. Landscape painting emphasizes "Pingyuan", "lofty" and "profound". With scattered perspective, Pingyuan is like "walking on the mountain". While walking, the focus is constantly changing, and a long picture can be drawn, including Wan Li in Jiangshan; The height is like a parachute descending slowly from the top of the mountain, and the center of gravity is also changing. From the top of the mountain to the foot of the mountain, you can draw a long vertical axis; Far-reaching use of the shape contrast between far and near mountains, draw a three-dimensional and deep valley effect.

Since ancient times, China's landscape painting has four characteristics: people or buildings must appear on the painting before the painting shows vitality; From the Tang Dynasty, China's landscape painting began to be divided into two schools: South and North. The founder of the Northern School was Li Sixun, a painter in the Tang Dynasty. He invented the axe chopping method, which used colors repeatedly in paintings and bright azurite on thick ink spots, which was very suitable for realizing the sunny and towering peaks in the north.

Song Dynasty painters Zhang Zeduan, Li Tang, Ma Yuan and Xia Gui inherited his painting style and formed their own school.

The Southern School began with Wang Wei, a famous poet who was rated as "painting in poetry, painting in poetry". He used horse-racing pieces and raindrops or rice spots invented by Mi Fei, a painter in the Song Dynasty, to express hilly areas in the south of the Yangtze River in the form of drizzle with ink more than color, and then developed into ink landscapes. Artists such as Wang Meng and Ni Zan developed into the Southern School style.

From the late Ming Dynasty to the Qing Dynasty, landscape painting fell into a formalistic routine, and painters did not observe nature. He started with the skill of copying ancient paintings and manipulated the composition of the paintings at will. Although there were many masters of flower-and-bird painting and figure painting in Ming and Qing Dynasties, the development of landscape painting was stagnant, and Biography of Mustard Garden turned landscape painting into stereotyped writing.

Until modern times, landscape painting has developed again. A new generation of masters, such as Huang, Li Keran, Zhang Daqian, Fu Baoshi and so on, absorbed western painting theories, observed nature deeply and created their own styles, which revived landscape painting and developed it to a new stage.

In particular, the Great Hall of the People in "There are so many beautiful mountains and rivers" by Guan Shanyue and Fu Baoshi created a precedent for China to draw huge landscape paintings.

In modern times, many young landscape painters express their delight, using Chinese painting techniques to describe the scenery of the Loess Plateau, Qinling Mountains, Taihang Mountains, Northwest Desert, Snow Mountain, Tropical Rainforest and even overseas countries.

Landscape painting has a brand-new situation.