Do you have any suggestions for color matching in the later stage of the photo?

1. When you do post-color matching, you should pay attention to the color matching in different areas no matter what color you paint. In some cases, the white balance cannot be pulled directly. This kind of photo is like a filter, and the whole photo is directly biased towards one color.

2. Try to restore the true environmental color. For example, some panoramic wedding photos of some characters with environment taken in some travel photos. This kind of photos, the overall feeling is very transparent, that is, the contrast is slightly higher, and the gray level is also adjusted when the color is adjusted. The most important thing is to restore the true environmental color of the photo as a whole, rather than deliberately changing a certain environmental color.

3. Change your color matching thinking. The quality of a photo is not because you adjust it to any special tone, but only as an auxiliary function. What's the first thing we look at the photo? It must be the subject of the photo. Look at the most conspicuous place in this photo. If the subject of the photo is not well taken, it will not show a special theme. You have to believe that the photos are taken well in the early stage, and there will be more possibilities for color matching in the later stage. I shot badly before, and I want to make up for it by later color matching. That's not icing on the cake, but gilding the lily.

4. Learn the post-processing of portrait photography. A good photographer must have good post-production skills. If you only learn lr color matching, it is not enough. If you have been exposed to post-synthesis, you will know that when you do synthesis, it is the superposition of materials, and each superimposed material needs to cooperate with the operation of ps layer mask. The more powerful you are in the later stage, the easier it is to handle the color matching of photos.