Traditional Culture Encyclopedia - Photography and portraiture - How do novices improve their photography skills-detailed explanation of steps
How do novices improve their photography skills-detailed explanation of steps
1. Find someone who can help you buy a high-quality camera. Maybe your father or photographer friend has an extra movie SLR playing nearby. If you don't have a camera, please borrow it until you can buy it. Almost all digital cameras in the past decade and any film camera in history are enough to bring you excellent shooting results. Having your own camera will bring you great help.
2. Learn the basics (if you haven't already). The basic knowledge of photography includes composition, which is essentially to put the subject in the basic principles of photos, lights and cameras. For some introductory information, please see how to take better photos.
3. Have at least half the time to get ready. The difference between a good photo and a mediocre photo is that you are in the right place at the right time with a camera. Try to bring your camera. Make sure to use the camera often. It's no use carrying it with you.
4. "Preparation" is not enough. As Ken Rockwell said when talking about his early experiences, did you catch the word "destroyer" from my logic, "anything presented?" I'm an audience. I think photography includes shooting what happened. Don't! You must go there to find something. Finding and seeing is the most difficult part ... taking pictures of what you find is the trivial part.
Stand up and go out to take pictures. Go out to look for things every moment of every day. Don't wait for the right opportunity to come (if possible, be prepared! ); Go out and find them. Look for opportunities anywhere (whether in the mall or on the other side of the world), and then look for opportunities everywhere. If you can see something in your mind, maybe you can set it and shoot it!
5. Stop looking for the subject and learn to observe.
Looking for colors. Or do the opposite: look for objects with no color at all, or shoot in black and white mode.
Look for repetition and rhythm. Or on the contrary, look for things that are completely isolated from the surrounding things.
Looking for lighting, but lack of lighting. Shoot shadows, light that reflects or passes through objects or objects that are completely in the dark. Many people find that "prime time" (the last two hours of sunlight) is the best lighting condition for photos. This is because it produces directional light, which can produce depth in photos if used correctly. However, this does not mean that one can't still find good light when taking pictures at noon. The sun overhead looks harsh. Look for a foggy environment or open a shade to find soft light. However, the rules have been broken, so don't accept them too casually!
If you want to shoot people, please look for emotions and gestures. Do they show happiness? Naughty? Sad? Do they look considerate? Or do they look like another person, because they are a little angry and the camera is aimed at them?
Look for textures, forms and patterns. Excellent black and white photos are amazing, because black and white forces photographers to look for these things.
Looking for contrast. Look for different things from the rest of the shots. When composing a composition, please use the wide-angle end of the zoom (or wide-angle lens) and make it close. Look for the contrast of all the above things: the color in gloom, the light in darkness and so on. If you want to shoot people, try to put your subject in (or find) their prominent environment. Looking for happiness in unexpected places. Looking for someone in an inappropriate environment. Or ignore this problem by completely opening the lens to blur the background and let them take it out of context completely. in short ...
Look for anything that can interest the audience, not the traditional "theme". When you find your own position, you may find that you have finally retaken the theme. It doesn't matter. Looking for non-theme things will improve your photography skills and soon you will see a completely different world.
6. Make your photos as simple as possible. Be as close to your topic as possible. Step on it with your foot, and then use the zoom lens (if any) to fine-tune the composition. Get rid of everything that can't provide important background information and get a comprehensive understanding of your photos.
7. Make a movie. If you have made a movie, you should also shoot it digitally. Both film cameras and digital cameras have a place in the arsenal of learning photographers. Everyone has advantages and disadvantages, and they all teach you different habits. The habit with the worst numbers is offset by the habit with better movies, and vice versa.
A digital camera can provide you with instant feedback, telling you what you did right and what you did wrong. They also reduced the experimental cost to zero. All this is priceless to new photographers. However, the zero cost of digitalization can easily make people fall into the habit of "praying", hoping that good photos will appear at the end.
Movie cameras force you to be extra careful when shooting. Even a millionaire doesn't want to sit on a yacht and take 36 photos of his bath towel with film. Taking more photos with economic incentives may reduce the number of experiments (which is not good), but it will really make you more confused before taking photos (it may be good if you have a good idea about the photos to be taken). Moreover, the film still has its own appearance, and professional quality film equipment can also be bought cheaply.
8. Show others your best work. In other words, find your best work and show it only to others. Even the best photographer can't take excellent photos every time. They are very picky about what others show.
Be hard on this. If they are not great photos for you, please don't show them. As time goes by, your standards will improve, even if you once thought you could pass the standards, it may look very poor to you in a few months. If it means that only one or two photos are needed for a day's shooting, it doesn't matter. In fact, this may mean that you are strict enough.
Don't look at the full-scale drawing. Ken pointed out that the most important part of the image is the part that can be seen when viewing the image in thumbnail size. Some people will find fault with those flaws that can only be seen by 100% photo cutting. It doesn't matter, because they are really not worth listening to. When occupying a quarter (or less) of the screen, you can freely pass through all the content that doesn't look so good.
9. Seek and listen to criticism from others. Don't fall into the trap of posting "comments on my photos" online; These are usually filled with the pixels mentioned above. However, as long as you are cautious about the people you listen to, you'd better make constructive criticism.
Listen to the artist. If someone can show some great works of art-photos, paintings, music or anything else-that's why they are valued, because other artists instinctively understand the influence of internal organs, whether in their field or not (if your photos don't exist, it's best to delete them in order to have an impact). Most non-artists do the same, although they can't tell you that you are doing the right thing (and they are likely to be friendly to you to avoid hurting your feelings).
Ignore anyone who severely criticizes your photos, there are no amazing photos. Their opinions are simply not worth listening to.
Find out what you did right and what you did wrong. If someone likes a photo, what makes them like it? If not, what did you do wrong? As mentioned above, other artists may tell you these things.
If someone likes your work, please don't be modest. It doesn't matter. Photographers like to praise their masterpieces as much as anyone else. However, please try not to be arrogant.
10, find a job that can inspire you. That doesn't mean it's just technically impeccable. And get clear exposure, ultra-clear photos of birds, but this still can't make them Steve Silon. Instead, find a job that makes you smile, laugh, cry or feel anything, not a job that makes you feel "completely exposed and focused". If you like other people's photos, please look at the works of steve mccurry (photographer of Afghan girls) or the works of Anne Leibowitz's studio.
If you are on Flickr or any other photo-sharing website, please pay close attention to the people who inspire you (although don't spend too much time on the computer in the end, otherwise you won't spend time taking pictures).
1 1, learn some technical trivia. No, this is not the most important part of taking pictures. In fact, it is the least important, which is why it has been here. These things, which know nothing about the spot and the photographer, make a huge photo, which is far more interesting than a boring photo with perfect focus exposure. It's much better than the one that has never been used at all, because some people are busy worrying about such small things.
But it is convenient to master practical knowledge such as shutter speed, aperture and focal length. And how they will affect your image. None of these can turn inferior photos into high-quality photos, but sometimes they can prevent you from losing high-quality photos because of technical problems and make high-quality photos better.
12, find your own niche. You may find yourself a good communicator and can take pictures of people. You may find that you like taking pictures of scenery in all kinds of weather. You may have a huge telephoto lens and like racing so much that you find it interesting to film yourself. Try all these things! Find what you like and are good at, but don't limit yourself to this.
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