Why is Hitchcock called the master of suspense?

For many people, the name "Hitchcock" is not just a name, but represents the spirit of a film technology and becomes synonymous with suspense and terror; Hitchcock's famous head silhouette is not only a simple silhouette, but also a totem intention of this "Hitchcock spirit".

Call this director who came to Hollywood from England a master of terror, and he deserves it! I believe that as long as you love psychological thrillers, you will be familiar with the name "Hitchcock". Many dramas of the same type since The Master will be compared with Hitchcock to some extent. This world-recognized horror master actually invented the genre of "thriller genre". Alfred Hitchcock is also an excellent technician. He skillfully combines sexiness, suspense and humor in a movie.

From small screws to big directors

Hitchcock's film career began with 19 19 as a silent film illustrator for Lasky Studio, the most famous actor in Paramount. This job gave him knowledge of screenwriter, editing and art direction, and he was promoted to assistant director at 1922. That year, he directed an unfinished filmNo. 13 (No.13) or translated Mrs. Peabody; His first directorial film was Happy Garden (1925). With this experience, coupled with his experience as an assistant director in Ufa, Germany, his films have an expressionist style in both visual design and language structure. Lodger (1926), a film that made him famous in the film industry, is a typical film style of Hitchcock: an innocent protagonist, wrongly accused and involved in a series of conspiracy traps.

A director who likes to show his face casually.

Hitchcock is a very expressive director. In addition to appearing in his own movies, his silhouette often appears on posters. After Kirk's fans notice these inertia in his appearance-loving behavior, people will inevitably look for the fat figure like a cello in the film: beside Rebecca's telephone booth, 1940), dial m for murder, 1954) in a small photo on the wall. At the beginning of North by Northwest (1959), he is holding a cello box and desperately patting the door of the bus to get on. "Psycho" (Phycho, 1960) appeared in The title of real estate company and "Birds" (The, 1963), and he dragged the dog out of the bird shop ... Later Hitchcock forgot to pay attention to the plot because he was afraid that the audience would only look for him in the film, so as not to affect the mood of watching the movie because of distraction.

Take advantage of the actor's critical personality

From Hitchcock's movies, it is not difficult to find that he seems to prefer blondes! For example, joan fontaine in doubt (194 1+0), rear window glass (1954), Grace Kelly who dialed m for killing and catching thieves (1955), kim novak in ecstasy (1958). He once said, "Blondes are the best for murder! Imagine how beautiful the bright red blood flowing from her snow-white skin is, lined with shiny blonde hair! " . Among them, Grace Kelly, Princess of Morocco, was chosen by Hitchcock, and she starred in his films for three times in a row.

Besides these typical blondes, he also likes to match these beautiful women in Leng Yan with decent and handsome men. It's really a good movie composed of handsome men and beautiful women, which makes the viewers feast their eyes! For example, james stewart, a recognized personality actor in Back Window, Rope (1948), Ecstasy, and People Who Know Too Much (6500), and gary grant in The Mystery of the Boudoir, The Honey trap (6500). In addition, don't forget the handsome schizophrenic killer anthony perkins in Psycho, the scientist played by paul newman in Breaking the Iron Curtain, and the handsome old guy sean connery in Thief.

I scared you to death!

Hitchcock has a way to turn this combination of handsome men and beautiful women-the master is the master-into a psychological thriller, which is completely different from the suspense and tension presented by modern scientific and technological special effects. He doesn't rely on disgusting scenes and death methods, nor does he rely on exaggerated and inflammatory plots. He just has a way to make the audience's brain cells die before a protagonist in the movie dies. However, after Psycho was broadcast, the heroine jenny lee died in the bathroom, scaring many American audiences to take a shower! )

According to Hitchcock's theory, the so-called suspense must be based on the assumption that the audience is the main line, and it can be unfolded by providing the plot that the characters in the audience are in crisis, but the audience can't know who caused these characters and dangers, or what kind of dangers they will cause again. But in order to leave a deep and emotional impression, the innocent among them must not be hurt, so the interaction between the male and female roles is presented to the audience, while the male and female protagonists in the play do not know each other. We can understand the intricacies between the hero and heroine through the narrative development of the story, but we can't speculate what will happen to them next!

Always synonymous with terror.

This game technique of introducing from the east to the west is a dramatic tension that will be unforgettable for future generations. Many of his films have become classic representatives, imitated and studied by many younger directors. Three of them, Rear Window, North by Northwest and Psycho, are typical clue-tracking movies, full of elements that remind us of Hitchcock: resourceful shooting techniques, incredible relationship between men and women, dramatic truth, bright and bright colors, restrained jokes and ridicule, symbols with funny mechanism, and most importantly, dominating people's hearts. Because of these elements, Hitchcock, synonymous with suspense tension, makes people feel helpless, frightened and pray for what will (or will not) happen next, and this is Hitchcock!