Traditional Culture Encyclopedia - Photography and portraiture - Zhao's two backflips in The Apprentice are great! What should we pay attention to when shooting and performing costume dramas?

Zhao's two backflips in The Apprentice are great! What should we pay attention to when shooting and performing costume dramas?

Filming requires a lot of actors' body language and physical quality, and it also tests the director's scene scheduling and photographer's professional skills. Besides these, there are many tricks in the play.

One: Space compression

In this way, it will make the shooting of opera easier, easier to perform, easier to shoot, and the effect is good. This method must use a telephoto lens, which can visually compress the space and narrow the distance between two people. Of course, we should cooperate with the batter and make correct performance according to the time and rhythm of punching. This method is not limited to fixed shots, and is basically applicable to all fighting scenes.

Two: defeat the enemy with one punch.

I believe that the audience who have seen the martial arts films want to see the most is to defeat the enemy with one punch and knock the opponent to the ground. It is simply awesome, but it is necessary to ensure the safety of the actors and make a strong effect at the same time. This punch should be very hard, and the camera should move with the fist to increase the strength, intensity and speed of this punch.

Three: Two people scuffle.

The most convenient way to shoot good results is to follow an actor, so that the audience can feel substituted, thus mobilizing the audience's emotions. It is forbidden to change the height of the camera and the angle and distance of photography. After playing, adjust the distance, height and angle appropriately.

Fourth: get down on the ground

A person who hit someone, hit his fist empty, a person who was beaten, fell to the ground, close-up. This is the shooting method of many inferior films, which looks fake. To be realistic, all you need is a telephoto lens and a little movement.

Put the camera behind the batter at eye level, punch holes with a telephoto lens to create the illusion of distance, and then lower the camera position slightly after punching. At this time, the batter is blocked and you can fall to the ground slowly. After falling to the ground, the hitter can make up for it several times. Think of Donnie Yen's iconic shadowless hand.

Five: Leg Skill

In a play, when a person falls to the ground, the standing person always kicks him. In order to be true, the kicker should pretend to kick hard, and the kicked person can cooperate with the action. First shoot the angle of kick, shoot the distance with telephoto lens, then shoot the angle of kick, and the camera will shoot it back, not kicking, just looking for something to kick.