Traditional Culture Encyclopedia - Photography and portraiture - Write a composition according to the understanding of a farmer by the Wei River.

Write a composition according to the understanding of a farmer by the Wei River.

1. The article "Farmers on the Wei River", the first two sentences are written as "Farmers on the Wei River".

Sunset shines on the market, and cattle and sheep go home along the path.

There is also a rough old man at the door of the thatched cottage, leaning against the Hou.

There are whistling pheasants? Full ears of wheat, sleeping silkworms and peeled mulberry leaves.

Jojo and Fu Tian greet each other cordially.

No wonder I long for a simple life and sigh the old song, oh, back to the past! .

The meaning of this pastoral poem is: the village is covered with the afterglow of the sunset everywhere, and the cattle and sheep return along the deep alley. The old man was thinking about his grandchildren who were eating grass. He waited in his firewood with a crutch. Pheasants are chirping, wheat is heading, silkworms are asleep, and mulberry leaves are sparse. The farmers returned to the village with hoes, smiling and reluctant to part. How can I not envy being so comfortable? I can't help singing Decline (Decline is the Book of Songs, Decline, Decline, Hu Bugui?).

At the beginning of the poem, "The setting sun shines on the market" depicts the bleak scene of the thatched cottage when the setting sun sets, night falls and the setting sun shines obliquely. The time and place are given here, and the curtain of the whole poem is opened. Then the poet dipped in vivid and cordial pen and ink and wrote "Go home along the narrow path" with great interest. And a rough old man is waiting at the door of a thatched house, relying on Jingwei. "This kind of scene is very common in rural areas. However, it is this very common thing that infected the poet: a kind old man, thinking of his grandson in his heart, stumbled against the door with a cane, waiting for his grandson to return. This deep affection between grandparents and grandchildren deeply touched the poet. People seem to see the joy of returning from the wild and seeing grandchildren. The poet found his home from this quiet picture. Then, the poet painted another pastoral landscape painting, "Is there a roaring pheasant?" Full ears of wheat, sleeping silkworms and peeled mulberry leaves. Fu Tian Jojo, kindly greet each other. "The first two sentences describe static scenes: when the wheat blooms, the pheasant crows to summon the family to return quickly; Mulberry leaves are sparse and silkworms are dormant. The last two sentences describe the dynamic scene: farmers in the sunset are carrying hoes, stepping in the twilight, walking on the way home with the fragrance of the earth, meeting villagers, having a cordial conversation and greeting each other, which is very cordial. This static and dynamic description seems so natural and harmonious, as if the scenery and interest of this naturally carved pastoral mountain village are in front of us, which makes people feel more cordial!

2. Appreciation of "Weishui Farmhouse" Wang Guowei's "Words on Earth" has a cloud: "There is my realm, there is no my realm" "There is my realm, and I look at things with me, so it is all my color. I have no ego, so I don't know what to look at.

What is a thing to me. "That is to say, in my realm, poets look at things with feelings and let foreign things bring their own feelings; In the realm of non-ego, the poet is integrated with the things he describes, reaching the realm of no distinction between things and me and the unity of heaven and man. In Wang Wei's poem "Wei Shui Nong Jia", the realm with me and the realm without me reached a harmonious unity, which created a quiet, leisurely and slightly sad artistic atmosphere for us.

The first two sentences, "Sunset shines on the market, cattle and sheep walk down the lane", are excellent rural night scenes. The poet did not give a comprehensive and detailed description of the countryside in the evening, but made an overall outline, intercepting a picture of the countryside in the evening, giving people a gentle and quiet feeling. The afterglow of the sunset enveloped the small village, and cattle and sheep went home through the narrow alley. This is a very natural picture, without any carving and decoration, and it is completely sung casually. However, the emotion it triggered is rich and profound. The previous sentence outlines the pastoral scenery as a whole, giving people a feeling of home. Tao Yuanming's "Returning to the Garden" contains two poems describing rural scenery: "The village is warm and far away, and there is smoke in Iraq". At night, the smoke from cooking in every household will naturally remind people of home and simple and friendly rural life. The next sentence "cattle and sheep go home along the lane" triggers a sense of belonging. The book of songs "Feng Wang" says that chickens live in the grave, the day is coming, and cattle and sheep come down ",which expresses women's eager yearning for their husbands who have served in other places and hopes that their husbands will return as soon as possible. The emotion in The Book of Songs has something in common with the emotion in this poem, that is, the boredom of wandering life and the yearning for a stable and quiet life. The above two sentences, by line drawing, embody a simple and distant beauty of natural life. In the next two sentences, the poet's brush strokes changed from things to people, showing a kind and harmonious beauty of human nature. An old man looked at the door on crutches, waiting for the children who were grazing outside to come back. Is there anything better than this natural affection? The ideal society described by Tao Yuanming in Peach Blossom Garden has a vivid picture of "yellow hair hanging down and enjoying itself", but in Wang Wei's poems, this picture has become the old man's earnest concern for his children, which is even more touching.

The last two sentences are roughly the same as the first four sentences, which also describe nature first and then write characters, but go further emotionally than the first four sentences. The sentence "Luo Mai Miao Xiu" means Pan Yue's "shooting Luo Fu". "Wheat is gradually swaying towards the sun" Wang Wei uses the word "xiu" here, not "xiu", because the word "xiu" is not as aggressive as "Zhuo", and the glyphs "Fu Tian" are not only the right affection, but also a kind, equal and caring feeling between people. The above eight sentences are purely an objective description of rural life, and the poet's feelings are not directly reflected literally. Poets and scenery are integrated, instead of seeing things clearly and feeling things with me, so it is a state of no self. But in the last two sentences, the poet stood up. He did not use any scenery, but directly expressed and expressed the emotions caused by the above scenery. These two sentences fully expressed this emotion. "No wonder I yearn for a simple life", this sentence itself tells us that the poet stood up and clearly expressed his envy of this leisurely life, but the poet could not realize this desire to live a leisurely life, so he could only "sigh the old songs again, alas, and go back!" . "Decline" means "Decline, Hu Bugui" in The Book of Songs. "Yes" is the first word. There are many explanations for "micro". One said "it's still falling, and then it's falling", which means it's getting worse and worse; Speaking of darkness, both of these explanations make sense here. It can be considered that the author is saying that his situation is getting worse and worse and he wants to resign and retire. It can also be considered dark, in contrast to the previous one, which means seclusion and ambiguity. In short, it expresses a desire rather than a desire.

In addition, Huncheng is a major feature in the artistic conception structure of this poem. Most of China's poems are won by the overall artistic conception created by the whole poem. We can't single out a sentence or some words to appreciate this part, otherwise it will destroy the artistic conception of this poem. In fact, such poems have existed since ancient times, such as Nineteen Ancient Poems and most of Tao Yuanming's poems. It's not that these poems are not rhetorical, but that such poets don't pay attention to refining words, but pay attention to creating artistic conception. When we read this poem, we didn't feel that many wonderful sentences were shocking, unlike the poems such as "Spring is green in Jiang Nanan" and "The branches of red apricots are in spring", but behind the simple words, we can feel a real feeling flowing, which is one of the most touching places of this poem-the emotional flow of this poem is getting stronger and stronger, first calm and leisurely, then envy, and finally disappointment. But this poem is generally gentle and simple, unlike Li Bai's unrestrained feelings, but a kind of introverted feelings.

3. Rewrite the ancient poem "Wei Shui Peasant" into a short story. Hello! Su Mo answers for you! As the sun sets and night falls, the poet can't help admiring the picture of Tian's family coming home late.

The core of poetry is the word "return". At the beginning, the poet first described the scene of the sunset slanting on the village, and rendered the strong atmosphere of dusk as the general background, which was in charge of the whole article.

Then, the poet fell on the word "return", describing the scene of cattle and sheep slowly returning to the village, which naturally reminds people of several poems in the Book of Songs: "The chicken lives in the depression, the day is over, and the cattle and sheep come down. The gentleman is in service, why not? " The poet watched the cattle and sheep return to the village affectionately until they disappeared into the deep alley.

At this time, the poet saw a more touching scene: outside Chai Men, a kind old man was waiting for the children who came back from grazing on crutches. This pure feeling with the fragrance of earth infected the poet and seemed to share the joy of the shepherd boy returning home.

After a while, he felt that all life in this field seemed to be homesick at this dusk. Isn't it? The pheasant in the wheat field is so emotional that it is calling its mate; There are not many mulberry leaves left in the mulberry forest. Silkworms began to spin cocoons, set up camp in their comfort zone and find their own home.

In the field, farmers came back in twos and threes, carrying hoes, met by chance on the field path, and whispered affectionately, almost forgetting to come back. Seeing all this, the poet was deeply moved by his own situation and life experience.

Since Prime Minister Zhang Jiuling was pushed out of the imperial court in the 25th year of Kaiyuan (737), Wang Wei felt that he had lost his political support and was in a dilemma. In this state of mind, he came to Yuanye and saw that everyone had a home, but he was still wandering in the middle. How can he not be envious and disappointed? So the poet's emotional department said, "No wonder I yearned for a simple life and sang" Decline "in disappointment."

In fact, farmers are not idle. However, the poet thinks that compared with his fearful official life, farmers are much more stable and comfortable, so they have leisure.

"Decline" is one of the poems in the Book of Songs. It is repeatedly recited: "Decline, decline, Hu Bugui?" In order to express the urgent mood of seclusion in the countryside, the poet not only embodies the first sentence "Sunset shines on ruins" in artistic conception, but also falls on the word "return" in content, which makes the description of scenery and lyric fit seamlessly and reveals the theme seamlessly. After reading this last sentence, I suddenly realized that so many "replies" written in front of me are actually a contrast, and everyone replies, reflecting that they have gone and never returned; Everyone returned in time, cordial and comfortable, and compared their loneliness and depression in officialdom when they retired late.

This last sentence is the focus and soul of the whole poem. It is superficial to think that the poet's original intention is to complete the picture of Tian Jia returning late.

The whole poem is not carved or painted, just a stick figure, natural and fresh, full of poetry. If you are satisfied, please adopt it! Thank you.