Illustration of Fashion Design —— What are the artistic styles of common illustrations in fashion design that can be described in detail?

The hottest fashion illustrator of our time! How is it made? He is the hottest illustrator and the best spokesman for fashion. David downton, 1959 was born in London. Since childhood, the best treatment for him is a blank sheet of paper. However, what David didn't expect was that after a long time, he could also make a living by painting. ▲ david downton was also painting when he was young ▲ The studio has its own paintings, no less than Picasso's studio. ▲ You can create amazing works on an "interesting and knowledgeable" workbench. David first studied graphic design. His first job was to design the cover of a computer magazine in the early 1980s. ▲ david downton's 1998 fashion illustration in new york. Made of ink and cellulose acetate paper. ▲ david downton's 1998 fashion illustration for Christine Lacroix is made of ink box paper. David worked as a freelance illustrator for 15 years. No matter what happens, he enjoys the life of a freelance illustrator. ▲ 1999 illustration of fashion designed by david downton for jean paul gaultier of jean paul. Black dress with black sunglasses is more brilliant. David takes Kate Moss as the prototype and shows the classic charm of fashion with popular style. This work is quite famous in the fashion world, and it is one of the most representative works in the field of fashion illustration in recent years. ▲ 1999 fashion illustration shot by david downton for Valentino. Similar to Lacroix, Eric and others, his colors are full of modernity. ▲ david downton 1999 London fashion illustration PalomaPicasso. The materials are gouache, ink box paper, and cellulose acetate paper coating. ▲ david downton 1999 completed paper-cut bottle stickers in London, with Iman as the model. Pan Tong paper is coated with cellulose acetate paper and then coated with ink. David's works are simple and smooth in lines, very textured and unpretentious in style, which can well show his beautiful posture. Because of this unique painting style, someone began to invite him to be a fashion illustrator. Among them, the 85-year-old mythical figure Carmen Dell'Orefice is also one of David's muses. ▲ david downton's fashion illustration in new york in 2000 was modeled by Carmen Dale Orpheus and designed by ThierryMugler. This painting was first painted on Pan Tong paper with an oil pastel, covered with cellulose acetate paper, and then painted with ink. ▲ david downton 200 1 Portrait of Anna Peggy, editor-in-chief of a famous European fashion magazine. He successfully captured the soul of this "fashion godmother". Exaggerated color matching, playful expression, unruly attitude, combined with seemingly wild but very skillful brushwork ~ perfect! ▲ david downton painted a portrait of Amanda Harriet, the design director of Chanel in 2002. He has always admired artists like Lacroix, Antonio and Eric. So early painting styles, colors and lines all have similarities. 1996 made illustrations for high fashion shows for magazines, 1997 began to be active in Paris high fashion shows. At first, he was dazzled and totally unprepared, but the Paris fashion show really inspired an artist. Paris has the most beautiful women and the best designs. Everything here is fascinating. David never paints when the model walks on the catwalk. Because he found it impossible, he just took pictures or watched and really felt every moving moment. He seized any other opportunity to paint, and any time when the model was still could not escape his eyes. For example, when trying on clothes, sometimes even when the model is resting at the press conference ... ▲ Cosmetics are also his tools, touching and suitable for two colors. David said: "When I first started painting, I thought it was my responsibility to restore clothes according to the catwalk on the stage." However, the first time I attended a fashion show was at Versace's show. Before Kate Moss disappeared, I only drew her arm! Therefore, it is the best choice to appreciate any details displayed by the current model. "▲ The draft is also moving. David thinks that the most important thing is the feeling of the body under the surface of the clothes, and then some details such as proportion and color. However, this is more difficult to do. ▲ The draft also moved David to draw countless design sketches and then choose the best. When the drawings were almost the same, he began to eliminate them and carry out "decomposition-reconstruction". He kept painting until they looked natural. He writes fashion reports for famous media all over the world, such as The Times, The Independent and Fashion Evening News (Australian Edition). He has held three solo exhibitions in London and one in new york. In recent years, he also designed visual images for shopping centers in Hong Kong and drew illustrations for Vogue women's fashion series. ▲ In 2004, david downton painted the cover of Saturday Evening Post. This work was created in Paris and made of gouache, watercolor and paper. ▲ Advertising poster designed by david downton for Topshop's fashion show in September 2004. This brand is the work of young designers. ▲ david downton was commissioned by Vogue (China Edition) in 2005 as an illustrator of ValentionFitting. Is made of ink, gouache, paper and cellulose acetate paper. ▲ david downton's fashion illustration for YSL in 2006. The materials are ink, watercolor and paper. ▲ david downton's fashion illustration for YSL in 2006 consists of ink, gouache, charcoal pen and paper. ▲ david downton is a fashion illustration commissioned by Madame magazine (German edition) in 2007. This painting is first painted on paper with an oil pastel, covered with cellulose acetate paper, and then painted with ink and gouache. ▲ david downton's illustrations were commissioned by The Times of London in 2007. The materials are ink, gouache and paper. ▲ david downton drew an illustration for his magazine PourquoiPas in 2008. The model is Tita Wantis, and the costume is designed by Lacroix. The materials are ink, gouache and paper, and the cellulose acetate paper is covered with a film. Does David paint the dancers incisively and vividly ~ If you want to grind kung fu into needles ~ If you want to have the ability to surpass others, you must practice your own ability to the extreme! What are the artistic styles of common illustrations in fashion design? Can you elaborate on it? 1. Popular style

Pop-style illustration art appeared and became popular in 20_ Lan50 _ Nafen. The address of Tao Di accounting thumb vinegar is M: weft fan, screen washing, and Tao Di accounting mess. Andy warhol is one of the most outstanding figures who have contributed to the development of pop style in the field of fashion design. He pioneered the use of paper, plastic and artificial leather as the basic materials for clothing production for the first time. His illustrations contain subversive design ideas, which are characterized by bright colors, avant-garde design ideas and bold color selection. To this day, the illustrations in Pop style still retain many similarities with andy warhol.

2. Abstract style

Works with abstract style are generally based on geometric points, lines, surfaces, circles, triangles and squares for in-depth creation, which has typical abstract characteristics in creative style. Mondriaan is one of the early successful figures in abstract style works. His abstract style is unique, and he pays attention to using various rectangular patterns as illustration content. This illustration art form has a far-reaching influence on abstract style. Take Red, Yellow and Blue, an abstract work created by a famous French fashion designer, as an example. Inspired by mondriaan's abstract style, this work uses various colors such as lines, triangles and rectangles to give the audience a unique artistic appreciation experience and give the work a strong visual impact and freshness.

3. Metaphorical style

The figurative style is different from the above two styles, and its graphic characteristics are generally realistic and realistic. Furthermore, the figurative style works show relatively direct lines, which can be generalized, exaggerated and deformed for decoration, thus improving the color sense of the works and highlighting the simplicity and exquisiteness of the works. Take miuccia prada, a famous Italian fashion designer, as an example. She used to have the ability to use illustrations directly in fashion design creation. She can fill illustrations in fashion design works, and her works pay attention to carefully shaping characters, highlighting the color and gorgeous feeling of her works [4]. In addition, the lines in the figurative style are elegant, which can give the audience a fantastic psychological experience, especially in fashion design, which can effectively improve the exquisiteness of design works and give people a smart aesthetic feeling.

Fashion illustration: The 500-year-old "Fashion Devil" fashion illustration has existed for nearly 500 years. Since clothing has come into being, it is necessary to transform the idea or image of designing clothing into fashion illustrations. This visual form originated from illustration, painting and oil painting, and is also called "fashion sketch". Fashion designers mainly use "clothing sketches" to brainstorm on paper or numbers. Its main function in design is to preview and visualize the final result before sewing the actual clothes. Next, let's take a look at the historical development process of fashion illustration, a "fashion demon" with a history of 500 years. 1. The beginning of fashion illustration began in16th century, and global exploration and discovery led people to be fascinated by the costumes of people all over the world. Books explaining different social classes and cultures are printed to help eliminate the fear of change and the social unrest caused by these findings. Between 1520 and 16 10, more than 200 kinds of such prints, etchings or woodcuts were published, including the drawing boards of people wearing specific nationalities or grades. These are the earliest clothing illustrations and the prototype of modern fashion illustrations. These illustrations are likely to be used by fashion designers, tailors and their customers to inspire new design inspiration. /kloc-artists JacquesCallot and AbrahamBosse in the 0/7th century used modern carving techniques to make realistic clothes and details of the times. These periodicals have been published in France and Britain since 1670, and are considered as the earliest fashion magazines, including LeMecureGallant, TheLady 'sMagazine, LaGalleriedesModes, LeCabinetdesModes and LeJournaldesDamesetdesModes. During this period, the number of published periodicals has increased, which is a response to female readers who are increasingly eager to know the latest fashion news in the market. It was not until the end of 18 and the beginning of 19 that male style illustration became as important as female illustration. 2. The Fashion Plate in the19th century was the most popular in Paris in the late18th century. During this period, HoraceVenet's IncroyablesetMerveilleuses and Georges-JacquesGatine carved a series of watercolor fashion illustration and other publications. France's status as a fashion arbiter ensures the continuous demand for fashion illustrations at home and abroad. This interest in fashion clothes and the increasingly extensive acquisition of fashion clothes led to the emergence of 150 kinds of fashion journals in the 9th century. These very detailed fashion illustrations capture the information of fashion trends and provide a general clothing guide. It was also at this stage that high fashion appeared (at 1860). Fashion companies hire illustrators who will work directly with women's designers. When the designer hangs the cloth on the live model, the illustrator will sketch out the new design. They will also draw illustrations for each design in the completed series, and then they can send them to customers. By the end of 19, manual color printing was replaced by full color printing. Fashion patterns began to use two figures, one of which can be seen from the back or side, so that clothes can be seen from more angles, thus making it easier to copy. /kloc-the focus of illustrators in the 0 th and 9 th centuries is accuracy and detail. They follow the convention of still images in order to provide comprehensive information and guidance for the audience. 3. Fashion magazines and illustrations in the twentieth century In the early decades of the twentieth century, fashion illustrations in the modern sense blossomed for the first time. With the release of the latest fashion styles making more and more money, the work of fashion illustrator has become a profession. Fashion used to be an artist's work, but now it is becoming an industry, producing new goods in unprecedented quantities to fill the vacancy in department stores. These stores have created a new pastime-shopping culture. The French luxury magazine Gazette was published from 19 12 to 1925, bringing together a group of young artists who have gained unprecedented freedom in interpreting fashion. Iribe is a leader among these fashion illustrators. He contributed to famous publications, including CharlesMartin, EduardoGarciaBenito, GeorgeBarbier, GeorgesLepape and UmbertoBrunelleschi. The printed version they produced for the Bulletin shows the influence of Japanese woodcut prints and the new changes in decorative art style. In the United States, mass market fashion magazines Vogue and Harper'sBazaar cover social occasions and contemporary fashion trends. Harper 'sBazaar magazine signed an exclusive contract with Kurt from 19 15 to 1938, which is one of the longest contracts in the publishing history. From 19 10 to the outbreak of World War II, the cover of Vogue magazine has always been illustrated. The early cover of Vogue shows the works of art created by American illustrators HelenDryden, GeorgeWolfPlank, GeorgesLepape and F.X.Leyendecker. After World War I, European artists also joined in. Include EduardoBenito, CharlesMartin, PierreBrissaud and AndreMarty. 4. The golden age of fashion illustration1920s to191930s represents the "golden age" of fashion illustration. Every commercial artist is regarded as a fashion artist and a perfect draftsman. Many people can use authority and belief to represent the texture, luster and even weight of fabrics. With the development of new photography and printing technology, photos are copied directly on the pages of magazines, which means that fashion patterns are no longer the representative of modern life. By the early 1930s,1930s, photos had become the first choice for magazines. Vogue magazine 1936 reported that the sales of photo covers were better, and illustrations began to be placed in the inner pages. With the economic recession after the 1929 stock crash, the dependence of American fashion industry on Paris fashion has decreased. During the two world wars, the clothing manufacturing industry in the United States made great progress, improved mass production methods, and realized the standardization of sizes. Middle-class women can rely on skilled tailors to buy the latest fashion designs at affordable prices, while the patterns published by magazines such as Vogue and Women'sJournal are priceless to family tailors. The main purpose of Vogue magazine is to show the readers fashion as much as possible. Photography liberates illustrators from the need for accurate records of clothes and tends to interpret fashion clothes. According to the magazine's publisher, "artists are mainly interested in getting interesting pictures and decorative effects." They are tired of faithfully reporting anything about the spirit of contemporary fashion, so they are bored. " Dior's "NewLook" in the late1940s provided inspiration for the post-war fashion revival. In many ways, this is a retrogressive style, going back to the past instead of looking forward to the future, but it also symbolizes returning to a more cheerful and optimistic era. 5. The destruction and revival of fashion illustrations in the 1960s, fashion editors spent more budget on the editing and dissemination of photography. Later, fashion photographers were promoted to celebrities, which means that illustrators must be satisfied with making and attaching articles or engaging in advertising activities. In the 1960' s, the status of fashion illustration in magazine publishing industry has been disappearing, and this trend has been reflected in the new category of youth magazines. Many such magazines were published in the 1960' s, and all of them used illustrations as a cheap substitute for photography. AntonioLopez was the only artist who regularly appeared in Vogue magazine during this period, and his career began in Women's Wear Daily. In the second half of the 20th century, fashion illustration was difficult to survive, and it didn't start to revive until1980s. He has published a new generation of artists in Lamodeenpeinture (1982+0982), Condenast's Vanity (1981), Visionare (191) and other magazines. This revival is attributed to advertising activities, especially Barney's advertising activities in new york at 1993- 1996. Today's fashion illustration is between art and commercial art, and has recently been re-evaluated as an important genre. Because beauty and elegance are out of date in the fields of fashion and art, fashion illustration sometimes seems to go back to an earlier era. Photography is very good at recording the details of clothing, so the illustrator's focus is no longer on the accurate presentation of clothing, but on explaining clothing and possible wearers. At the end of the 20th century and the beginning of the 20th century, with the support of digital tools and social media platforms, it developed a series of unique artistic styles. From 65438 to 0990, pioneer illustrators such as EdTsuwaki, GrahamRounthwaite, JasonBrooks and KristianRussell began to rise in the field of computer graphics. This period witnessed the emergence of computer design programs AdobePhotoshop and Illustrator, and also witnessed the revival of traditional art-based fashion illustration forms. Parsons School of Design and FIT College in new york began to provide illustrations as a special element in their fashion courses. Hand-made "traditional" illustrations have been revived, and fashion illustrators often look back on past masters for style inspiration. Fashion illustrations based on classical methods have successfully supplemented those created by more modern methods. Recently, through the cooperation between fashion designers and illustrators, illustrations have become popular. With the use of social media, fashion illustrators began to attract people's attention. Fashion illustrations are full of vibrant colors, intricate patterns and endless personalities, which leave a deep impression on people. 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