What theaters in the world are designed with originality?

When it comes to the special, the Wagner Festival Theatre in Bayreuth should be affordable, even must be affordable, no matter what it looks like or what it implies. Not only was Wagner personally involved in the design of the theater, but the spirit he carried out and conveyed in the design had an important influence on philosophy, linguistics and later media theory. The uniqueness of its design is mainly reflected in the following aspects: Facade: The exterior wall of the theater adopts traditional brick-red imitation wood structure, which is almost simple compared with the baroque gorgeous appearance of most opera houses. Therefore, it was also contemptuously called "warehouse" at the beginning of its completion. According to Wagner's meaning, this is precisely to make the theater present a "popular" impression. Double foreground: The orchestra pit is completely hidden between the auditorium and the main stage (similar to the drawer mentioned by the previous classmates), which makes the stage far away from the audience, forming a "double foreground" effect and a unique visual impression. The orchestra pit is shielded from the outer arc and the top outer ring respectively, so that the light source in the orchestra pit cannot be seen by the audience, so that the audience's attention is completely focused on the stage; The sound made by the band is also reflected to the stage, which effectively isolates the noise of the audience and further enhances the illusion of the stage. This part is also called "Mystery Abgrund" by Wagner: due to the design of the double front desk, the depth of the whole theater reaches 1 meters, the top is 36.4 meters, and the stage is 13 meters deep. The building materials used in the walls make the reverberation effect particularly good, and the band sounds are everywhere in the space, putting the audience in a surreal fantasy state.

high curtain: because the stage is very high as a whole, the curtain is divided into left and right sides, and the middle section is pulled obliquely upward to both sides at an angle, which has an effect similar to the lens aperture, and is called "Wagner-style curtain". In the early Wagner Festival Theatre, taupe curtain was used. String transposition: Due to the reflective design of the stage, the voice of the band is not directly conveyed to the audience, but first conveyed to the singer. Wagner noticed this, so he adjusted the seating of the string band. Generally, the chief violin who used to sit on the left was changed to the right, and the left-right exchange of the position of the string band often made the conductor confused. In Wagner's design concept, the stage of the theater should provide a continuous illusion mechanism, so that the audience is separated from the real area and the whole viewing experience will not be disturbed or interrupted. These characteristics of Wagner Festival Theatre make his operas perform very well here, so Wagner doesn't allow some of his plays to be performed in other theaters. It is precisely because of the implementation of the "concept" that the "design" of Wagner Festival Theatre has attracted the attention of sociologists and literary theorists. Adorno pointed out that Wagner's attempt to achieve an illusion control mechanism of "product appearance covering up the production process" also indicates the industrialization tendency of "culture" and the degeneration of capitalist thought in the late stage to illusion. This kind of "covering and deifying the manufacturing process" is also of great significance in the aesthetic theory of the 19th century. The generalized writing in Derrida's deconstructive linguistics comes down in one continuous line: (writing) is unobtrusive, precisely because it is not expressed at will, but (consciously) read. Writing in a broad sense here not only refers to words, but also covers various artistic styles, which is actually a form of expression. In media theory, Wagner Festival Theatre, a unique design principle, completely abandons the reality outside the theatre from the illusion on the stage through the "mysterious abyss", which is recognized by the Frenchman Louis? Daguerre, the predecessor of photography, was used in Diorama (stereoscopic perspective painting) and later stage setting technology. The emergence of movies in the 2th century relied on media technology to turn Wagner's ideas into reality. Music and painting are integrated, all irrelevant interference is shielded, the audience's attention is completely focused on the luminous screen, and the cinema has become a real illusion mechanism for dreaming. ?