How does the eternal dust reflect the oriental aesthetics?

"Eternal Dust" embodies oriental aesthetics in both clothing and lens, which really makes people feel atmospheric and beautiful. The play is adapted from the Xianxia novel of star zero in Ancient Times, starring Zhou Dongyu and Soso. The whole drama constructs a magnificent oriental myth system, and the plot line revolves around the Lord God, telling us that she has grown from an ignorant girl to a god with a heavy burden of life. This story is about love and eternal dust. "Every frame of this painting has a texture. It is no wonder that some netizens said: It is a fairyland in our imagination. Fairy-like atmospheric scenes, advanced color matching and exquisite composition paint a fairy-like love picture of the East for the audience.

The world view of eternal dust is magnificent. From the beginning of the celestial world to the creation of the Three Realms by ancestors, the fairyland under the sea of flowers and the ethereal palace reflect the ancient charm and ancient style of oriental aesthetics everywhere, making the audience feel the strong national customs. In order to truly restore the scenes of gods, immortals, demons and demons and create a real dreamy atmosphere for the audience, the crew created 18 scenes with different styles in ancient fairyland, from magnificent to aesthetic. Each scene has a unique style, and the eternal dust is divided into ancient times from the plot. In order to describe different space scenes in detail, the staff also distinguished the building materials of the ancient world and the post-ancient world.

Taking ancient times as an example, as the beginning of the creation of chaos by the gods, the use of a large number of stones reflects the original feeling at this stage. In the post-ancient world, the overall architectural style is mainly wood, and the design style is also different from the ancient world. Different scene designs in ancient times not only have a unified sense of the times, but also have their own characteristics, which bring the audience an immersive experience. From macro scenes to props design, the play also has many elements in the detailed description of Dunhuang murals. The overall scene style is a unified oriental aesthetics based on the system, mixed with copper, gold, silver and jade, and presented to the audience with the simple and dreamy visual beauty unique to oriental fairy tales and love stories.

Its color also continues in the oriental aesthetic system. The whole play is dominated by low saturation tones, with softer milky white and silvery white, and "Dunhuang color system" such as champagne gold and rose gold, which makes the whole picture beautiful in tone and high in texture, and the scenes in the play are also rich in cold and warm colors. In ancient times, a large number of cool colors, such as black and gray, have been weathered for thousands of years, resulting in decolorization. Later, warm wood furniture was mostly used in ancient buildings, and the color treatment of the picture also showed a large area of warm colors dominated by golden yellow, which had strong visual impact and created a noble and luxurious sensory effect.

The costume design of Eternal Dust also contains classical oriental charm. In the design of flying culture in Dunhuang murals, colors and lines are often mentioned, mainly white and other light colors, with elegant and soft yarns to make the characters exactly the same. A school of Dunhuang murals "show bones and clear images, and the dust is eternal." Similarly, the color change of costumes is also used to express the changing process of characters in the play, which has existed since ancient times. For example, early clothes and skirts were mostly elegant and fresh plain colors with tulle to show innocence. When she went to Jiuyou alone to practice the power of chaos, she put on a neat and chic red dress, which shows that she shoulders the firm belief of ordinary people, and the color of the dress is to adapt to the changes of people's emotions.

China's composition can be seen everywhere in The Ancient Dust, which highlights the grandeur of ancient buildings. Exquisite composition combines photographic pictures with traditional myths. The artistic conception of Dunhuang murals and China's symmetrical aesthetics run through ancient times. The architectural design in the play is also familiar with this way. The palace is neat and generous, and the bridge corridor is straight and symmetrical, extending to the end, such as the overpass connecting bridges in the ancient world, which has the ultimate central symmetry structure and gives people a sense of stability. The endless smoke clouds and stars around also show a kind of stability.