Behind the scenes in winter and spring.

This film is about a pair of real lovers. The state shown in it is basically their true state at that time. Some viewers suspect that they later went crazy (that woman), or that they have broken up. But they are all fine, and they are still together after more than ten years. It can be seen that even an ivory tower with leaves and snowflakes may be stronger than expected. Making movies is like painting, and the fifth generation debuted in the mid-1980s. At that time, the mainstream authority of the film academy suddenly realized that film was a plastic art. Therefore, it is better to choose art when enrolling students. Two students, Wang Xiaoshuai and Lu Xuechang, from the High School Attached to Liu Xiaodong Academy of Fine Arts, were recruited as directors. At that time, the teacher who enrolled students in the director department used to be a performance department. At this time, he held them both tightly with one hand and repeatedly told them to work hard for the college entrance examination.

After graduation, Wang Xiaoshuai and others generally believe that filming dozens of people on the elevator on the track frame is a movie, and it is necessary to shoot the night view of the city. One of his later directing classmates even asked the photographer to completely light an overpass when he was filming his graduation homework. The pose put forward in the process of shooting may be the greatest wish of some film artists to keep a reserve in front of painters who sell their works to the United States. But the facts at that time were harsher than the wishes. Wang Xiaoshuai was ordered by the leader to be an assistant director, but he refused. If you shoot it yourself, you have no money. 1992, he returned to Beijing from Fujian Film Studio to see if he could mix another world. When he meets an acquaintance, he often asks where he has money. He thought he was strong enough to find a money sister and get the money. As a result, I met my old classmate Liu Xiaodong. When everyone discussed "Shuai, what are you afraid of?" With some money, the actors are ready-made, and the story doesn't have to be made up, which is the protagonist's own story. It is said that the money was mainly paid by Wang Xiaoshuai himself and the photographer. When it was all finished, Wang Xiaoshuai said that it cost nearly 200,000 yuan. If the figure of 200,000 is true, it is basically the same as the yellow land in 1984. Only the "yellow land" is the money given by the state, and the price difference between 1984 and 1992 is several times. This was the first film to do so at that time.