Six principles for Hollywood film editors to share editing.

The audience's emotion does not mean very intense emotion, but the emotion we want the audience to have. Is the audience emotionally lacking or even distracted? If the audience can always push their emotions when watching a movie, it means that this is a good movie. Mooch believes that emotion is something you should keep at all costs. ? What do you want the audience to perceive? When watching a movie, if the audience can feel what you want to express from beginning to end, everything you do is worthwhile. What they finally remember is not editing techniques, photography skills, performances or even stories, but their feelings. ?

story

Does editing promote the meaningful development of the story? Many people can't tell the difference between the story and the plot, and they are confused, but they are not. The scope of the story is wider, which means the theme of the film; Plot refers to the specific content of the story. Murch believes that every cut needs to promote the development of your story. Don't let editing become an obstacle to the development of the plot. All minor plots should be minimized. If this scene does not promote the development of the story, it should be cut out.

rhythm

Did the editing disrupt the original movie rhythm? This article is a supplement to the first principle. There is never a good or bad rhythm, just adapt to the tone of your story. The editing is seamless, leaving no trace and conforming to the feeling of the film. That is the successful editing. If you want a more exaggerated or distorted feeling, a very fast sense of rhythm, and want to make the audience feel strange, then this editing method is not bad.

Eye tracking

Do we know the audience's line of sight? Where are they looking at the screen? Pay attention to who? Did we notice this when editing? Or give the audience a chance to adapt? The audience's attention is like a glass filled with water. When the camera jumps, the audience's focus will change. If you change it too much, the cup will tip over. Knowing where the audience is looking helps to hide the flaw, and the editing point can also be determined according to the motion law of the picture.

Axis principle

Nowadays, many shots of many movies have crossed the axis of 180 degrees, such as stereo surround shooting, and jumped to a possible angle. If you have to cross the axis of 180 degrees in this way, you can do so as long as you are motivated and do not go against the emotions of the audience. And if this approach can't support the overall feeling of the film, then don't do it, although there is nothing wrong with it.

three-dimensional space

This is very similar to the last one. Have we created an environment? For example, the accordion editing method started with panoramic shooting. You can see the positions of all people and things clearly and then zoom in, so that the audience can basically understand the positions of people and things in the scene. If you want to show them to the audience, then show them. If you don't want to do this, but it is in line with the tone of the film, you can also tell the audience that everything you do is to support the first principle.

Ivy Bian Xiao will share with you the six principles for Hollywood film editors to share clips. If you have a strong interest in the later stage of film and television, I hope this article can help you If you want to know more about camera skills, post-editing methods and materials, you can click on other articles on this site to learn.

The above is what Bian Xiao shared about the six rules of sharing editing by Hollywood film editors. For more information, you can pay attention to more dry goods sharing of global ivy.