What are the artistic features of neo-objectivism photography?

The artistic feature of this school is to seek "beauty" in ordinary things. By means of close-up, close-up and other means, the subject is "separated" from the whole, a certain detail of the subject is highlighted, and its surface structure is accurately and truly portrayed, thus achieving dazzling visual effects. It does not think that the essence of art lies in the essence of objects, so its aesthetic thought belongs to naturalism. For example, in 1923, photographer Pacho took a close-up shot of the locomotive shaft, showing the state of the locomotive shaft in operation, which gave the audience a strong visual impression because the picture abandoned other details. The theoretical pioneer of neo-objectivism is strand, who made the following provisions on the artistic characteristics of objectivism: "Neo-objectivism is the essence of photography, as well as the product and boundary of photography." He believes that photography "has a strong expressive force on life and needs to observe the eyes of things." To this end, it is not based on perfunctory processes and operating methods, but must use pure photography. "The pioneers of neo-objectivism photography are Ajie and Steichen. The actual founder is Pacho mentioned above. Pacho objected to photography relying on painting. He emphasized that the art of photography must rely on its own characteristics, and believed that the aesthetic value of photography was hidden in its own characteristics. Only by giving full play to their own characteristics can we create beauty. He said: "Painting should be painted casually by artists. Only according to its inherent characteristics can we create independent photographic works, and there is nothing to borrow in painting. "The famous photographers of new objectivism are Sander (1876- 1964), Lasky (1871-956) and Haig (1893-/kloc). ), Eft (1874- 1948), Weston ADAMS (? -1902), etc. The achievement of neo-objectivism photographers is to urge people to study and explore the characteristics of photography itself and bring photography back to real life from the illusory world of aesthetics. However, due to over-emphasis on the description of the surface structure of detailed materials, it provided a germination soil for later abstract photography. Around 1925, due to the appearance of large-caliber small cameras, the performance field of neo-objectivism has made new development, resulting in many portrait works and works reflecting social life and natural scenery.