Words describing cheongsam

1. What idioms are there to describe cheongsam? They are elegant, radiant, neatly dressed, red and green, and beautifully dressed?

First, elegant and generous

Explanation: describe the elegant and calm attitude, solemn and generous. It also describes gorgeous clothes.

Said by: Cao Yu's "Wang Zhaojun" Act I: "Mrs. Jiang came down gracefully, and Yingying and her relatives respectfully accompanied her out."

Second, it is radiant.

Explanation: It is used to describe very beautiful people (usually women) or things or artistic achievements (it can also be used to describe clothes) that are amazing and admirable.

From: Zhang Song Fang Jun's "Seven Signs of Clouds" Volume 1 13: "It is the reason why you enter the palace for sightseeing, and the jade platform is full of green trees."

So he ordered his left and right hands to visit the palace, and the jade platform was green and radiant.

Third, well-dressed [Y and Gu à n Qí ch incarnation]

Explanation: describe clothes and hats neatly and beautifully dressed.

From: Zhou. The Book of Songs Cao Feng Mayflies has been commented by many people: "Mayflies are dressed neatly."

Mayfly's wings are thin and bright. Your clothes are really nice.

Fourth, wear red and green [chuān hóng zhuó lǜ].

Explanation: Describe the bright and gorgeous clothes.

From: Cao Qingxue Qin's Dream of Red Mansions: The third time, there are several red and green girls sitting on the steps.

On the steps, there are some girls in bright clothes.

V. Crown Beauty [huá guā n lü f ú]

Explanation: Crown: hat. Describe the gorgeous clothes.

Said by: Cao Qingxue Qin's Dream of Red Mansions, the third time: "After a long time, I suddenly saw two big stone lions squatting in the north of the street with three animal heads. In front of the gate, there are more than a dozen people wearing gorgeous clothes. The main entrance is not open, and people are coming in and out at the east and west corners. "

After walking for a long time, I suddenly saw two big stone lions and three animal heads squatting in the north of the street. In front of the gate sat 10 people in gorgeous clothes. The main entrance is not open, only the east and west corners are occupied.

2. A poem describing cheongsam beating Tsing Yi was dyed on a tree.

Moonlight with Two Sleeves tells the story of peerless elegance.

Walking in the fleeting time of wheat straw,

A woman in a cheongsam,

It will always be a beautiful scenery.

Mrs. Sandy, dressed in a graceful cheongsam, is graceful, smiling like a flower, with a gentle sound of jade, a bright moon like a light cloud, and snow like a return air. Didn't you see the silk satin, full of charm, praised by all gods, and the fairy danced? Beautiful! Fairy is the national quintessence of China's elegant and noble clothing-cheongsam. It is no exaggeration to say that cheongsam is a poem. It expresses a woman's virtue, elegance and gentleness with flowing melody and rich poetry. It is the complex and dream of women in China, and the beauty carved in the bones of women in China. Where there are women in China, there is a beautiful image of beautiful cheongsam.

I like this picture: spring in the south of the Yangtze River, misty and rainy, graceful woman holding an oil umbrella, wearing a plain cheongsam, her neck raised, her eyes slightly sad, and she suddenly wandered in the rain ... I have always had a soft spot for cheongsam, and I like its fit and elegance.

3. Which cheongsam qí páo is a word to praise "cheongsam"?

1. Life is like wearing a cheongsam, with charm but no figure.

I have a Browning pistol. Do you have an indigo cheongsam?

3. Women who wear cheongsam and oil-paper umbrella are the most beautiful. She has a nice name called girl.

You are the woman who plays the pipa in the teahouse, wearing a cheongsam and emitting rosemary.

5. Elegant cheongsam

6. Gorgeous cheongsam

7. Exquisite cheongsam

8. Elegant cheongsam

9. Gorgeous cheongsam

10. Wisteria flower bell, willing to wear plain cheongsam to make Xu Jun miss his life.

As the most influential and widespread traditional costume in China, Qipao is one of the representative works of splendid traditional costumes in China. Although there are many controversies about its definition and time, it is still one of the most splendid phenomena and forms in China's long-standing costume culture. Cheongsam is the most popular dress for women after the 1920s. It was designated as one of the national dresses by the Republic of China in 1929. After 1949, cheongsam was gradually ignored in the mainland, especially during the Cultural Revolution, which was regarded as a symbol of large-scale destruction. After the 1980s, with the re-emphasis on traditional culture and the influence of film and television beauty contests, it gradually revived in Chinese mainland and spread its influence all over the world.

4. A few words or phrases describe women's cheongsam costumes in the Republic of China. Take a look:

On Women's Clothing in the Republic of China from Literary Works

When Shanghai became the fastest, nostalgia became a fashion. Photographer Ma Yuanhao is a man of heart. He collected a lot of women's clothes in the late Qing Dynasty and the early Republic of China in the process of collecting folk songs everywhere. This book Gone with the Wind (photography by Ma Yuanhao Dai, Shanghai Pictorial Publishing House, July 2002) is not only his collection, but also his photography collection. Dai's words comprehensively described the development of women's wear in China. But the models in old-fashioned clothes in the photos always make people feel a little embarrassed. Ma Yuanhao himself has this feeling: "Contemporary women live in today's equality between men and women. They are lively and cheerful, and can't show the sadness, vicissitudes and implication of women 1200 years ago. After all, the times are different and the environmental atmosphere is different. "

How did women dress up during the Republic of China? Of course, the yellow and brittle old photos and the musty clothes on the lower floor of the box can provide some reference. In addition, there is another way, that is, the description of clothing in literary works can also tell us a lot of real information.

Ba Jin wrote about the life, pain and struggle of China youth in feudal autocratic families after the May 4th Movement in the torrent trilogy. There is not much description of women's clothing in the book, but it is very representative: Hui "wears a crepe jacket with rolled edges and a pink skirt". This is the costume of a lady after the May 4th Movement. Wan'er "wore a fashionable short-sleeved jacket with big cuffs and a pleated skirt with pink lake crepe". Feng Leshan made a fashionable short coat with flared sleeves for Wan'er, originally to save face for himself. This dress shows the identity of Wan'er's concubine.

After the May 4th Movement, women in Han towns were still used to wearing coats and skirts, and the long sleeves with narrow sleeves gradually changed into short sleeves with flared sleeves. At this time, only the flag bearer wears cheongsam. At home, in spring and autumn, you can't find a woman wearing cheongsam.

Zhang Ailing is famous for her attention to clothes. She will naturally carefully design the heroine's clothes in her works. Cao Yuan in The Golden Lock is the daughter of a sesame oil shop. After marrying into a big family, in order not to be looked down upon, he kept up with the trend in clothes.

She is "wearing a silver-red shirt with a roll of onions and white thread on it, and her feet are black and blue." After the Revolution of 1911, the feminist movement appeared. Influenced by the idea of "equality between men and women", tops and trousers have become women's fashion dresses. Only on formal occasions, good women have to wear skirts.

More than 20 years later, Cao's daughter Chang 'an grew up to be a big girl, but she remained in the family. When someone introduced her, she "changed into an apple green georgette cheongsam, a high collar, lotus leaf sleeves and a semi-western pleated skirt below the waist".

Wearing cheongsam on the top and pleated skirt on the bottom is the result of the blending of Manchu and China women's styles. High collars and pleated sleeves were very popular at that time.

Mrs. Tao in Zhang Henshui's Crying Marriage is a modern woman in the Republic of China. She is wearing a silver-gray silk robe, so she must reach her knees. The four sides of the robe are inlaid with peach braids. In the middle of the braid, there are blue flowers and shiny rhinestones. She has a bare neck and a pair of beads, which naturally shows simplicity and clean richness. "

The above descriptions of the costumes of these literary figures give us a general understanding of women's costumes in the Republic of China.

Women's dress reflects the political situation, economic outlook, moral concepts and living customs at that time, and reflects her identity, status, temperament and taste. This is the same in any era.

There are many show China/zgwhxl/zgctfs/200703/t109532 in this post:

5. Poems describing cheongsam are at least 0.27 yuan/day. Members of Baidu Library can view the complete content in the library > Poem 1 describing the beauty of women's cheongsam: Poems describing the beauty of women's cheongsam always appear in March in Jiangnan. Jiangnan woman, wearing silk cheongsam and holding an oil-paper umbrella, walked in the alley with white walls and bluestones. It's raining, and the slightest bit is floating. Wandering in the darkness are fragrant purple and nameless fragrance ... they have always liked cheongsam. The ancient city elegantly daydreamed in the dark gray sky and thin rain in the alleys of Jiangnan paved with blue tiles. Women are wearing floral umbrellas with spun silk and bamboo poles, cheongsam with white characters on a blue background and a high collar, and a string of pink roses are obliquely draped from shoulder to hem ... One step is a touch of lilac poetry, and even the surrounding air is filled with the fragile breath of years.

But I know that not all women can wear the style of cheongsam, and not all places are suitable for cheongsam. The elegance of that style is close to us, but it seems far away. Therefore, for many years, I have only been exposed to the coolness of cheongsam in my imagination, and I have fallen in love with the charm of cheongsam through the taste of distance and the desire to talk.

This spring, because I watched Yu Dan's talk show on TV and listened to Yu Dan's interesting story about cheongsam, I suddenly had the urge to dream, so I found a master who designed and handmade cheongsam for Yu Dan and tailored an improved cheongsam for me. I began to dream that I could be the best person in the past. From spring to summer, I tried on clothes several times.

Fat and thin, long in front and folded back. Master's craft is hard to break. Gorgeous, elegant, classical and gentle rhyme can't penetrate the whole body ... It's just that cheongsam has her unique proud personality, and she also chooses people! Cook a crane, burn a piano, let the women in Jiang Nanyu put on a smoky purple cheongsam and a bunch of newly picked jasmine flowers on their wrists, walk lightly in the fragrance, wander all the way, and dream in the fragrance of history.

6. Cheongsam Poetry: Jinyi Cheongsam Poetry, when Yu Man is in fancy.

Ba Jin wrote about the life, pain and struggle of China youth in feudal autocratic families after the May 4th Movement in the torrent trilogy. There is not much description of women's clothing in the book, but it is very representative: Hui "wears a crepe jacket with rolled edges and a pink skirt".

This is the costume of a lady after the May 4th Movement. Wan'er "wore a fashionable short-sleeved jacket with big cuffs and a pleated skirt with pink lake crepe".

Feng Leshan made a fashionable short coat with flared sleeves for Wan'er, originally to save face for himself. This dress shows the identity of Wan'er's concubine.

After the May 4th Movement, women in Han towns were still used to wearing coats and skirts, and the long sleeves with narrow sleeves gradually changed into short sleeves with flared sleeves. At this time, only the flag bearer wears cheongsam.

At home, in spring and autumn, you can't find a woman wearing cheongsam. Zhang Ailing is famous for her attention to clothes. She will naturally carefully design the heroine's clothes in her works.

Cao Yuan in The Golden Lock is the daughter of a sesame oil shop. After marrying into a big family, in order not to be looked down upon, he kept up with the trend in clothes. She is "wearing a silver-red shirt with a roll of onions and white thread on it, and her feet are black and blue."

After the Revolution of 1911, the feminist movement appeared. Influenced by the idea of "equality between men and women", tops and trousers have become women's fashion dresses.

Only on formal occasions, good women have to wear skirts. More than 20 years later, Cao's daughter Chang 'an grew up to be a big girl, but she remained in the family.

When someone introduced her, she "changed into an apple green georgette cheongsam, a high collar, lotus leaf sleeves and a semi-western pleated skirt below the waist". Wearing cheongsam on the top and pleated skirt on the bottom is the result of the blending of Manchu and China women's styles.

High collars and pleated sleeves were very popular at that time. Mrs. Tao in Zhang Henshui's Crying Marriage is a modern woman in the Republic of China.

She is wearing a silver-gray silk robe, so she must reach her knees. The four sides of the robe are inlaid with peach braids. In the middle of the braid, there are blue flowers and shiny rhinestones. She has a bare neck and a pair of beads, which naturally shows simplicity and clean richness. "