Shooting skills of ancient buildings?

Several points that should be paid attention to in taking good architectural photography (

First, choose a good shooting point. Most buildings have different geometric shapes. From different angles, their shapes, perspectives, prospects and backgrounds will change obviously. Therefore, it is very important to choose the shooting point that best represents the shape of the building. There are mainly the following shooting spots suitable for architectural photography: 1. High shooting point: when expressing the overall shape of buildings and the mutual position relationship between buildings, high shooting points are often chosen, such as shooting panoramic views of buildings or cities. 3. Low shot point: Low shot point can make the vertical line of the building converge upwards, show the tall characteristics of the building and increase the sense of stability of the building. 3. Front shooting point: The front shooting of a building has a solemn and stable feeling. When the front features of the building are obvious and the picture composition is required to be solemn and stable, this perspective is often used. However, the front of the building lacks line perspective and surface changes, and the picture is relatively dull. 2. Side shooting point: At this time, the horizontal and vertical lines of the building have obvious perspective changes, and the front and side of the building can be seen, which is conducive to expressing various angular characteristics of the building and highlighting the three-dimensional sense of the building. It is the most commonly used shooting point for shooting buildings. Choosing a shooting point should not only consider the performance and shape of the building, but also consider the surrounding environment and the choice of architectural prospects. Especially when shooting a building, in order to express the sense of space of the building, it is often necessary to choose a leaf and a corner of the room as the foreground of the building and put it in the corner of the picture. Second, the choice of light Different light can make buildings have different modeling effects. There are several kinds of light suitable for photographing buildings: 1. High-position front light: suitable for displaying the features of the front of buildings (such as balconies, arches, sculptures, etc.). ), but it is not conducive to the overall shape of the building. 4. High sidelight: It can not only show the surface characteristics of buildings well, but also fully show the three-dimensional sense of buildings. It is the most commonly used light in architectural photography. 3. Ceiling light: It illuminates the top of the building and is suitable for overlooking a large range of buildings. This kind of light can distinguish the levels of buildings. Third, the use of filters In architectural photography, filters are essential. Because the building is outdoors, it is often necessary to use different filters to adjust the tone relationship and highlight the building. In architectural photography, the commonly used filters are as follows: 1 Yellow filter: General building objects are mostly light gray or other light colors with warm tones, while the sky is often blue. In black-and-white photography, if you don't use color filters, it will be difficult to distinguish the junction between light-colored buildings and the sky. After adding a yellow filter, you can darken the blue sky and highlight light-colored buildings. Red filter: In black-and-white photography, it can darken the sky, thus improving the contrast between the sky and the building itself, significantly enhancing the three-dimensional characteristics of the building, and clearly displaying the lines and color blocks of the main body. 3. Polarizer: When shooting a building with color film, using a polarizer can darken the blue of the sky and make the color of the building more vivid, without changing the real color relationship. Fourth, the choice of equipment Architectural photography generally pursues Gao Fancha and high quality, and it is appropriate to choose large and medium format cameras. The film should be low-speed or medium-speed film, and even the color separator in Gao Fancha can be used. These films are characterized by large contrast and fine particles. There are standard lenses, wide-angle lenses and ultra-wide-angle lenses. Because this kind of lens has a wide angle of view, it is suitable for representing tall buildings. If possible, a shift lens should be used to control the perspective deformation. At the same time, outdoor shooting must use a hood. In addition, a tripod is also necessary, because architectural photography mostly uses small aperture slow film, which requires high image quality and is difficult to move without a tripod. —————————————————————————————————————————————————————————————— 3. There is sunshine-architects attach great importance to the effect of "yin" and "shadow" in sunshine when designing buildings. If there were no sunshine, the building would look dull and lifeless. Architectural photography uses two-dimensional plane photos to represent three-dimensional buildings. If there is no sun, there will be no "shadow" and "shadow", and photos will feel lifeless because they have no three-dimensional sense. The conditions of a photographer. Rich photography basic skills and familiarity with architectural art knowledge-rich basic skills can take enough photos, and with architectural knowledge, the advantages of the architecture painstakingly designed by architects can be fully displayed. 5. Excellent photographic equipment-"professional photography" is different from "amateur photography". Professional photography is a job of great responsibility. You only succeed without failure, otherwise you won't get the satisfaction and evaluation of your employer. A camera for architectural photography must have equipment to correct the perspective depth of field and deformation, and must have high-quality large-size negatives. 6. Rigorous attitude-a frame of excellent architectural photography works can never be achieved overnight, just like an architect has to learn and improve countless times before he can set up a work. 7. Ability to judge your own works-wrong interpretation leads to bad works. Artistic accomplishment and experience can improve the ability to judge works.