Traditional Culture Encyclopedia - Photography and portraiture - Film Review of Little Horse King
Film Review of Little Horse King
In the pioneering era of the western United States, human civilization entered the primitive grassland, where a group of wild horses lived. Little Horse King, the leader of the Wild Horse, went through many difficulties and tests of life and death, fought actively, and returned to his ideal home with the help of indigenous Nana Ogawa. Keywords: freedom, ideal and firmness, I first saw this film in an English audio-visual class. At that time, the teacher showed us the original, which deeply attracted Wang. I think he is too brave and strong. He is an example in my life. Although he is only a horse, his back is very high. It should be said that the film Mark is a life education film. The hero Xiao Ma Wang has experienced many difficulties, which not only shows his pursuit of freedom, unremitting struggle for ideals and understanding of love, but also meets countless challenges of life with a brave man. Look; Well, this movie made me think deeply about my life. The road of life is also full of thorns. What kind of mentality should we face? At the same time, there are also thoughts about human beings, who claim to be the master of all things. Is everything really made for human beings? "Little Horse King" mainly expresses freedom, so let's first look at how Americans understood freedom at that time. In On Freedom, john stewart Mill believes that individual rights and freedoms should not be restricted unless the rights of others are violated or the safety of the group is endangered. 1' This is freedom in the eyes of politics. I also found the definition of freedom in Ci Hai, which is mainly divided into two meanings. The first is the concept of political freedom, its class content and the historical process of its occurrence and development. The second, in philosophy, refers to the transformation of inevitable knowledge and objective world. I remember the poet Fidel said, "Life is precious, but love is more expensive. If you are free, you can throw both. " It can be seen how great the beauty of freedom is. However, this is a pioneering era in the western United States. The United States boasts that it is a free and democratic country and enjoys a high degree of democracy and freedom. But that's for their own sake. The life and death rights of animals are in their hands. Of course, this is not limited to animals, or the director has a deeper meaning. The pony king in the film. Born in the boundless grassland, playing by the cold water, taking the eagle as his friend and the earth and sky as his home, he lived a free national life. However, the danger is approaching step by step, and mankind is entering the grassland on a large scale. They want to expand territory and build railways here, not only to drive away the local aborigines, but also to kill animals on a large scale. Finally, one day, Wang was in danger. Once, he strayed into the human camp and was chased by human beings. Although Wang fought back, he was caught alive. Although his body has lost its freedom, his heart still belongs to that vast grassland, and he can refuse to enter the human camp and resist human transformation [3] and human control. Later, with the help of the indigenous Achuan people, Wang was lucky to escape from the cage. The king thought he was finally free, but the natives locked him up again. Fortunately, aborigines are different from cavalry. They are all members of the prairie. There, Wang was caught in a light rain, and of course he was finally free. The cavalry of the indigenous tribe attacked, and Xiao Ma Wang was taken away again to repair the railway in order to save Xiaoyu. He has just gained his freedom and lost it. At this time, he was locked in an unsealed train carriage, which made him feel uncertain about his future and depressed. This allows the camera to see the snow outside, as if seeing the group watching him. He misses the days when he was free on the grassland. What he needs most now is freedom. He never gave up his desire for freedom and his desire to regain it. When Xiao Ma Wang arrived at the place where the railway was built, he found that it was the prairie leading to his life. He can't let his group lose their freedom under any circumstances. He pretended to faint and kicked the locomotive hard to escape. He also kicked off the rope connecting the horses, and the locomotive fell into the valley and exploded. At this time, Sichuan came to save Wang for loving Xiaoyu. They cooperated again, were chased by cavalry, and were cornered. At that moment, the photographer showed all the expressions on Wang's face with special scenery. He made up his mind and got ready. In the last stage, Wang explained his understanding of freedom with his life. He wants to fight and get ready to take off. At that moment, he flew. Like an eagle soaring in the sky, leaving a beautiful arc. Finally, they miraculously stood on the other side of the canyon and succeeded. On the one hand, Nana Ogawa was very surprised, and the cavalry was surprised, but there was also anger. The cavalry captain was impressed by this powerful and free beauty and never killed them again. We said that the director here certainly used exaggerated methods. These are the places where this film mainly embodies freedom. The director wants the audience to see the essence of things through the surface. We say that we have a deeper understanding of freedom. Little horse king seems to be barking. Each of us has an original definition of freedom in our hearts, and we all have our own unique vision of freedom. We all have a desire to break through the cage of the world and let ourselves live freely, but there are too many shackles in the world, some of which are still invisible, which makes modern people feel how precious freedom is. As soon as Little Horse King appeared, he had the temperament of a king, because he was brave and strong. Later, his dream came true. He led his ethnic group to live happily on the grassland, and he was still thinking about his ethnic group when he was caught. This is the demeanor of a king. When he was first arrested in the camp, he didn't understand what he looked like and was willing to be pushed around by human beings. The wildness is exhausted, but he won't let this happen to himself. He repeatedly kicked off craftsmen to trim his hair, nail horses, seal horses, and resist the control of soldiers, all because of his stubborn and strong blood. And when trying to tame him to give food for three days and nights, he was still so stubborn. King Ma Xiao's attitude towards cavalry and peace is completely different, because the cavalry regards the king as a ruler and the natives regard him as a friend, and all this can be distinguished by a horse. What does the director want to tell the audience? From the above comparison, it shows that horses also have clear love and hate, while we humans want to catch aborigines. What does this mean? The flower of love was born in the home of aborigines. The appearance of flowers made me fall in love with the king. When Xiaohua was shot and transferred to Heling, Wang did not hesitate to look for her. This scene took a long time, and the director used follow-up shooting, but the scene was uninterrupted. Why are you doing this? Can't we divide it into several scenes? The use of coherent and smooth pictures has narrowed the distance between them and showed their emotional changes incisively and vividly. Although there are no words here, there are actions, expressions and long shots. Have ideals, dare to love and hate, and have the overall situation in mind. The director personified Wang, even though he was a hero. He made us think once. When we encounter difficulties in life, should we retreat or move forward? Xiao Ma Wang has given us the answer. Just like Hamlet in Shakespeare's Hamlet, every audience has their own pony king after watching it. Referring to the annotation "1" of "2" on page 140 of the first edition of "Reading Master, Humanities and Social Sciences Volume" published by China Development Publishing House in May 2003, it is transformed into "3" on page 4335 published by Shanghai Dictionary Publishing House.
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