Which directors are particularly good at lighting?

In Chen Kaige's Farewell My Concubine, there are many close-ups with backlight and sidelight, which outline the face or head, give the eyes a heavy scene, give priority to the overall warm color, and cover them with a layer of oil painting texture, which looks very comfortable. The placement of props and the position of characters are very particular, and it can be seen that they are carefully designed. The screenshot of each frame is beautiful.