Does anyone know that comics do this?

Category: Entertainment/Stars >> Cartoons and Animation

Analysis:

Basic principles of animated films The principles of character activities in animated films are the same as those in feature films. They all take advantage of the visual residual effect of human eyes, and through the fixed but gradually changing number of frames shot on the film, they are continuously shown at the speed of 24 frames per second, resulting in the feeling of people's activities.

What is the visual residual (temporary) effect?

The visual organs of the human body can still temporarily retain the visual impression after the objects they see disappear. According to the research of scientists, the visual impression can last about 0. 1 second in human eyes. If the time interval between two visual impressions is not more than 0. 1 sec, then the previous visual impression has not disappeared, and the latter visual impression has been generated and merged with the previous visual impression, thus forming a visual residual (temporary) phenomenon.

Feature films are usually shot continuously, that is, the film in the camera shoots 24 frames per second (the shooting and projection speed of early films is 16 frames per second), and the film speed in the projector is also 24 frames per second.

Cartoons are shot frame by frame. First, arrange the framework. After shooting one frame, stop the camera, put on another frame and shoot another frame. At the time of screening, the running speed of the film in the projector is also 24 frames per second, so that the animation will move.

In the process of shooting a feature film, the camera can shoot from different angles freely, and its "pushing, pulling, shaking and moving" is mainly completed by the motion of the camera itself.

In the process of shooting cartoons, the camera is fixed on a special frame to shoot. The camera can only move up and down, left and right at an angle, and its "jitter" is mainly accomplished by the movement of the picture. The amplitude and speed of the characters' actions in cartoons depend entirely on the picture. When performing an action, the more pictures you draw, the smaller the difference between each picture, and the slower and more stable the action appears; On the contrary, the fewer pictures, the greater the difference between each picture, and the faster and more intense the action.

Because comics are continuously displayed by taking orderly pictures one by one, making the image move, it can not only make all living things (figures, animals and plants) move according to the creator's will, but also give life to non-living things, making tables, chairs, boards, stools, pots, bowls, scoops, pots and even various fixed buildings move according to the creator's will. Cartoons can vividly show some natural phenomena, such as wind, snow, thunder, rain, water, fire, smoke and clouds. Comics can also directly change one image into another by overlapping, for example, the Monkey King's "Seventy-two Changes" in "Making a scene in Heaven". The expressive force of comics is extremely rich, and almost everything can be expressed, which provides a broad world for creators to give full play to their imagination. Animation is especially suitable for expressing exaggerated, fantasy and fictional themes. It can closely interweave fantasy with reality and express fantasy through concrete images, thus making animation have unique appeal.

In the lower part of some animation photography tables, refractors and lenses are installed, and a frame-by-frame projector is attached. It can show the movies of real people's activities or real scenes frame by frame, refract the pictures, combine them with the animated pictures drawn on transparent celluloid film, and shoot them frame by frame, so as to shoot the movies synthesized by real people and animation.