Wong Kar-wai is the best director who can make art films. What other works does he have besides Spring Break?

In the Mood for Love, written and directed by Wong Kar-wai and starring Tony Leung Chiu Wai and Maggie Cheung, tells a story about immigrants. As a classic China literary film, the film is simple but obscure. Wong Kar-wai's film style attaches great importance to the transmission of emotions, and often "looks at emotions rather than plots; It's not a story, it's humanity.

The drama "A Generation of Masters" mainly tells the legendary life of many masters in the "South and North Wulin" and a generation of martial arts master Ye Wen during the Republic of China. In this film, Wong Kar-wai is still doing his old job with his trademark slow kung fu. The whole movie has the feeling of old photos and looks very interesting.

"The True Story of Teddy Boy" can be said to be Wong Kar-wai's masterpiece of reaching the peak of literary films in one fell swoop, and Leslie Cheung's acting in this film has also reached a new level. At that time, the joining of many top stars in Hong Kong created a luxurious performance lineup of the film, and also won five awards for best film, best director, best actor, best photography and best art in one fell swoop, with infinite scenery.

What impressed me the most was the scene of Leslie Cheung dancing mambo alone in that dark room. He swayed and twisted in front of the mirror as if everything was so natural.

Chongqing forest likes a passage in Chongqing forest: the date on the can tells me that I don't have much time left. If I can't find the Indians, I'm in trouble. I don't know when it started. I became a very careful person. Wear sunglasses every time you wear a raincoat. You never know when it will rain and when the sun will shine. This film, with mixed reviews, still portrays the characters incisively and vividly in Wang's way.

I like a passage in Chongqing forest: the date on the can tells me that I don't have much time left. If I can't find the Indians, I'm in trouble. I don't know when it started. I became a very careful person. Wear sunglasses every time you wear a raincoat. You never know when it will rain and when the sun will shine. This film, with mixed reviews, still portrays the characters incisively and vividly in Wang's way.

The director of "2046" did not deliberately emphasize the development of the plot. He hid the causal relationship in the play behind the plot, completely disrupting the time and space before and after. The lines and dialogues are also designed to stop talking, but the director's ingenuity is to promote the development of the story in these chaotic characters, scenes, plots and time and space, and to interpret "past tense", "present tense" and "future tense" with the lens.

Leslie Cheung, Tony Leung Ka Fai, Jacky Cheung, Tony Leung Chiu Wai, Carina Lau, Brigitte Lin, Maggie Cheung, Yang Caini and many other superstars firmly grasped the subtle inner feelings of each character in the film and interpreted them incisively and vividly. These superstars have been washed away by the torrent of the times, and they are still familiar with them. They shine with starlight in the film industry and have been unanimously recognized by the national audience. "Can be a Red Life" shows their superb acting skills.

When I first enjoyed Ashes of Time when I was a child, I felt very confused and confused. Now, when I look at it again, I feel that I didn't know Jonathan Lee when I was young. I have already heard of it. Ouyang Feng said: "Some people find that leaving is their favorite." People are often so ignorant.