How should directors communicate with photography?

As a 1 photographer, I hope the director knows something about photography, but not too much. The director doesn't know photography and can't communicate. Some requirements are unrealistic, and some people will not notice where your photography is even if you play well. Unfair! The director knows too well, especially when photography is transferred to the director. The director probably regards the photographer as the host of 1, and photography has no creative space at all. The focal length movement of the lamp position has been arranged for you. You are responsible for pressing the start button of 1. Wretched! All in all, in a word, I think it's probably the 1 appropriate limit. Making movies is a systematic project of 1, and in the early stage it was manual labor of 1. Everyone who sits in the position of master creator should arrange his physical and mental strength fairly. Don't be lazy and stay out of it. No doubt about employing people, no doubt about people. When it comes to photography, don't pretend to understand if the director doesn't understand. If he knows it clearly, he should leave some room for others. If you are too dominant in photography, you will definitely lose sight of one thing and lose sight of another. After all, your energy and time are limited. How to communicate with the director in photography, 1. Never quarrel with the director and always support the authority of the director. Don't throw the question to the director. When a scheme cannot be realized, give the director 1 or n alternatives. There are some differences in creation, but don't talk to the director on the spot. The problem you want to discuss should be solved in the preparation period, not on-site grinding. This is 1 extremely inefficient.