Simple Illustration Background —— How to learn illustration?

How to draw a simple illustration pattern: brush, colored pen, white paper.

1. Draw an arc and an arc hook on the paper first.

2. Then the arc continues to draw an arc and an arc hook on the other side.

3. Connect the two arcs together. The big body of the rabbit has come out.

Draw two short ears on the rabbit's head, which is even cuter.

5. Then draw the rabbit's eyes and the other hand.

6. Finally, add a bow tie as decoration. Fill the bow tie with your favorite color, and then draw a few dots in pink under your eyes as blush. The whole simple hand-painted small pattern is completed.

Want to learn how to get started with illustration? One _ Ye Yongpan's invasion of Egyptian customs is a pity.

My major in university is science and engineering. I resigned after working in a state-owned enterprise for two years. How did I learn illustration one year after I resigned?

It's been a whole year since I started to learn illustration at this time last year. Like most people, when I first started to learn illustration, I also received many obstacles, such as: you started too late now ... making illustrations requires a lot of skills, but you didn't ... all these are true, but they still didn't stop me from starting.

The reason is love, of course. If you can do what you love, you are really lucky.

Especially now illustrations have been widely used in all walks of life, including startup pages, banners, special topics, refresh pages, details pages, icons, pop-up boxes, background pictures, holiday splash screens, expression packs, packaging, vi design, book illustrations, and many illustrations. Even now, illustrations in ui design have become a plus item. It is so important to know how to illustrate. Even if it's just a hobby, you will find the whole life better.

Two _ quail coward ≡ pure support шшш appearance! _ It is right to bear the burden of consumption.

This year, many people asked me, can I really learn illustration well without taking classes and laying a foundation? Are you really zero-based? My study experience tells me that it is possible! No one is born to be an illustrator. Excellent illustrators learn a little, so can we. And many illustrators are very good at sharing, and I have benefited a lot from it. Although there is still a big gap between my paintings and theirs, I am glad that I have made rapid progress in sorting out my works this year.

Three _ There is no way to teach yourself illustrations. In fact, I am just digging a hole for myself.

At the beginning, when I taught myself illustration, I knew that I was reading with a book or pulling a bunch of video tutorials from the Internet, but I always felt that I was stuck in my study. My study was always in a mess and my mind was in a mess. On the road of self-study, the more you go forward and work harder, the more you have an impulse to give up. My heart really broke down.

Later, I consulted my college classmate Wang. After graduating from college, she made illustrations. She said you didn't even reach the level of half a bottle and less than one bottle. How dare you play self-study You're confused about the most basic concepts. You are not teaching yourself. You are deceiving yourself. Then Wang put me in a large learning resource (skirt) with original pictures and illustrations, in which all kinds of video tutorials are systematic, and teachers share relevant knowledge every day, so I listen to them every day, not to mention really studying illustrations, and my inner doubts are swept away.

Many friends have been asking me how to find a large-scale learning resource (skirt) for original painting illustrations. Let me share it with you. The first set of numbers is: 239, the second set is: 869, and the last set is: 377. Personally, I think I can have a good learning foundation to accompany me on the road of learning.

Four _ I can copy the process of learning illustration, believe in myself and expect the future.

(1) If a worker wants to do a good job, he must first sharpen his tools.

My usual tools include a computer, PS software and wacom hand-drawn board. My computer is a macbookpro 15 inch notebook. At present, all my illustrations are drawn by PS, which is the most comprehensive software compared with SAI, AI and SKETCH. Hand-drawn board needs some feel, many friends say it is not very good, just practice it a few times. Maybe it's because I just don't have a hand-drawn foundation. The first time I used the hand-drawn board, I felt very good. I thought a few strokes on the board could be presented by PS. It's so interesting. I fell in love with the hand-drawn board, so I didn't transition from paper to hand-drawn board when I came into contact with illustrations, but started to use hand-drawn board directly, and repeatedly checked the missing parts according to the problems I encountered.

(2) Copy-if you can't copy it, copy it first.

Because there is no art foundation, hand-drawing is the most difficult for me. At first, I really couldn't draw it I found some beautiful illustrations from the internet and picked some simple pictures, such as some plants, a small animal and a villain.

(3) semi-copying-imitation is boring, and imitation requires skill.

I copied about three or four. In fact, I have mastered several expressions of board drawing, and I will find that compared with the original, the copied ones are still good. Next, I found it useless to just plagiarize, because even the best plagiarism is the result of others. You are just imitating, and all you can learn is the expression of the original, that is, some software technologies. If you really want to draw by yourself, there is no idea in your mind and you don't know how to write in your hands.

At this time, I began to try semi-copying, that is, adding some of my own ideas on the basis of the original work, which is equivalent to adding some of my own hand-painted ideas to the mastered techniques. By collecting materials (first drawing a draft on paper, then taking photos with my mobile phone and sending it to PS for painting), or changing the composition of the original picture, I replaced or modified what I thought was useful into the original picture. In short, it is to modify the original works according to your own ideas. These are all works of that stage. It is difficult for me to do this step well without an art foundation. At that time, I thought it was difficult to draw anything, so I practiced in my notebook, but I still felt that the progress was too slow behind closed doors.

From the learning foundation mentioned by Wang, I found a set of sketch courses to make up for the artistic skills that everyone has always mentioned. At first, I couldn't draw straight lines, so I began to practice drawing straight lines, shaping geometric figures, tuning, shaping the relationship between light and shade and so on. By learning sketch, I began to have a systematic understanding of the expression and modeling of light and shadow.

Learn sketch-geometry, still life, landscape, structure and sketch. I will apply what I have learned to my board painting as much as possible, and gradually feel less laborious and hand-drawn will be better.

(4) originality-learn from others and form your own.

The next step is originality. In fact, originality is not completely conceived out of thin air and then drawn, but based on many materials. My method is to collect pictures and photos of what I want to draw online, find out what I like, and then collect the elements involved in the picture in my mind from different fields and combine them into a picture according to my own ideas. This confirms a sentence: innovation is a new combination of old elements.

In addition, at this stage, I also began to learn more board painting techniques. I often ask teachers in the learning base for many video tutorials, and then draw with them, because illustrations have many styles, such as realism, plane, texture and so on. For me, I like the plain and fresh style, so I will analyze how these illustrations are represented, what brushes are used, how the graininess is made, what materials are superimposed, and why the colors are beautiful. Then I began to summarize these techniques and become my own things, but I can't copy them, but use them invisibly to form my own style.

Five _ _ An Hui, one bladder, one bitter tip, one miscellaneous punishment, one stool and one pepper.

Learning needs a process and hardship. Don't always think about getting there in one step. This is unrealistic. We should be down-to-earth, pay attention to ways and means, show wisdom in our efforts, and make efforts in wisdom.

(1) About software

There was an episode in the study of PS software, because before I studied illustration, of course, I didn't know what a hand-drawn board was. At that time, I studied photography. Because I like photography better, photography will inevitably be done later, so I began to learn PS retouching or making posters. Well, the episode is over and the real dry goods are here.

I learned PS by reading a book called PS Non-trace. This book is very thick. I just resigned in June last year,165438+1October. I watched it for almost a month, but I really studied very carefully at that time. After graduation, I seldom read reference books so hard, and I also made various marks. I admire myself now. After reading this book, I really felt that I was proficient in PS, haha. In fact, if you just paint, you don't need to master it. What you use is nothing more than those tools.

(2) About the website

The websites I use the most every day are Station Cool and Petals, which have many excellent works that can be used to copy and practice. There are also some design competitions on the China of Station Cool and UI. Interested parties can take part in it. I have participated in poster design competitions and some pattern design competitions, which are all good experiences, mainly because I can learn what ideas and expressions other excellent designers will use under the same topic.

It is also helpful to make good use of petal net. Usually, you can collect all your favorite illustrations or materials into the petal net, and you can go directly to see them when you use them, like a fortune of your own. I also have a special collection of my inspiration library, which is full of some creative materials I have browsed, and basically there will be a point that I can hardly think of. Then, when I am not inspired, I will go through it and often get something.

(3) About books

I used to work in a state-owned enterprise. State-owned enterprises really feel like frogs boiled in warm water. Now think about that time, either going to work or doing nothing after work. On weekends, I think about how to relax, where to go shopping, Taobao and buy all kinds of clothes. The wardrobe is full, but I still have no clothes to wear when the season changes. ......

I have changed a lot since I resigned last year. What buy buy bought was not clothes, but various books, such as design, illustration, photography, learning methods, copywriting, operation, quality of life and so on. Personally, I think it's very helpful to learn some books that the teacher showed me in the resource library.

Principles of color matching design

Practical sketch course

Elaboration of illustration design skills in illustration classroom.

How to be an illustrator

84 creative skills of illustrators.

(4) About creation

Creation is actually an effective presentation after a lot of accumulation. I think the accumulation here is to watch more, practice more and record more.

Look at more optimistic works that stimulate the desire to create.

To practice more is to practice more hand-drawing skills and improve the creative speed.

Remember more is to remember more instant inspiration and increase creativity.

I summarized all the above by myself, I don't know if it's right, but I suddenly found that my summary is quite good, at least very neat, like serious nonsense, haha.

If you watch too much, don't say it. It has written in detail where to go. If you practice more, you won't say it. Just practicing. I am not afraid of too much. I'm also practicing.

Remember that I have to say a few words, because I found that many inspirations are instantaneous. I don't know if you feel this way. For example, when I was cooking, I suddenly thought of drawing a picture, and then I thought, I must write this idea down when I was cooking, but when I was cooking, I suddenly asked myself that I would write it down, so no matter what I was doing or going out, I usually put it in my bag. Of course, if you have a special function that you can't forget, you can ignore this.

These are some of my main learning methods, I hope I can help you. Remember, watch more, practice more and record more!

In fact, it's very simple: iPad Illustrator procreate software beginner 1 1 Q: Every time I collect information online, the most troublesome thing is that the information is scattered, or I can't find the answer, or some questions are asked but no one answers. In order to make it easier for everyone to learn illustrations with pro software, or to draw their own thoughts and feelings with illustrations, we have specially compiled a beginner's learning collection, hoping to help everyone. If you have any questions about reproductive software, please leave a message. Let's learn and make progress together ~ Usage: You can read the outline of the question first, and then jump to the questions and answers you want to know. The most basic article: 1, How to adjust the brush size and transparency? 2. How to change the size of the original canvas? 3. How to draw common lines and shapes quickly? 4. How to quickly complement colors? 5. How to make the color scheme look better? 6. How to choose and choose your favorite brush? 7. How to be familiar with practicing common gestures? Function: 8. How to make good use of clipping mask? 9. How to make good use of perspective function? Other articles: 10, how to record your own works? 1 1. How to learn to make beautiful gradient fonts? The size and transparency of the brush are in the toolbar on the left. Slide up and down to adjust the size and transparency. Different combinations of brushes and transparency have a certain influence on our composition. Proper control of thickness and depth will add icing on the cake. The common usage is to draw lines. Its process is like cultivating our mentality. The length and continuity of a line, the strength of turning and imagination are all related to one's state of mind and artistic attainments. The lines drawn by impatient people are intermittent, the lines drawn by hesitant people are drawn, and the pictures drawn by people with insufficient grasp ability are somewhat scattered, all of which are related to their ability and experience level and their mood when drawing. Using a good brush is also a process that needs long-term tempering. If you don't think the brush looks hard and need to increase the hardness, there are two ways to try. 1, select the hard brush. Brush-air brush decoration-hard brush. There are also shades of painting. With the increase of pen strength, the trace of the pen gradually becomes deeper. 2. Modify the opacity parameter of the pencil logo in the brush, open the software, create a new canvas and start painting. First, choose the canvas size to draw at first. If you want to draw a postcard for yourself, you need to know that its standard size is 148× 100MM and165×102 mm. If you want to draw a picture book for yourself, the common format size of children's picture books is 20 (about 200X225MM). For 1~3-year-old children's picture book readers, the format of 16 is more suitable, because children's attention and observation are poor. A picture book is 145X 1 10MM, which is equivalent to the size of an adult's palm, so it is a small picture in a pocket-sized picture book. The size can be determined according to your own needs. If you just want to draw casually, there are many options in the software. Click the+sign at the top right to select the size for creating a new canvas. If there is no suitable canvas, you can also define it yourself. Common sizes are also listed below for reference. Second, if you find that you need to replace a larger canvas in the middle of painting, how should you copy the existing picture? Simply put, how to change from big to small or from small to big? There is a function of copying canvas in the software, just find this function in the image-copy canvas and copy it to another artwork. Straight line: it will automatically form a straight line without stopping writing until the end point stops, and the direction of the line can be adjusted without lifting the pen. Wave line: Draw a curve first, and then modify and adjust it by selecting-bending-advanced network. If there is something inappropriate in the middle, you can erase it with an eraser and then copy and splice it. If you need thicker lines, set the brush to the maximum. There is one of the most convenient and quick drawing methods. Choose a brush to draw shapes at will. Don't leave the interface to Chang 'an nib. The words "Edit Shape" will automatically appear in the middle of the menu bar. Click Edit Shape, and many optional shapes will appear, which can be adjusted according to actual needs. This method can be used to draw squares, rectangles, circles, ellipses and polygons. Besides the shape of stick figures, we sometimes need three-dimensional patterns. Solid circles: If you want to draw many circles at once, it is faster to use a brush. Just use a brush, and there will be a chapter on making a brush. For example, you can use a single-line brush, or you can use other brushes without burrs. Adjust the brush parameters and click General-Size Limit-Maximum Semi-circle: Draw a circle first, then drag it to the edge of the canvas, and there will be automatic cropping function, and a semi-circle will be obtained soon. Square, rectangle, triangle: draw the shape by the first method, and then fill the color quickly. Love shape: first draw a solid circle, then click Select-Bend-Advanced Grid, and then adjust according to the points. If you need love more than once, save the picture and make a brush. Rounded rectangle: as above, draw a circle or square first, then click Select-Bend-Advanced Grid, and then adjust according to the points. The first step is to choose your favorite color (that is, the palette) from the dot on the upper right. Step two, press the dot with a long pen and don't leave the screen. Drag it to the position of the pattern you want to color. Note: 1. The fill pattern must be a closed area. 2. Don't leave the screen when dragging. Charging together: About color composition: The colors of the surrounding objects are all made up of red, yellow and blue. This is also the three primary colors we often say. This is the simplest color. How did you get the complicated colors? This is through their mixed colors. Simply put, red, orange, yellow, green, blue and purple can show the relationship between them. Red+yellow = orange, red+blue = purple, yellow+blue = green. This is the relationship between their synthetic colors. You can synthesize more colors according to your own imagination, and finally form a color wheel. About color mode: RGB mode Red, green and blue CMYK represent the four colors used in printing, C represents cyan, M represents magenta, Y represents yellow and K represents black. If the image is only displayed on the computer, use RGB mode, so that a wider color gamut can be obtained. If the image needs to be printed or printed, the CMYK mode must be used to ensure that the printed color is consistent with the design. When we want to start making a new image, we must first determine the color mode according to the actual use of the image to create a new file. Method 1: Draw lessons from the colors of excellent illustrations, extract the color wheel as shown in the figure, insert the picture, click the plus sign in the upper right corner to create a new color wheel, press the color you want to choose, and then click any small black box area in the color wheel. Choose more colors to form a special color wheel. Method 2: One, two and three principles of color matching is a process of mutual echo and harmony between different tones. If the colors in the color circle are close together, they will be comfortable, and if they are far away, they will have certain influence. In order to facilitate memory, it is summarized into three simple principles. Principle 1: Color is also its own unique emotion. Excellent color matching can play a role in rendering emotions. Warm colors such as red and orange convey warm, energetic and impulsive feelings, while cool colors such as blue and green give people a stable, rational and reliable feeling. Black and purple can create a mysterious atmosphere. Color matching needs to be selected according to different emotional needs. Principle 2: Know two colors. Here we need to know two colors: intermediate color and complementary color. According to the order of red, orange, yellow, green, blue and purple, the interval color is the middle color, red+yellow, orange+green, yellow+blue, green+purple and blue+red. According to the order of red, orange, yellow, green, blue and purple, complementary colors are the two colors in the middle. The complementary colors of red+green, orange+blue and yellow+purple can show a kind of strength, momentum and vitality, and have a strong visual impact, which is also very modern and fashionable. Properly used, the effect is very good, and improperly used, it will produce uncoordinated, implicit and unstable effects. Principle 3: Three colors are suitable. Japanese designers put forward the golden ratio of color matching, 70: 25: 5, in which 70% is the main color used in a large area, 25% is the auxiliary color and 5% is the decorative color. In general, it is suggested that there should be no more than three colors in the picture, and three refers to three tones, such as deep red and dark red, which can be regarded as one tone. The less color you use, the better. The fewer colors, the simpler the picture and the more mature the work will be. The fewer colors, the easier it is to control the picture, unless there are special circumstances, such as some holiday posters, which need a lively and energetic atmosphere. Multiple images of colors are very active. The more colors there are, the colors should be allocated in strict accordance with the color matching ratio, otherwise, the image will be chaotic and the aesthetic feeling will be insufficient. Generally speaking, light color gives people a light feeling, while dark color has a heavy feeling. If you want to give people visual comfort, you need to pay attention to the balance of light and heavy, and the distribution of light and dark colors in the picture should be as uniform as possible to avoid the "weightlessness" of the picture. Brush, brush tool. A treasure has a special brush for PS or Pro software, which can be purchased, tried and screened. The more brushes, the better. Even if there are more than 100 or 200 brushes, you will eventually find that there are only a few commonly used and easy-to-use brushes. Just use your favorite brush smoothly. Brushes can be made by yourself. For example, the way to make a round brush quickly is to make a single line brush, and other brushes without burrs can be used. Adjust the parameters of the brush and click General-Size Limit-Maximum Quantity to maximize the value. If you want to make brushes with other shapes, such as squares and hearts, the method is as follows: Take a square brush as an example, click the brush library, click the plus sign, select Shape-Shape Source-Insert Picture-Insert Picture-and then adjust the parameters in the normal place. You can try to adjust the edges on the canvas, and the size limit can be adjusted appropriately. Remember to give the brush a memorable name. After finding the right and favorite brush, you can start painting. The easiest way is to imitate beautiful and fancy English fonts, which makes it easier to have a sense of accomplishment. The reference figure is as follows: 1. Click with two fingers to cancel the current operation. If you press it, it will be cancelled in the gallery. Two fingers can freely rotate the picture, enlarge or reduce it to fit the current screen. Layers can be merged in the layer area. 2. Tap with three fingers to return to the current operation. 3. Slide three fingers left and right to clear the current layer picture. 3. Slide down three directions to display the copy and paste interface. 4. Tap with four fingers once to hide/display the software operation interface. The clipping mask is an object that can cover other drawings with its shape. By using the shape of the lower layer to limit the display state of the upper layer, the clip art effect is realized. In terms of effect, it is to cut the artwork into the shape of a mask. Very interesting masks can often produce some special effects. Cutting the mask can play the role of matting. Methods: Select layer mask, click the eraser tool to smear the place where the cutout is needed, and adjust the size of the eraser. Click Invert in the layer mask, and the image of the object to be cut will appear. There are many different reference lines in the perspective function. It can make our works look neat and beautiful as a whole. Helps align various elements and calibrate their positions. When it is necessary to limit the size of a certain part in the design, you can use the reference line as an aid, and then operate only on a specific area. It can be found in Settings-Canvas-Drawing Guide. The software itself has a screen recording function. Open the software, which can be found in Settings-Video. Click on the slow-motion recording, play it back in slow motion after recording, and finally export the slow-motion video, which will usually be saved in the photo album. Charging together: Apple has its own screen recording function, and then the control center can add the screen recording function. Press the Home button twice to make the record button light up, and then click to start recording. Making gradient fonts is very simple, and there are three methods for reference. Method 1: Choose your favorite brush and write the words you want to write on white paper. Slide the layer of this word to the right to make it transparent. Then choose the color directly and paint it on the words. The second method is to draw a large piece of white paper first and then create a new layer. Choose an eraser with brush properties to write words. The gradient color will be redrawn and it will follow the trajectory of the brush. Method 3: on the white paper, color it in blocks and use this area as the background. You don't need to create a new layer, just write with an eraser with a brush. It is difficult to write fancy English words, and so are modifiers. In addition to this website that can be converted into reference, we can also search some beautiful English pictures online to copy and learn. Stay tuned ~