Traditional Culture Encyclopedia - Photography and portraiture - Original _ Translation and Appreciation of Butterfly Lovers in Spring
Original _ Translation and Appreciation of Butterfly Lovers in Spring
Inside the wall, outside the wall, there is a layman, and inside the wall, there is a beautiful woman laughing. The laughter died away, and so did the sound. Affectionate but heartless chagrin. There are 300 Song Ci poems, which are graceful, graceful, descriptive and annotated.
Spring is coming to an end, flowers are dying, and green fruits have grown on apricot trees. Swallows fly across the sky, and clear rivers surround the villagers. The catkins on the willow branches are blown less and less. Don't worry, there is lush grass everywhere.
Inside the fence, there is a girl playing on the swing. The girl gave a beautiful laugh, which could be heard by pedestrians outside the wall. Slowly, the laughter in the fence stopped, and pedestrians were at a loss, as if they were deeply hurt by a heartless girl.
Appreciation of this word is a work that hurts spring. Su Shi is good at being bold and unconstrained. It is also the most graceful, and the word spring is fresh and beautiful. At the same time, it makes sense in the scene. We still encourage ourselves with "where there are plenty of friends". The author's "passionate but heartless troubles" are not limited to his love of beauty. The next paragraph of this word is a fragment of a love story, which may have no sustenance. Just a good euphemism. As Wang Shizhen said, "willow cotton on branches is afraid of wasteland." . Maybe not. "Flowers and plants are picked up, pointing out that this word is comparable to Liu Yong's word, and its style is graceful and restrained.
"Flowers fade and red apricots are small." The color becomes lighter or disappears. The first sentence describes the scene of late spring, which means: in late spring, apricot flowers are withered, and only small and green apricots are hung on the branches. The author's sight begins with an apricot tree: the flowers have withered, the little red is fading little by little, and the green apricots are beginning to bear fruit on the branches. In Residual Red, he pays special attention to the newborn "green apricot", showing pity and love in his tone, and consciously diluting the previous strong sadness. "Swallows fly, green water people go around." Swallows fly in the air, and green water surrounds the family. These two sentences also depict a beautiful and vivid picture of spring, but without the embellishment of flowers and trees, it is still a fly in the ointment. The word "left and right" was once considered as "Xiao". Reading through the whole word, there is no outstanding scene to show that it is an early morning scene, so it is uncertain. Swallows fly around the house, green water flows around the house, pedestrians walk around the house, and the word "around" is very real. "Blowing willow cotton on the branches, there are plenty of fragrant grass in the world?" . The catkins on the trees are getting less and less under the wind, and spring is coming to an end. Isn't the world too big to find pleasant scenery? Catkin flying, spring will be exhausted, although sad; And the grass is green, which is a realm. Su Shi's broad-mindedness can be seen. Qu Yuan's "Tianya" sentence in Li Sao, "Why don't you care about the past?" It was Bu Zheling who inspired Qu Yuan. His thoughts were consistent with what Su Shi said in Ding Feng, "This peaceful place is my hometown", and he was finally banished to Lingnan, far away from Wan Li. At this time, he has reached an old age. Looking around, his hometown is almost far away. This situation is similar to catkins flying in the wind.
Shang Kun described a group of scenery in late spring. Although there were some bright colors, he felt even more decadent and bleak because of the lack of flowers and plants, just like the author's mood at this time. The author was relegated to the outside world, frustrated in his official career and far from his family, so he felt lonely and depressed, and wanted to find some beautiful scenery to relieve his depression. But it is difficult to find a good scene, and his mood is even worse. Shang Kun expressed the author's longing for spring and pursuit of beautiful things.
"Swing in the wall outside the wall. The layman in the wall, the beauty in the wall laughs. " There is a road outside the wall. Pedestrians crossing the road can only hear the sound of swinging in the wall. There was a sweet laugh from time to time. It turned out to be a woman on the swing. This scene is full of youthful and cheerful melody, so that pedestrians can't stop to enjoy it and concentrate on listening to this charming laughter. The author pays great attention to the relationship between concealment and manifestation in artistic treatment. Here, he only writes about the swing that shows the wall and the laughter of beautiful women, and the others are hidden for "pedestrians" to imagine, which has produced infinite significance in imagination. Small words are the most taboo to repeat words, but these three sentences are always sixteen characters, and "inside the wall" and "outside the wall" are repeated respectively, which actually accounts for half. The reading materials are fragmentary and intriguing. The home is inside the wall, and the road is outside the wall; There is a cheerful life in the wall, a young and energetic life; Outside the wall are pedestrians on the road. The author left a blank about the mood and way of pedestrians. However, in this silence, people feel cold and lonely. "Laughter disappeared in silence, but passion was mercilessly annoyed." Perhaps pedestrians have been standing for a long time, and the beautiful woman in the wall has returned to her room; Maybe the beauty is still having fun, but the pedestrians have gradually gone away. In a word, the beauty's laughter gradually disappeared, and it seemed quiet all around. But the hearts of pedestrians can't calm down. The laughter of the women in the courtyard wall gradually disappeared, but the pedestrians outside the wall were in a bad mood after hearing the laughter. He heard the sweet laughter of women, but he couldn't see the appearance of women; The mood is fluctuating, and the woman doesn't know that there is a man outside the wall who is distressed for her. Men are affectionate and women are heartless. "Sentimentality" and "heartlessness" here are often interpreted as love, with feelings such as life experience, homesickness, yearning for young life and patriotism. And they can indeed be described as "affectionate" people; Beauty is young, simple and carefree. She has neither the feeling of hurting spring nor the worry about her life experience. It can really be said that she is "heartless". The author is so affectionate. What kind of thoughts will "heartless" people arouse him? Perhaps it evokes his yearning for a better life, perhaps it is an analogy and association of the relationship between monarch and minister, perhaps it is a feeling that the New Year is no longer over, perhaps it is a reflection and understanding of the philosophy of life. The author didn't make it clear, but left a rich blank, which made people aftertaste and imagine.
The next part describes the layman's concern and indifference to the beautiful scenery inside the wall, which makes pedestrians more melancholy. Here, "beauty" represents the "fragrant grass" pursued by the author Shang Kun, and "pedestrian" is the embodiment of the poet. Through the description of such a group of images, the poet showed his depressed mood.
Creation background Su Shi (1037-1kloc-0/01) was a writer, painter and gourmet in the Northern Song Dynasty. Zi yue Zhan, no Dongpo lay man. Han nationality, Sichuanese, was buried in Yingchang (now Jiaxian County, Pingdingshan City, Henan Province). I have a bumpy career, profound knowledge, extremely high talent and excellent poetry, calligraphy and painting. His writing style, Wang Yang, is unrestrained and fluent, and he is also called Ou Su with Ouyang Xiu, one of the "Eight Masters of Tang and Song Dynasties"; Poetry is fresh and vigorous, making good use of exaggeration and metaphor, and its artistic expression is unique. Together with Huang Tingjian, they are called Su Huang. The uninhibited school has a great influence on later generations, and it is called Su Xin with Xin Qiji. Calligraphy is good at running script and regular script, and it can be innovative. Writing with a pen is ups and downs, full of childlike interest. And Huang Tingjian, Mi Fei and Cai Xiang are also called Song Sijia. Painting is the same as literature. In painting, we advocate spirit likeness and "literati painting". He is the author of The Complete Works of Su Dongpo and Dongpo Yuefu. Su Shi
University of science and technology Joan tube in spring. The wind is getting smaller and smaller, and birds are singing on the wall. The second place in Jiangcheng is full of music and harmony, fragrant and warm. Dissolve the ice tray in the stream. In a drunken dream, the years change. It is expected that Diane's eyebrows will lock Sui Di again, and her heart will still move Liang Yuan. The new arrival has a wide range of clouds and sounds, so there is no way to look at it again. The spring rain is raining, the moon is worried in the cage, and the courtyard is good for enjoying the cool. Crush it before you leave your intestines. It still exists and depends on high expectations. What's more, the grass grows and the warblers fly, and the plum blossoms come late. -In the Song Dynasty, Lu Zugao's "Banquet Du Qing Chu Chun" banquet Du Qing Chu Chun.
University of science and technology Joan tube in spring. The wind is getting smaller and smaller, and birds are singing on the wall. The second place in Jiangcheng is full of music and harmony, fragrant and warm. Dissolve the ice tray in the stream. In a drunken dream, the years change. It is expected that Diane's eyebrows will lock Sui Di again, and her heart will still move Liang Yuan.
The new arrival has a wide range of clouds and sounds, so there is no way to look at it again. The spring rain is raining, the moon is worried in the cage, and the courtyard is good for enjoying the cool. Crush it before you leave your intestines. It still exists and depends on high expectations. What's more, the grass grows and the warblers fly, and the plum blossoms come late. There are 300 poems in Song Dynasty, which are endless, expressing sorrow and leaving sorrow. The man in the boudoir thought that his lover was going to travel, secretly shed tears and sobbed at the distant wheels. People have already left, and she is still looking at it stupidly. All she can see is heavy water and a lonely cloud. She is also climbing the castle, but her eyes are erratic. Destroy the soul Even the green grass is jealous of her skirt. At that time, he took her hand and walked in the catkins of flowers and the green fragrant bacteria. Now her face has grown old, but her heart still feels like fresh grass every year. She had to travel all over the green fields, immerse herself and play, and live up to this precious youth. -Song Han Zhen's "Feng Xiao Yinsuo Li Wei" Feng Xiao Yinsuo Li Wei
The sadness of parting, looking at the endless spring grass, reminds me of their love with their sweetheart when they just spit incense on the roadside. The man in the boudoir thought that his lover was going to travel, secretly shed tears and sobbed at the distant wheels. People have already left, and she is still looking at it stupidly. All she can see is heavy water and a lonely cloud. She is also climbing the castle, but her eyes are erratic.
Destroy the soul Even the green grass is jealous of her skirt. At that time, he took her hand and walked in the catkins of flowers and the green fragrant bacteria. Now her face has grown old, but her heart still feels like fresh grass every year. She had to travel all over the green fields, immerse herself and play, and live up to this precious youth. There are 300 Song Ci poems, and the selected Song Ci poems are sad. Willow is soft, and smoke weaves sorrow. Begonia has not been wet by the rain, pear blossoms are like snow, but it's a pity that spring is half over. Now the past is hard to recall, and the soul in the dream walks around the boudoir building where you lived. Deep acacia is now only on the fragrant lilac branches and the beautiful nutmeg buds. -Song Wang Wei's "Eye-catching, Willow Soft" is eye-catching and willow soft
There is a breeze in the wind, and the fans of smoke float into thousands of spring worries. Begonia has not been wet by the rain, pear blossoms are like snow, but it's a pity that spring is half over.
Now the past is hard to recall, and the soul in the dream walks around the boudoir building where you lived. Deep acacia is now only on the fragrant lilac branches and the beautiful nutmeg buds. 300 Song Ci poems, featured, graceful, graceful, nostalgic and sentimental.
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