Traditional Culture Encyclopedia - Photography and portraiture - A new round of hot "Dragon King Kong" has been hotly debated, so how did such a fire come out?
A new round of hot "Dragon King Kong" has been hotly debated, so how did such a fire come out?
Full of confidence and creativity. First of all, Fantasy Journey on Qixi continues the small but beautiful and refined program style in the past, taking the crossing of Daddi Tang, a space station mechanic, as the main plot, connecting the programs of different performance forms in series, and combining the excavation and refining of China traditional culture with modern technology, thus realizing the innovative expression and creative transformation of China's profound traditional culture to a great extent, not only achieving an excellent program, but also objectively contributing a culture full of confidence and creativity to the national audience.
3D modeling Secondly, 3D modeling technology was also adopted in the shooting of Longmen Grottoes. Based on the data collection of Fengxian Temple and the research results of experts, some incomplete Buddha statues were restored and colored, and the original color of Fengxian Temple was restored.
Difficulty in Shooting Difficulty in Shooting As far as sculpture art is concerned, the image of King Kong is often very powerful, but when it is interpreted by real people, it becomes a problem: firstly, actors are unlikely to have such exaggerated muscle lines. "We choose to emphasize makeup, such as eye makeup, which is different from the appearance of actors under normal circumstances, supplemented by AR post-production to achieve the image of King Kong." Lu Dui said: When shooting dancing in the real scene, she specially emphasized one point to the lead dancer Luo: the dance movements should be coherent, but "beautiful but not flattering"; For the image of King Kong, actors are required to be agile and "hard".
Lu also said, "There are seven donkey kong in our dance. Every shape is fixed, and the posture is well documented in Longmen Grottoes, and the prototype can be found. " Besides, she mentioned that it was boring when the racket flew down, but everyone cooperated well. When filming this dance, actors often have to get up at 3 am to make up. At this time, they can't shoot until the tourists have left. "In order to protect cultural relics, we have to lay blankets and wooden boards, set up shooting equipment first, and then start shooting after dark."
A similar shooting may last until two o'clock in the morning. In addition, the lens of the Buddha statue illuminated by the sun needs to be shot in a delayed time, and at the same time, the smart posture of flying over the river should be considered ... For these pictures, the program group tries to present good visual effects. "In post-production, we grasp a principle: technology should empower the content, but it must not usurp the role of the host."
Qi Jiajun's "Yuanyang Array" and "Seven Letters from Jason Wu" are different from previous party programs, and the wonderful journey of Tanabata is relatively short. How to embed as many elements of traditional culture as possible in a limited time is also an important problem for the program group to solve. Qi Jiajun's love affair, Jason Wu's seven books ... Lu thinks these are also small eggs. If netizens notice it and are interested, they may take the initiative to understand its meaning and culture, and the intention of the program group will be realized.
After the broadcast of * * * tomorrow's program, Lu and her colleague are also paying attention to online comments and suggestions. "What I feel most is that the attention of the program actually stems from the cultural genes and cultural self-confidence of China people." "It is precisely because we have the same cultural background and memory that what we want to express in the program can be so recognized by everyone and trigger a * * *." The popularity of the program among young people was somewhat unexpected to her. "This is cultural self-confidence."
Summary "The explosive dance" Dragon Gate King Kong "is full of beauty and strong visual impact. Combining Luoyang's cultural and regional characteristics, it is a model of combining dance with media to innovate three-dimensional modeling with Longmen Grottoes as the material. " Tan Peng, director of the Dance Department of Luoyang Normal University's Conservatory of Music, believes that dance is a good cultural carrier in the era of short video. From the banquet in Tang Palace to King Kong in Longmen, it is a perfect combination of traditional culture, dance and media. He suggested that in the promotion of traditional culture, Luoyang should learn more from the combination of dance and media, explore and create Luoyang's unique culture, and spread it out in the fastest and most effective way, so that the public can better "read history".
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