The animated story of iron fist buddy

Spring: Taiji Ketong

Hazumi: Maruo Tomoko.

Gomez: Akio Otsuka

Repi: UdoKier Mako

Japan region

Language Japanese Supervision: Yoshiaki Kawajiri

キャラクターデザィン: Kim You-mi, Gao Qiao.

クリーチャーデザィン: Quan Yuanfeng.

メカニックデザィンンンン: Yoshiki Sasayama

Art Supervisors: Aoki Sheng Zhi (1, No.4), Uehara Seiichi (No.2), and Kuniko Inoda (No.3).

Shadow Capture Supervisor: Ren Yamaguchi

Sound director: Three elegant rooms.

Yin Zhuo: Takashi Otani

スーパーバィザー: Quan Yuanfeng.

CG ワークス: Yoshide Sasayama

Production: through the complex, shallow and brave.

プロデューサー: Sugita Dun, Ikeguchi Kazuhiko, Ueda Wenlang, Masao Maruyama, Yoshimoto.

ァニメーション Production: A- 1 picture バーディー: Mitsui Xiao Ye.

Maekawa つとむ: Iwanaga, Tetsuya

ルーメギス: Qingchuan Yuanmu

Xia Mei in Morning Palace: Nobukuro

Fujiwara Keiji.

Maekawa はずみ: Tomoko Maruya

Suichuan province Wu: people

クリステラレビ: ice vine まこ

ゲォルグゴメス: Zhaoxiong Tomb

ギー: Yusaku Yala

バチルス: If Yukio Hatoyama.

サラマンデル: Nakamura Daiki Animation Name Tiequan Female Interpol/Tiequan batty ~ Decoding ~

(Powerful bird)

Original name: バーディー Decoding

Play in the summer of 2008

Number of words played: TV version, all 13 words.

Animation introduction

Yuuki Masami, a popular cartoonist who is well-known for his work "Mobile Police", has decided to release an animated TV version of another SF action cartoon "Batty with an Iron Hand" (also known as "Woman with an Iron Hand"), which is not well-known to domestic audiences and is scheduled to start broadcasting on July 5 this year. This book was made into 4-volume OVA animation on 1996, and the animation director was Yoshiaki Kawajiri. The hero met the space policewoman Buddy in an accident. Buddy tried to hunt down the evil terrorists lurking on the earth, but by accident, he accidentally destroyed the hero's body cells. Later, in order to save the protagonist's life, Buddy had to live with the protagonist. The protagonist and Buddy played their own characteristics when looking for terrorists, which helped Buddy a lot. After a long time, the protagonist began to get used to the important task of defending the earth and tried to defend Buddy against alien enemies.

This book is now serialized in Young Sunday Weekly, and the cartoon has been published in the 20th volume.

It is reported that some settings and stories in the animated version are different from the original. As for the staff, it has been confirmed that the director will be Kazuki Akane who directed the series "Esconi in the Sky", which will be composed of Hiroshi Noki who made the series "Scream", and A- 1 Pictures will also be responsible for the production of this film. In addition, Yutaka Izubuchi, who has participated in the theatrical version of "Xia Ya on Sunday for Migrant Teenagers" and "Mobile Police" series, will be creative.

Supervision: Kazuki Akane

Series Composition: Onogi.

Task setting and general layout supervision: りょーちも

Mechanical setting: Yoshide Sasayama

Special art setting: Ishizu Taishi

Professional background: コバヤシサバ

Color design: Kimura Kaoko

Artistic background: Jin Ping and Mao.

Artistic Director: Hiroshi Sato.

Photo supervisor: Mr. Okayama

CGI Director: Kenji Ino

Compile: Goto Masahiro

Voice producer: Kawahito Akita

Music: Yuugo Kanno

Special creator: Yutaka Izubuchi

Animation: A- 1 picture friend black Altia: Saeko Chiba

Qian Chuanmian: Irino Miyu

Xia Mei in Hayakamiya: Ito かな恵

Keisuke Murato: Fujiwara Keiji

Ye Xiang Zhongshan Jr.: Maaya Sakamoto

Satakid Shamarang: Suzumura Kenichi

Cabella enteritis: Nazuka Kaori

You Ji Yaxing: Yuan Mianlong

"Kitamura Kenai: Buddy" (also known as "Batty" and "Batty") was broadcast in Kotobuki Minako in July, which is a sci-fi cartoon by popular cartoonist Yuuki Masami who is famous for his work "Mobile Police".

The iron-fisted policewoman has been serialized irregularly since the mid-1980s, and now it is serialized in the weekly Young Sunday. The animated version is different from the original, and it is an original story based on the original world view. The name of the animated version is decoding. Since the first quarter was published by the staff blog, it is estimated that the second quarter is still the original team.

In fact, this practice is not uncommon this year. I believe that people who have seen Xin 'an Lizick and Vampire Knight probably know what kind of situation it is.

Comic edition

(via roaming foot controller)

This is a cold and controversial work. People who have never met ignore her, and many people who have met despise her ... her popularity on the internet has never been enough. After the eighth volume, for a long time, the subsequent sweeps were unsuccessful ... until the magic frog was merciful, she was rediscovered.

Batty, an iron-fisted policewoman, is the latest cartoon of Mei Zheng, which has been serialized 16.

This 16 volume is the content of 1997 Mei Zheng's animation "OVA4", which was recreated and presented to us after charging. ...

However, because OVA is an old cartoon in a youth magazine (the iron fist buddy we are watching now is the third time to form a beautiful painting), the content of OVA can only be said to be interesting, not wonderful. ...

Because the volume 16 is only the end of Bos Glacier, it can be regarded as a complete unit. Basically, we can understand what Yuuki Masami wants to show from now on. ...

In fact, many people who have seen the first eight volumes (I have to say that the typesetting of the Hong Kong version makes people want to leave a deep impression ...) criticized Mei Zheng for dragging his feet and swallowing saliva, but now that he has got a new scan and read all the 16 volumes, my idea is: Jiecheng didn't deliberately drag on ... Batty the Iron Hand's play is certainly a point of view, but what Mei Zheng really wants to express is not presumptuous. He still wants to show the whole process of handling a case like a mobile policeman ... and in this process, Yuuki Masami also fully demonstrated his carefully shaped complete and rigorous world outlook, which made us feel refreshed. ...

I have seen the cartoons of the mobile police, and I think the theme of the mobile police should be "standing posture": the whole story is set in two large monopolies with fierce competition, and their products are represented by robots-Ingram and Griffin. In this competitive game between the two super capitals, people from different positions have chosen different active ways. Villains like Inland Sea are criminals, but they are not vicious in the eyes of forming righteous beauty. They just stand on the side of unsafe people, but experience the thrill of self-adventure. Mobile police have created an annoying capitalist world, but in this world, forming positive beauty does not point out what is "evil".

Iron fist buddy is different. Her theme is "justice". From the beginning, the camp of good and evil was very clear. The evil service in it is murder and arson from the beginning, and it is the worst. In this cartoon, we discuss the way to tell justice. Very different from OVA, comics depict people who stand on the side of justice, but their methods are extremely cruel, such as gabriela ... And the comic version is superior to OVA in that it forms a perfect beauty and explores the "human" side of those cosmic criminals ... such as the brotherhood of doll brothers and sisters, Gomez's infinite concern for family members and employees, and the dream of rebuilding Manchukuo by glaciers ... I think the author is here.

After discussing the plot, let's talk about the author's skills. Yuuki Masami is also a master of visual effects ... We might as well compare him with his contemporaries Fujita and Rilang: Fujita's cartoons are magnificent and full of expressive tension. In "The Magic Puppet", Xiao Sheng cut off the line of a doll of the last four people with one knife, which is the most expressive shot I have ever seen. Yuuki Masami, although Kima's horse muscle activity and his iron fist buddies all performed brilliantly in the robot movements like the mobile police, it is obvious that the formation of positive beauty does not pursue the eyeball attraction of a single picture. Mei Zheng, who loves movies, said in his personal comments that what he pursues is a kind of "coherence", that is, through a smooth split-shot, he can achieve a comfortable and natural overall effect like a movie and pursue a complete and smooth expression of the plot. Therefore, Yuuki Masami is quite sure about cartoons like Batty the Iron Hand.

Although the hero of Tekken Buddy is not very conspicuous or likable ... I still want to say that the formation of Mei Zheng is very successful in characterization ... Let's start with Buddy, Jiecheng hopes to create a policewoman who is mysterious and strange to the earth and ordinary to the universe ... He succeeded. Some people say that Buddy lacks distinctive personality attributes. I have to say, my buddy is lewd when he is too sexy, fierce when he is too brave, stupid when he is too bloody, stupid when he is too natural, and cunning when he is too capable. I really can't add any more. Now Buddy is the kind of attractive woman that people like more and more!

Many uncles in Yuuki Masami's works are super cute, and so is "Eight Fathers with Iron Hands". Whether it is a bearded reporter, a lion-headed policeman, a mantis deputy sheriff, a skull lizard instructor, or a villain Gomez and Glacier, they are all outstanding among uncles ... Kong Shu really can't miss this ultimate uncle man. ...

Hmm (expressing hesitation, etc.) ... I have to say that Yuuki Masami was deeply influenced by the line-jumping when he painted the film "Eight Fathers of the Iron Hand" (in fact, the idea of line-jumping came from the formation of the beautiful "Mobile Police"), so although it is a criminal cartoon with fierce confrontation between good and evil ... there are many jokes ... This is because Mei Zheng hopes to use a kind of.

Of course, Yuuki Masami, as a special photographer, there are many eggs in the comics to pay tribute to this Japanese special photographer, and readers are invited to look for them carefully ... In addition, we strongly recommend that you look at the special page of Mei Zheng's pencil manuscript at the back of each volume ... It's so interesting!

Finally, I have to say that because it is a redrawn version, this Iron Fist buddy is still a beautiful work for fans, which shows many well-known little inside stories about Yuuki Masami. For example, Yuuki Masami sold glasses before he became a cartoonist, so he made the hero's family into a four-eyed frog. You can see how he shows glasses with different specifications and characteristics. In addition, Cheng, like the hero in the cartoon, is a lover of ruins and likes to investigate the ruins and monuments that are not taken seriously. These are different from the OVA settings of the four episodes of that year. Obviously, it is Yuuki Masami's "personal egg", for those die-hard fans for many years. ...

Yuuki Masami is an artist who likes old people. He was born in 1957. This year, 2007 happens to be the 50th anniversary of his birth. I also hope that this adult master will be healthy and continue his passion and vitality.