Who painted this picture of spring?

(1932.7) Male, Han nationality, from Xuzhou, Jiangsu. Bie Shu Yun Ling Tang, 1932 was born in Tongshan, Jiangsu Province in July. 195 1 was admitted to the Art Department of Nanjing University. 65438-0955 graduated from the Fine Arts Department of Nanjing Normal University, and worked in Jiangsu Fine Arts Studio and Jiangsu Provincial Department of Culture successively. 1957 participated in the preparation and transferred to Jiangsu Provincial Academy of Traditional Chinese Painting. 1958 participated in the preparation of Jiangsu Provincial Academy of Traditional Chinese Painting. He is good at meticulous flower-and-bird painting, with beautiful style, graceful and open-minded, and full of the flavor of the times. 1959 was invited to make a peacock map for the Great Hall of the People in Beijing (cooperation) and a peony crane for Diaoyutai State Guesthouse. 1975 the work "peony and silver pheasant" was selected as "the first Asian art exhibition". His works "Banana Stan" participated in the 8th International Art Exhibition, "Grape Bird" was selected for the 26th International Expo, "Cherry Blossom Bird" was exhibited in Japan and collected in Nagoya Museum, "Magnolia Golden Rooster" participated in the China Modern Art Exhibition held by the Soviet Union, and was collected in China Art Museum, while "Duck Fat with Lotus Flower" was collected in the Philippine Presidential Palace. Other works have been exhibited at home and abroad for many times and won awards, and some of them have been included in painting collections or published separately. 1986 held a solo exhibition in China Art Museum. Published "Yu Gongbi Flower and Bird Painting Collection". At present, he is a director of China Artists Association, an academician of China Painting Academy, vice chairman of Peony Painting and Calligraphy Art Committee of China Federation of Literary and Art Circles, a member of China Artists Association, executive director and deputy secretary general of Jiangsu Artists Association, vice president of China Contemporary Gongbi Painting Society, vice president of Jiangsu Traditional Chinese Painting Academy, and an expert who has made outstanding contributions to the development of China's culture and art. He is the author of ten works, including Yu Hua Ji, Yu Gongbi's Flower and Bird Painting Ji, and Yu the Famous Painter. Yu's meticulous flower-and-bird painting is close to that of Mr. Song Zu in the Five Dynasties. He takes nature as his teacher directly and casts his personal life feelings at the same time. From his flower-and-bird paintings, we can feel the vitality of nature and the high-spirited poetry of the new era. He seldom describes rare exotic flowers and plants, rare birds and animals, but focuses on flowers, fruits, insects and birds that are common in life, giving people a simple and close sense of country. His paintings don't have the seclusion and Jianghu flavor of ancient college paintings. They belong to our new era and people's art after China's entry into WTO. Prosperity, fullness, richness, joy, brilliance, elegance and beauty, verve, liveliness and innocence, and generosity are the keynote and style of colorful flower-and-bird painting after meticulous painting. Reading his paintings is like listening to a colorful passage, or a stringed stringed instrument with stringed strings in Jiangnan. It is a tribute to nature, a tribute to life, a lament for beauty and love, and evokes people's good feelings and noble sentiments of loving life, labor, country and people. Because flowers and birds sing, spring flowers and autumn fruits are a gift from nature, and they are also the green life of the fertile soil of the motherland watered by working people from generation to generation. Painting is a silent poem. In a quiet place, we feel the pulse of the times and hear the voice of artists. This is the ardent childlike innocence of a people's artist. His love for the motherland is so persistent and deep that every painting is full of feelings. Ji grew up in the rural areas of northern Jiangsu, and his family was poor. He did farm work since childhood, which tempered his strong will and habit of loving labor, and also cultivated his deep feelings for nature, flowers, birds, fish and insects. The seeds of art in his heart germinated on this fertile soil and fell in love with painting. Thanks to his efforts, he finally entered the Fine Arts Department of Nanjing Normal University at 195 1 and started his artistic journey of herding cowboys. He caught up with the good times and met a good teacher. Mr. Fu Baoshi's profound knowledge of art history and Mr. Chen Zhifo's outstanding achievements in meticulous flower-and-bird painting enabled him to enter the door of traditional painting and chose meticulous flower-and-bird painting as his major. Childhood dreams come true.