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It's been a month since my father died.

I still wear a black veil for my father.

I took off my black veil several times before going out, but suddenly, I felt a sense of loss. Sadly, I put it on again. I can't take it off forever. I think this is purely personal. Although this personal feeling has unspeakable piety in me. I must get rid of my sadness. I don't need to rely on others to comfort me. I see. However, nostalgia is a form of meeting. Once upon a time, everyone's mood depended on it ... This month, another film or TV producer came to my house and asked my father to be an extra. After they left, I sat alone, remembering some trivial things about my father being an extra. ...

From 1984 to 1986, my father lived in Beijing for two years and worked as an extra actor in five or six movies and TV series. In the North Cinema, even the scope is narrowed down to Building 19 where I live, which is very common.

There is no doubt that my father was first chosen as an extra because of his striking beard. Father's beard is very long, reaching the second button of his coat. Overall silvery white. Everyone who met me said, "Liang Xiaosheng, your old father's beard is really handsome."

My father cherished his beard very much before his death and often carried a small wooden comb in his pocket. Nothing, just tidy up.

I remember once, my son Liang Shuang naively asked, "Grandpa, when you sleep, is your beard under the bed or outside the bed?"

Father couldn't answer at the moment.

That night, my father almost couldn't sleep all night because of his beard. As for waking my mother, I asked myself whether my beard was under the bed or outside the bed when I slept all the time. Bud, whether he puts his beard under the bed or outside it, he always feels something is wrong. ...

My father first became an extra actor in the cast of Mud and Sand. The director is Li Wenhua. The assistant director went to his father first. Father said he had to ask my advice. My father probably takes being an extra actor too seriously, thinking that he is devoted to art, so I hope I can make a decision for him and judge whether he is competent or not. Father never does what he can't do. He has never liked people who only fill in the blanks.

I refused for my father. At that time, extras were paid only by 2 yuan. I refused not because the salary was low, but because I didn't want my old father to boss me around in front of the camera.

Li Wenhua came to me personally and said that an extra in his movie lacked an old man with a beard.

"Don't worry, I told you to respect old people especially, just like respecting old actors." -He said yes.

Helpless, I had to agree against my will.

From then on, my father began his "actor career"-more precisely, his "mass actor" career-at the age of 74. ...

Father plays all the "roles" that go to the camera or go behind the camera. It is too exaggerated to say that it is also a "role". Different clothes make my old father an old gentleman, an old beggar, a tobacco dealer or a vegetable seller in front of the camera. ...

Before long, people often say to me, "Oh, Xiao Sheng, your father is so kind. Acting is very serious! "

Father takes everything very seriously.

But is that "acting"?

I often laugh it off. However, I am always happy to hear others praise my father.

Once, when I came home from my office, I passed by Beiying Street, a street where the old Beijing fake drama was really made. I saw my father sitting on the steps end to end, and the directors were discussing what to do in front of the camera, unlike any mass drama to be filmed.

It was noon at that time. I walked up to my father and said, "Dad, what are you still doing sitting here?" ? Go home for dinner. "

Father said, "No ... I can't leave."

I asked, "Why?"

The father replied, "Our director said that other extras are all right and can be sent away. But this old man can't leave. Do I still need him? "

There is a sense of pride in my father's tone.

Father's sitting posture is very special, which is a serious sitting posture. The costume worn by the actor is a brown silk robe. He lifted the back of his robe and put it on his back. Roll up the front of the robe and put it on your knees. He doesn't rely on walls or anything. Just sitting end to end, I don't know how long. Obviously, he was worried that his robe would get dusty or wrinkled. ...

Father refused to leave, so I had to ask the director.

The director has forgotten my old father and kept apologizing to me.

China's movies and TV series, the problem of extras, is very frustrating for any director. We often need 10 extras, and we have to organize 15 and 6 extras in advance. If we really start shooting, the other half will be fine. Some extras, as soon as they get the money, people run away with oil on their feet. Extras, at this point, can be described as playing some "masses" and some China people in our reality.

There are few extra actors like my father.

I thought about it carefully: everyone wants to ask my old father to be an extra actor, not entirely because of his beard, of course. ...

In those two years, my father slept in my office. Sometimes I often sleep in the office with my father, because I will write late into the night.

One night, it rained heavily. I was awakened by thunder and turned over. In the dark, suddenly, I found my father smoking on the folding bed with his clothes on.

I was curious and asked anxiously, "Dad, what's wrong with you? Why doesn't Bud sleep and smoke at night? Dad, are you worried? "

In the dark, I heard my father sigh. It was a long time before I heard him say, "Oh, I'm so worried about our director? Choose him and they were afraid it will rain these days ... "

My father always calls the director "our director", no matter which cast he is an extra. I can hear from this title that he is too closely associated with a director and an extra actor who walks in front of or behind the camera. Or on the other hand, he got too close to a director and extras who walked in front of the camera or behind the camera.

I think this is ridiculous.

I think it's very worthwhile.

I muttered, "Dad, why do you care about him?" What does it matter to you whether it rains or not? Sleep, sleep. "

"Does anyone talk like that?" My father taught me, "There are 2,000 people in the factory. Only when this film is finished and put away early can we get the salary and bonus. Don't you understand? You don't care at all? "

I pretended not to hear and said nothing.

When my father first came, he often talked about "your factory" and expressed his feelings for Beiying. I don't know when he stopped saying "your factory" and only said "factory". He seems to be a member of Beiying. It even seems that he is the director of Beiying. ...

After dawn, I got up and saw my father standing at the window in a daze.

I won't say anything. Fear of speaking out made him uncomfortable and unhappy.

Later, my father looked around. I asked what to look for. He said to find rain gear. He said he would go to the shooting scene himself to see if he could shoot it today.

He said to himself, "There is much less rain. What if we can film it? If it can be filmed, our director can't find me. Is our director not in a hurry? ……"

Judging from his tone, it seems that he is the protagonist.

I said, "Dad, why don't I call your crew for you?"

Father's silence is acquiescence.

So I went to the corridor to make a phone call Actually, I'm calling about my own business.

When I got back to the office, I said to my father, "I called." Your group didn't shoot today. "-I know I can't shoot it today.

My father was angry and shouted at me, "How did you lie to me? You obviously didn't call my crew. I heard you clearly. Do you think I'm deaf? "

Father, he rushed out.

I stood at the window of the office and felt ashamed to see my father striding in the rain.

I am at a loss for such a serious old father. ...

My father also worked as an extra in a film selected by North Korea in China. When my father wears Korean national costume, don't mention how much he looks like an old Korean. North Korean directors have always regarded him as an old Korean man. Later, I was surprised to learn that he was not. I also expressed my great gratitude to my father and took a group photo with him as a souvenir.

On that day, my father was very happy and said to me, "We ancient people in China advocated doing everything seriously. If we want to be extras, we should be extras seriously. China people like us, can foreigners not value you? "

I remember one night, it was a Saturday night. My wife, my parents and I package jiaozi together. Father rolled the skin.

Suddenly, my father sighed and murmured, "Alas, people are old when they are alive ..."

In a word, my wife and mother looked at each other.

Mother said, "Man, you are not old, but you are old when you are old!" " "

Father said, "You don't understand."

When my wife was cooking jiaozi, she whispered to me, "What happened to Dad today? You ask him. In a word, the whole family wondered and felt sad ... "

After dinner, my father and I went to the office to have a rest. Before going to bed, I tentatively asked, "Dad, are you unhappy again today?"

Father said, "I am happy. What's so unhappy about it?"

I said, "Then why do you think jiaozi is sighing and talking to himself about getting old?"

Father smiled and said, "Yesterday, our director instructed me to give the old man a line and even let me say it. Isn't that a real actor? " Will you listen to me when I say this? ……"

I suddenly realized that my father was reciting his lines.

I said, "Dad, maybe you don't like my words. Actually, you can say anything you want. Anyway, at that time, you won't be dubbed by yourself. You have to find someone to repeat this sentence for you ... "

Father is really unhappy again.

Father said in a tone of lesson: "If everyone has the attitude like you, can the film be made well?" Of course, ordinary people do not want to see it. One line, just talking about things? If there is something wrong with the expression on your face, isn't it that your mouth is cloudy and your face is clear? "

My father's words left me speechless.

To my shame, I don't even know which factory made the film that my father not only acted as an extra actor, but also said a line, and what the title was.

I can only name three movies-The Legend of the Masons, Four Generations under One roof and White Dragon Sword.

A few days ago, the movie "White Dragon Sword" was replayed on TV. My wife suddenly pointed to the screen and said, "Liang Shuang, look at your grandfather."

I was reading a book when my eyes immediately turned away from the book and turned to the screen-where was my father's shadow? ...

I asked eagerly, "Where is it?"

The wife said, "I'll walk over."

Yes, my father "plays" just some mass characters who walk towards or behind the camera. The longest time is only ten seconds. However, my father is indeed a very serious and devoted extra-all the directors who "cooperate" with my father say so. ...

While I was writing this article, someone called again-

Where is Liang? '

"It's me."

"We want to ask your father to play a mass role? ……"

"Well ... my father has passed away ..."

"Passed away? ..... Sorry ... "

The disappointment of the other side is much more than the apology of the other side.

Now there are not many people in China who are serious about their work and life. China people now seem to have lost their sense of responsibility for everything. Even people in front of officials are unwilling to be officials seriously.

Some things, for me, have gradually begun to be less serious. It seems that being serious hurts me first.

My father was serious all his life, and he worked hard, even as an extra, to a lovely degree. This is probably inseparable from his initial wishes. It must be a pleasure for a retired old construction worker to suddenly walk around in front of the camera. It is impossible for a person to take seriously what he hates extremely. This explanation is very reasonable. But if I, his son, can only come up with such an explanation, it will prove that I know too little about my father.

I think-the word "earnest" has become the main feature of my father's personality, perhaps more because he is a construction worker, who has been a construction worker for almost his whole life, and is an excellent construction worker who has won numerous awards.

An almost lifelong industry will inevitably form obvious personality characteristics. Architects don't give their blueprints to builders, that is, bricklayers. However, which great and magnificent building is not built by builders brick by brick? That is, every brick and tile, day after day, month after month, year after year, more than ten years and decades, has cultivated a serious sense of responsibility, a highly respectable sense of responsibility for future buildings. Although they know that they are involved in nothing more than bricks and tiles, they are willing to contribute to the success of others through their own bricks and tiles.

They are serious, because it is their pleasure.

May we take other people's affairs seriously in our life, learn from them and carry them forward.

Father is an ordinary man. My father used to be a serious extra. In other words, my father is a "true color" extras.

Looking at my father as a mirror, I often can't help asking myself-am I an actor on the big stage of life? What kind of actor am I? As far as performing arts are concerned, I admire character actors. As far as real people are concerned, on the contrary, I respect every "real" person and am very wary of "character actors" ...

There is a kind of sadness in lonely nights.

-Appreciation of He Qifang's "Dusk"

The bleakest and saddest time of the year is the evening in late autumn. Although this article was written in early summer, the author's melancholy mood is clear and palpable.

He Qifang said in "Talking about Painting Dreams and My Road": Before the article "Dusk", I was a person full of childish sadness, lonely joy and distant fantasy. Then I felt deep loneliness, great depression, the contradiction between reality and fantasy, and the misery of life, but I couldn't find a definite conclusion. From this, we can see that dusk in the author's mind is a symbol of the alternate division of fantasy period and depressed period, and its tone is both beautiful fantasy and loneliness.

At the beginning of the article, the author first wrote the scenery, the sound of horseshoes from far to near, the black carriage passing by, and the disappearance from near to far. These scenes are common things in daily life. Because of the author's mood and emotional color, they seem to have human spirituality and loneliness and melancholy. And from far to near and then to near to far, we can know that although the author did not mention the word emotion, it predicted the author's special emotional process. If he wants to take a leave, it goes without saying.

Then came Twilight, "Like falling off the wings of silver ash, some careless people exhausted my heart", "I shrugged proudly and sighed sadly at my feet". From the scene to the emotion, point out the author's lonely and melancholy mood. It was so depressing that the author couldn't move forward, so he had to stop and think hard.

The phrase "Hunter at dusk, what are you looking for" awakened the author from meditation. Yes, dusk is the end of the day. It's time for me to go home and enjoy the warmth of home. Why am I wandering here alone, preoccupied and depressed? Probably, the author is not very clear. "The beast looks for a strong man's knife, the beautiful bird looks for a birdcage, and the uninhibited heart of youth looks for a poisonous eye." What about me? I couldn't help sighing, and then the author told me the reason and expressed my life sigh. There used to be yellow joy with sadness, like a breeze drifting into sleep and drifting away; I just woke up and saw love fall to the ground silently; There are some lonely times, even if you close the door, you still escape. Therefore, the author asks, "Can I forget melancholy as easily as I forget happiness?" In fact, the author's rhetorical question has told us that happiness cannot be easily forgotten, but the use of this rhetoric has further strengthened the author's emotional color. Li Jianwu commented on Painting Dreams: These young people attach so much importance to the universe, but they are so inexperienced in personnel. As soon as they entered adulthood, they felt that they had lost all the precious things in their lives. My eyes became blurred. This is really "teenagers don't know the taste of sorrow, and they are forced to talk about it in order to give new words."

Everything is gone, there is no gentle footsteps, and the promise of climbing to the top of the mountain is inadvertently abandoned. I am full of melancholy and resentment, and I dare not climb the sweet imaginary road alone. I hope that the undiscovered happiness will always be hidden in the pavilion. All these ideas and practices are just because of the contradiction between what the author is afraid to see and what he thinks. What you don't explore will always be beautiful in your mind, so you don't have to be afraid of losing it.

The language in "Dusk" is plain but concise, seemingly prosaic, and we can't see too much sadness. However, from the gray tone implied in the language, we realize the author's faint but heavy sadness that he wants to get rid of and is helpless, that sadness, that unspeakable profound connotation.

1. The Denial of Peony is a beautiful article by Zhang Kangkang, a famous contemporary woman writer. The works do not praise the elegance and magnificence of peony blindly like many works describing peony, but find another way. Through the description of peony flowers blooming and falling, they praised peony's rejection of life and its persistent pursuit of life.

Peony is noble, open and gives everything; Falling down is thrilling; If you don't open it, you will feel at ease. Rejection is persistence, and persistence is the most perfect presentation of life; Refuse because of persistence, persistence in pursuing independent and reserved self-personality, and persistence in respecting the quality of self-life. To this end, imperial power can be despised and would rather be demoted; Honor can be indifferent, even if cursed. Behind that indifference is a fire-like enthusiasm, and behind the refusal is a rock-like persistence.

Peony is noble, and all unappreciative independent and noble personalities are noble. Honest people don't eat what they come from, don't drink water from stolen springs, and solitary bamboo gentlemen don't eat food from the Western Zhou Dynasty. Zhu Ziqing would rather starve to death than eat American relief food, Tao Yuanming did not bend over for five buckets of rice, and so did Su Shi, Xia, and Deng Jiaxian ... They "picked up all the cold branches and refused to live" just for their persistent pursuit and belief. They are all tasteful people, and they are peonies among people.

Behind rejection is persistence, and rejection is noble.

Second, teaching ideas (Yan Yang Middle School affiliated to Fudan University)

Understand the theme (the author emphasizes that peony should not be worshipped as "wealth", but should be praised as "noble")

At the beginning of the article, the author took the lead, exaggerating and spreading the beauty of peony with beautiful words, and describing the scene that people came all the way to Luoyang to see the beauty of peony. Then use a legend to enhance the legendary color of peony, paving the way for the following lyric discussion. At this point, readers' yearning for peony has become stronger and stronger with the author's description. However, the author turned to the weather in Luoyang. "Spring comes late ... it rains on cloudy days ... the cold wind blows", which seems to be idle, but it is an extremely important explanation. "Grain Rain visited the peony in three dynasties". The flowering of peony is closely related to the temperature. People who are looking forward to going to Luoyang to enjoy the flowers are likely to encounter the embarrassment of whether the flowers have blossomed or not. Such an abnormality and regret caused by natural phenomena was keenly captured by the author and described poetically and rationally. Rodin said: "In the artist's eyes, everything is beautiful, because his sharp eyes are fixed on the core of all living things;" If we can reveal its character, we will go deep into the outside and touch its inner truth, which is also beauty. "It is precisely because of the cold weather that peony refuses to blossom. The author endows the flower with the beauty of personality and spirit, and attaches great importance to praising peony's uncompromising and kitsch personality. At the same time, with beautiful imagination, the brilliance and magnificence of peony in full bloom and the splendor and heroism in fall are rendered. This description not only makes up for the readers' regret of passing by peony, but also strengthens the perfect and noble image of peony. Let the beauty of peony be more spiritual and tasteful.

Taste language

Prose should be told with images and have certain charm. It should not only bear the author's subjective feelings, but also guide readers' appreciation expectations through delicate language, so that people can enjoy aesthetics. The peony image created in this paper is noble and full of personality, and the title of the article Peony Rejected shows its literary vision through personification. In the text, such writing can also be seen everywhere. "Thousands of huge and full peony buds stand proudly on the clumps of peony plants half a person's height, all of which are like peaches, but their lips are closed, their teeth are clean, their teeth are clenched, and the thin petals are wrapped layer by layer, revealing a proud and cold color, which has no meaning of flowering." "A ray of pale sunshine stretched out and tried to touch it, but it was motionless and indifferent." In the face of people's visits, peony is leisurely, and its personality charm is self-evident. The author's rich emotions and warm praise for peony are poured into the pen with metaphor and parallelism: "When peony blooms, it is like a thawed river, and all flowers bloom overnight, and the avalanche is earth-shattering. It is so arrogant, so magnificent, so magnificent. " "Imagine that the peony over Luoyang City reflects colorful auspicious clouds during the flowering period; Imagine peony flowers trembling in the breeze and night dew; Imagine that trees and houses are dyed red with flowers; Imagine Luoyang city's grand occasion of "flowers bloom for 20 days, and people in the city are crazy" for more than/kloc-0.000 years. When describing the scene of falling flowers, the author highlighted its magnificence with a colorful description: "A breeze in Xu Lai, delicate peonies suddenly fell one by one, scattering gorgeous petals all over the floor. When the petals fall to the ground, they are still bright and dazzling, like the feathers of a big bird being offered to the altar and leaving with a heroic sad song. " Secondly, it is lyrical, which, like an aria, reveals the peony's nature of refusing to wither and aging and pursuing the perfection of life. "When the peony fails, it will shine or return to the soil. It spans withering and aging, dies from youth and disappears from beauty. Although beautiful, it does not forgive people. Even if it says goodbye, it will leave a final thrilling taste. " Therefore, in this day without peonies, we deeply realized that peonies are noble, arrogant and uncompromising, Leng Yan but not kitsch, magnificent and not withered. When the flowers bloom, they will spend all their money. It will be thrilling when the flowers fall, without hesitation. If they are not open, they will not compromise or be kitsch.

Angle conversion

Starting from the twelfth paragraph, the author describes peony from the perspective of "you", which not only achieves the effect of emotional resonance, but also provides readers with more imagination and association space. Some people say that Zhang Kangkang is a writer with special personality, unique pursuit and his own style. By reading this article, we not only visited Peony's personality, but also perceived the writer's own aesthetic experience and emotional interest.

text input

Starting from the topic, read the article carefully, sort out the multi-level meaning of "rejection" and appreciate the beauty of peony rejection.

The beauty of peony has long been confirmed and recognized by the world. People flocked to Luoyang city from all directions with the expectation of beauty, hoping to see the glory and magnificence of peony in full bloom, but it was rejected by peony, which refused the honor and appreciation that should belong to it.

However, flower watchers from all over the world are still pouring into Luoyang, and they don't refuse the beauty of peony because of its rejection.

Peony refuses cold rain (can be analyzed according to paragraph 8- 14)

Peony rejects vulgarity (can be analyzed according to paragraph 6 and 16)

Peony refuses to wither and age (analysis can be made according to paragraph 19)

Important and difficult

Key points: Taste the language and understand that the peony emphasized by the author should not be worshipped as "wealth", but should be celebrated as "nobility".

Difficulties: Understand the characteristics of the conception of prose, and understand the characteristics and functions of the imaginary part of this article.

Students' Views (Xia Lu of Shanghai Datong Middle School)

Why peony, not something else?

Proud chrysanthemums, thin plums, charming and willful roses, innocent sunflowers and even fresh and playful stars all over the sky, I can appreciate her with pity and love. However, peony ... whenever I look at her flowers, they are more graceful and plump than any other flowers. The bright petals are wrapped layer by layer, just like a lady in the palace of the Tang Dynasty, with a black bun, a plump figure and heavy makeup. It is difficult for me to look at peony lovingly like a flower. A few feet tall, she has a proud and cold momentum, which is enough to make me stay away from others.

Reminds me of Baochai, a peony in Leng Yan.

In A Dream of Red Mansions, Baoyu and his wife seem to be picking peony flowers this time. This thoughtful, smart and knowledgeable sister Bao has made almost all readers hate and love. It turns out that Sister Bao is a peony. No wonder Baoyu respects his sister, but her sister loves her so much. At first glance, Baochai's cold peony is very cold, but people are talking about talk. An excellent idea: Is it wrong to persuade people to study and find a job and not be a black sheep? Baochai is cold, but some people like her. Appreciating her makes her an example of being a good wife and mother. What's wrong with cold?

Will peony feel dejected for others' "no love"?

Will Peony belittle itself and lower its arrogant head for few people dare to approach her since ancient times? She gritted her teeth proudly and silently adhered to the beauty of her life-in a way that all flowers could not imitate. What can you expect such a flower to change for the sake of secular vision? For hundreds of thousands of years, they have been living a beautiful life according to their own temperament, refusing everything they don't like: such as cold, such as thin, such as light makeup. Whether people are brought to Lengmei by the tide, or graceful orchids, or anything else, peony is unmoved. She is quietly in full bloom in Luoyang city, and the flowers and bones are beautiful and warm, absolutely charming.

Student suggestion

I like such a memorable article as Peony Rejected. It seems that such an article has played a regulatory role in the rather mechanical life of senior three-when I feel depressed, I can't help but keep my mouth shut: Ah! What can be done is clear-why shouldn't I refuse depression? !

So I can't help looking forward to that stubborn and vivid but not blunt Chinese class-in other words, I think an article with a stubborn protagonist like Peony's Rejection should not be compared with the method of classical Chinese. It should be lively, lively, maybe-I think it's not bad to be stubborn and rebellious. If only I could sprinkle a little energy in this special environment of senior three!

related data

Literati's praise of peony—

"The beauty of natural national colors is unparalleled" (Qing? Chen que)

"Peony is the only flower in the world" (Song? Ouyang Xiu)

"Richness and romance are equal, and flowers bow their heads and worship incense dust" (Yuan? Li Xiaoguang)

"Late opening is for the sake of everyone, and your land is planted into a double jade hall" (Tang? Yin Wengui)

"Don't invite Ledong wind to open early, and fragrant flowers will float to the stairs" (Tang? Li Shanfu).

Most peony-

The earliest work that recorded peony was Shennong's Herbal Classic (2nd century AD).

The earliest royal garden where peonies were planted was "Xiyuan" in Luoyang (6th century AD).

The earliest peony monograph was Ouyang Xiu's "Luoyang Peony Story" (Northern Song Dynasty).

The earliest ancient capital with peony as "the best in the world" was Luoyang (from late Tang Dynasty to Song Dynasty).

The earliest peony legend is "Wu Zetian degraded peony" (Ming)

The peony with the most petals is "Wei Zi" (about six or seven hundred pieces).

The peony with the smallest flower diameter is "Yehuang Peony" (flower diameter 3 ~ 5cm).

The greenest peony is "bean green" (similar to leaf green)

The blackest peony is "the highest black jade" (deep purple)

The reddest peony is "Fire Dan" (red flag).

The whitest peony is "luminous white".

The bluest peony is "lantian jade".

The yellowest peony is "Wild Yellow Peony" (the same color as gold).

The strangest peony is "beauty three changes" (color can be changed)

The flower most similar to peony is "peony" (the same genus as peony)

The best shade peony is "Er Qiao" (two colors on a flower).

The oldest existing peony variety is "dead branch peony" (planted since the Song Dynasty).

The biggest attraction for viewing peony is Luoyang, Henan Province (it receives more than one million tourists during the peony flower show every year).