How did you make it so that all the objects in the movie were stationary and only the protagonist could move?

How is it possible to film a movie where all the objects are still and only the protagonist can move?

When filming, there is a green cloth behind it, which is called green screen shooting. There are also blue screen ones, and then using software There are many softwares that dig out people and put them on a still picture, such as ae. How are movies with dogs as the protagonist made?

Some of them are man-made! If you look at the Dulux paint ads, it’s all about people scratching their dogs’ feet! How were the big monsters in the movie created? Model making, makeup.

After shooting, the film special effects team used computer special effects to synthesize the model.

How was the gun barrel igniting in the movie?

I really don’t know the situation. I have two guesses:

1. Adding special effects in post-production< /p>

Personally, I think the possibility is small. After all, everyone knows that domestic special effects are fake at first glance

2. The movie "Eight Degrees Below Zero" used special gunpowder in the barrel of a gun. How it was filmed

The training venue was originally in California. Three months before the filming of the film started, in order to adapt to the cold and snowy environment, they and more than 20 trainers were moved to a snow-covered rural farm near the town of Smythe. Initial training involves expressing emotions, such as barking and baring of teeth, as well as lots of head movements. As the training progresses, the sled dogs begin to undergo skill training. This ranges from leaping to track birds (lubing them with a toy filled with food on a tether) to crawling on ice and even training them to tolerate being buried in snowdrifts. First, teach them to curl up into a ball and lie down as instructed, then sprinkle a small amount of snow on them and reward them afterwards. Add more snow each time until the sled dog feels very comfortable buried in the snow. The simplest and most natural-looking movements in the film are actually the most difficult to do. For example, let the sled dogs learn to look at the actor Paul. Sled dogs and their handlers spend a lot of time together and are very harmonious with each other, so they will naturally look at their handlers. Therefore, on the one hand, we need to cultivate the real relationship between the actor and the sled dog, and at the same time, we also have to try to get the trainer to make the dog perform actions outside the camera, such as "extending his paws", but let the sled dog's eyes look at Paul. Each dog had two handlers working with them during filming. Even sled pulling is a challenge for these dogs because they instinctively pull the sled very far, but in the film, they are often required to pull 5 feet away before suddenly stopping for plot needs. During the training process, these sled dogs established a unique relationship with each other, and this social hierarchy basically matches the requirements of the characters in the film. How is AV shot?

Generally speaking, the process of AV from production to circulation is:

The film producer places an order → the production company undertakes the production → submits it for review → develops, copies and packages → wholesales Wholesaler→Video store→Consumer.

The simplest shooting unit is a machine, a photographer, a director, and two actors.

Sometimes in order to reduce costs, the director even has to take on the role of photographer and male lead. Therefore, the shortest shooting time for a work is only about 1-3 days. A low-cost film can be completed in one or two days, while a well-produced AV may even take several months. The staff and actors repeatedly discuss the plot, and the male and female protagonists constantly communicate. , the effort put into cultivating feelings is no less than that of ordinary films. No matter what kind of story you want to make, imagination is the first element. *** This is something that uses pictures, sounds, and plot to create excitement. If you present only a bland sex scene, how can the audience be aroused? Therefore, for actors, it is even more important to have the skills to enter the scene. . "Every time I shoot, I imagine the male protagonist as my lover." The production cost ranges from tens of thousands to hundreds of thousands of RMB, most of which has to be paid to AV ***; if *** is affiliated with a certain If you are a brokerage company, then at least 50% and as much as 70% of the income must be handed over to the company. Some girls with good "conditions" can get up to more than 50,000 yuan for their first acting role. The cheapest ***, it is said that the daily salary is only about 1,000 yen (equivalent to the hourly salary of 65 yuan at McDonald's).

In 2003, Japan opened its first "AV Culture School". Principal Kubo Shinji is a professional AV actor and has an impressive record of performing in more than 800 AV films. The biggest selling point is of course that the school’s teachers are all popular “AV ***”. In order to save costs, some directors even go to some public places to shoot at the expense of venue fees. For example, on April 10, 2008, in a McDonald's fast food restaurant near Higashi Matsuyama, Saitama Prefecture, Japan, a photographer and two directors were filming an AV in broad daylight. They were immediately reported by customers who were dining, and were immediately arrested and detained by the police. If prosecuted, it is reported that a huge fine will be imposed. According to Japan's "Urban Confusion Law", AV filming cannot be conducted in public places.

Common shooting locations include: schools, hotel rooms, seaside, woods, hospitals, offices and other fixed places, as well as various means of transportation, in cars, trams, airplane cabins, etc. Directors often choose shooting locations based on the type of work they are shooting.

You go online and look up Tokyo Fever, Caribbean, and store manager recommendations.

There are societies for these things, just like when we shoot movies and TV series

I recommend a book on the history of Japanese AV that introduces the definition and development of AV. Basically, the shooting methods are the same now. How was Sex Underwater shot? Come out

miss underwater

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Miss Underwater, please don't sigh

Miss Underwater, please don't sigh

Miss Underwater, s singing lullabies

Girl in the water, stop singing lullabies

Miss Underwater, refrain

Girl in the water, please be patient

Miss Underwater, pretend that I am dead

Miss Underwater, don't be sad

Miss Underwater, don't be sad

Miss Underwater, it's only in your head

The girl in the water, only in your head

Miss Underwater, desist

The girl in the water, forget

Miss Underwater, you know the reason why

Miss Underwater, watch me fly

Miss Underwater, watch me fly

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Miss Underwater, my love for you won't die

Girl in the water, my love for you will never change

Miss Underwater, give up

< p> Girl in the water, please let go

And all your hydrous love songs

All your love songs containing love

Will never s my leaving

You can't keep me either

Miss Underwater, now I'm on my own

Miss Underwater, I'm determined

ve been reborn

Miss Underwater, closeness to my soul

Miss Underwater, closeness to my soul

Miss Underwater, suspend

Miss Underwater, suspend