Traditional Culture Encyclopedia - Photography and portraiture - What is the original work of the movie Dog Village (filmed in Lars von Trier)? Like, let bullets fly at night. . . adapt to

What is the original work of the movie Dog Village (filmed in Lars von Trier)? Like, let bullets fly at night. . . adapt to

I'm sorry to tell you that "Dog Village" is not adapted from any original works, but the script is completely original by the famous Danish national treasure director Lars von Trier.

Lars von Trier, a famous Danish director, was born in a middle-class family in Denmark on April 30th, 1956. His first 8 cm camera was a birthday present from his grandmother. The free growth space provided by parents makes it possible for him to interpret images.

However, the director mentioned that the movie story was inspired by a song "Jenny the Pirate" in Brecht's threepence opera.

The film also expresses some views of von Tell on American society, although he has never set foot on American soil. Dog Village is the first American trilogy after Golden Heart Trilogy. "I have been criticizing American society all my life-according to what it seems to me. I haven't been there, but my understanding of America is based on a lot of information and images. Compared with those Americans who want to film Denmark, such as Andersen, they know much more about Denmark. The United States occupies a much larger part of my consciousness than Denmark does in their minds. "

Von Thiel was fascinated by the way of shooting with only one camera, two actors and a gray background. He adopted this deliberately simplified shooting method to distinguish it from those contemporary films that use expensive scenery and film technology. "I admire Kubrick so much. In order to find the right shot, he can wait in the mountains for months. I won't be moved when you can do the same thing with the computer in a minute and a half. "

Von Thiel believes that his style can enhance the audience's viewing experience: "The audience becomes completely immersed in it." As a decorative setting, a well-known fixed form, the empty stage does not have much meaning. His aim is to make the audience focus on the characters, actors and stories. "This technology is like a psychological magnifying glass, closer to people." Of course, he is not sure whether the audience can agree with his aesthetic attempt.