800 words about red sorghum.

Red Sorghum is a novel with the anti-Japanese war as the background, unlike previous anti-Japanese war themes. He is a perfect patriotic anti-Japanese hero, but some anti-Japanese heroes in the book are a combination of justice and evil. They are a unique group of people with fresh life and humanity, which should be unique to red sorghum! The following are 800 words about red sorghum, carefully arranged for everyone. Welcome to check.

Red Sorghum Review 800 words 1

Sorghum is ripe and red all over the sky-inscription

There, as far as the eye can see, there are sorghum fields, where sorghum brewed the famous Sanlihong. That's Gaomi in the movie Red Sorghum. There are many wineries brewing sorghum in Gaomi. Gaomi people like red sorghum, like the wine brewed by red sorghum, and prefer this land where red sorghum is bred everywhere.

The sorghum fields in Red Sorghum were destroyed by the Japanese invaders. It turns out that the bandits who take the mountain as the king spend their necks, including Yu Zhanao, a group of brothers, the county magistrate whose children have been sacrificed, and Jiu-Er, a young woman who is the only one in charge, get together to fight the devils and skillfully deal with the Japanese devils who want to occupy their hometown.

Gaomi people accompanied by red sorghum will never give up this land! Shaozuo of Japan wants to conquer the hearts of Gaomi people and make them voluntarily become the conquered. Gaomi people will never agree, and they will fight to the death! On the battlefield, the father who lost three children and Gaomi county magistrate were in wheelchairs full of explosives. Jiu-Er sang "Sorghum" to bid farewell to his beloved, led the Japanese invaders to the wine shed in the sorghum field, burned the famous Sanlihong praised by the Japanese devils, and burned this dense creature. The devil had nowhere to hide, so he settled in this sorghum field.

Jiu-Er is the epitome of millions of anti-Japanese people in Qian Qian. In her, we can see the simplicity, kindness, diligence and courage of the people of China, the yearning for a free and happy life of the people of China, and the determination and self-sacrifice of the people of China to resist the Japanese invaders. Their kindness and simplicity, and the beauty and richness of this land have aroused our hatred of the Japanese aggressors.

In the film, beautiful sorghum fields are the main background of Gaomi people's life and anti-Japanese. This picture makes people feel that sorghum has been integrated into the life of Gaomi people, and the spirituality and spirit of sorghum have been integrated into the bones of Gaomi people! After eight years of anti-Japanese war, I don't know how many people bravely resisted the enemy for this land. When mature, it is not only sorghum that can be red all over the sky, but also the blood of those heroes who fought on the battlefield. Gaomi people are as simple as red sorghum, and Gaomi people are as bloody as red sorghum. They are rooted in this land, love this land deeply, and can give their blood or even their lives to defend this land. They firmly believe that the * * * production party in China can drive away the Japanese invaders, so they follow the * * * production party wave after wave and defend my hometown to the death, and never allow the invaders to occupy a penny.

In this season when sorghum is about to spread all over the sky, the seventieth anniversary of the victory of the world anti-fascist war in War of Resistance against Japanese Aggression, China is ushered in. On this special day, I watched the movie Red Sorghum again. The young people who fought bloody battles on the battlefield in those days are now over eighty. A new generation of soldiers held the red flag in their hands, inherited their indomitable spirit, stood at the forefront of the times and defended the peace of the motherland and the people.

Sorghum-brewed wine has a long history and has been passed down from generation to generation. Although the anti-Japanese war era in the film Red Sorghum has become history, China people's love for the motherland, their faith in the Chinese production party and their pursuit of peace in the war of resistance are eternal. Red Sorghum tells the world in the form of film art what is the true red national soul.

Review of 800 words of red sorghum II

Watching movies in a foreign hometown always brings tears to your eyes.

After watching this movie, I always feel as if Jiang Wen has become a director, but Jiang Wen's profundity and subtlety are not reflected at all. For me, the biggest feature is truth. All the backgrounds and characters in the film can be said to be 100% close to the background at that time. From the beginning, when one or two scenes stand out, it makes sense to give examples. When all are, then there is no need to give examples.

Admittedly, the degree of authenticity is related to the shooting year of the film, but as far as authenticity is concerned, both life scenes and fewer battle scenes are as real as life. Compared with the current effect, it can be said that it has achieved the ultimate.

Often unconsciously compare it with Zheng Xiaolong's Red Sorghum. There is no doubt that Yu Zhanao played by Jiang Wen is more real than Yu Zhanao played by Zhu, which is more in line with the image of a red-blooded China man in that era. His wit, courage, vanity, arrogance and cunning are amazing. This is a man, a China man, lovely and hateful. Of course, the TV series "Yu Zhanao" is flesh and blood, but it is a bit too proud.

Dai Jiulian in Zhao Wei and Dai Jiulian in Gong Li have their own merits. Dai Jiulian in Zhao Wei hides a kind of wit from the beginning, while Dai Jiulian in Gong Li gradually reveals her wit and flexibility, which is quite in line with the image of a married woman in feudal times. Due to the brevity of the film, the image of Dai Jiulian is difficult to be deeply reflected in the film, but the image of Dai Jiulian in the TV series is full and credible.

Laomouzi is a photographer, and he has higher requirements for the sense of film images than ordinary people. As the main color, red symbolizes hope and struggle, which is particularly strong in just 90 minutes, and the film itself is equivalent to a sun and a thunder, as if trying to break free from the shackles of _ _ _ _.

In general movies, either give three points and the remaining seven points; Either seven points now and three points left. But Zhang Yimou, who is young and bold, has to make great efforts to make everything reflected in this piece of red. Naturally, there is nothing worth remembering. But even if there is no aftertaste, the bright red in 90 minutes is enough to make that silent era tremble.

For such a novel, making a movie is much better than making a TV series. The film has to cherish every frame and every picture, but the drama can tell the whole story in detail without stint, even for Red Sorghum.

The jumping of the story makes the audience often jump out of the story; Instead of using more details, the film's sensational effect is much worse. Whether Dai Jiulian got married, the wine cellar started, Lohan died tragically, and Dai Jiulian died, it was far from TV series. In fact, the original intention of the movie version is to tell this story, and it doesn't put much effort into the characters, so it doesn't quite conform to our aesthetic concept now.

When I left the lecture after watching the movie, Dionysus, the god of wine, kept echoing in my mind. This is a big song I have heard since I was a child, and it is still regarded as a classic. In fact, it's as if we look at the popular styles now, no matter what art forms will change with the times, what people should remember in their hearts is Yu Zhanao's bloodiness and viciousness, not the trivial things of Zhu or Jiang Wen who plays Yu Zhanao.

Review of 800 words of Red Sorghum 3

Red Sorghum is a feature film directed by Zhang Yimou and starring Jiang Wen and Gong Li, which is adapted from Mo Yan's novel Red Sorghum. Because of its unique style, it won the first Golden Bear Award of China International Film Festival. The film expresses such a theme to us with strong colors and bold style-awe of primitive arrogance of human nature, infinite worship of primitive life, praise of the indomitable quality of Chinese sons and daughters, and praise of love that is not afraid of the world. The life praised by the film is full of vitality and life is free to stretch.

Accompanied by a deep male voice, a sad song belonging to this land slowly rises. The film shows the primitive arrogance of human nature and tells the tragic and desolate story of ancestors in the endless red sorghum field. Grandma Jiu-Er's family in the movie is very poor. Her father coveted the black mule and married Jiu-Er to a leper. Grandpa's appearance shows the arrogance of human nature, thus launching an epic love story that is not afraid of the secular. The lens, picture, music and other aspects of the film perfectly interpret the theme of the film.

This film sets off the theme through unique music. A lot of narration is used in the film to help the audience better understand the plot and promote its development. The use of music plays an important role in setting off the characters' emotions. In the film, grandpa killed the owner of leprosy winery in order to get Jiu-Er. At this time, Jiu-Er stayed in the yard sadly, and the dense drums reflected the contradiction of the intersection of human joys and sorrows, showing the rebellion of human nature. The use of music brings the characters' psychology to the extreme. The two uses of the toast song create different environmental atmosphere. The Japanese persecuted people with lofty ideals, and they rose up and sang a toast before leaving. At this time, the music in the film is loud, passionate and tragic, which shows the rise of life, and the indomitable fighting spirit of the people of China sets off their lofty aspirations. At the end of the film, for the sake of national dignity, they confronted the Japanese army head-on. When only Grandpa and Dou were left, the most primitive folk music sounded, and its sad and vicissitudes style perfectly explained the theme of the film.

The film plays up the theme of praising life through strong colors. Accompanied by the dust of the yellow land, a red sedan chair slowly entered the painting, symbolizing the original color of the yellow land, with the color of the sun, "the back of the yellow land faces the sky." The color of the yellow land is used to express the film's praise for the unrestrained wildness of this land. The faint blood red and the color of the yellow land form a strong visual shock, which also indicates the contradiction of human nature and the sad ending of the film. The ending of the film was dyed red. Under the oblique setting sun, eighteen Li Po, accompanied by a faint bloody sunset, dyed the whole picture red. The sea of blood gave the audience a strong visual shock. The strong red is suffocating and thought-provoking. The tragedy of life ends in red. Sorghum is as bloody as blood, indicating the rise of life and the outbreak of national resistance. Strong colors show the charm of life.

The film expresses the theme of love songs through simple shots. When Jiu-Er, who married into the winery, returned to his hometown, Li Datou, who was hiding in the sorghum field, suddenly jumped out and robbed Jiu-Er. In the dense sorghum field, the heroine is running at a fast speed. At this time, she followed the camera and used the sports lens to express the tense atmosphere of the characters and the nervous expectation of criticizing love in the secular world. The Japanese invasion of China and the tragic injury of Liu Luohan, a man with lofty ideals, aroused the anti-Japanese people headed by Li Datou and decided to shout at last. Finally, grandpa's buddies lay in ambush in the sorghum field. At this time, grandma Jiu-Er, who is holding each other hostage, arranged a banquet at home nervously, hoping that they would come home with a great victory. At this time, the film uses parallel montage to connect two groups of pictures at the same time and in different time and space, giving people a feeling of anxiety and tension.

The film shows us an epic story and plays a magnificent song of life through its unique local music, strong shocking colors and unique bold lens style. The film expresses praise for the love that is not afraid of the secular world, praises the unyielding spirit of the Chinese nation, praises the beauty of life, and shows the charm of life with the most primitive arrogance of human nature, so that after watching the film Red Sorghum, the audience will look at life with the arrogance and primitiveness of human nature, which will give the audience a strong spiritual shock.

Review of 800 words of Red Sorghum 4

This is a story that happened in China in the 1920s and 1930s. The whole story consists of a red wedding dress, a red veil, a red sedan chair, red sorghum, Shili red wine and the blood of a martyr. Although this is an ordinary story, it reveals a never-ending patriotism and expresses the courage of China people to resist foreign enemies. Every scene and everyone in the story is naturally pure and simple, which will make people feel uncomfortable after reading it.

The film begins with a third-person narrative, telling a story about "my grandfather" and "my grandmother", which is straightforward and straightforward, and directly enters the plot, opening the curtain of a story. In the story, "My Grandma" 19 years old didn't want to marry a leper landlord, but she fell in love with the bearers on the road, that is, my grandfather later, which led to the relationship when she returned to the door in Shili sorghum field. "My Grandma" married Li Datou after being pregnant with the flesh and blood of the bearers. Fortunately, after Li Datou came back, he died strangely and was supported by "my grandmother". Soon after, "my grandmother" and "my grandfather" were formally together. By chance, "my grandfather" created a method of brewing good wine, but just as he lived happily and peacefully, the gunfire of war started. When my father was nine years old, the Japanese came. In order to build roads, they forced villagers to trample sorghum with a knife, hung Uncle "I" Lohan from a tree, and forced the dog shop guys to skin him. "My grandma" made the guys drink eighteen Li Hong, which had been buried for nine years, and everyone sang Dionysus, burying mines and bombing Japanese devils. "My grandmother" cooked a table of dishes at home, waiting for "my grandfather" who returned triumphantly. "My dad" came back and said "Grandpa". They were hungry. "My grandma" carried the burden to deliver food, and was killed by the Japanese with a machine gun. There was a boom in the sorghum field, and "my grandfather" and the guys rushed to the Japanese military vehicle, which exploded. In the moonlight, "my father" sang a nursery rhyme: "Niang, Niang, go to the southwest, that wide road, that long treasure boat-". In the end, "my father" and "my grandfather" both live in this era full of wars and disputes. ...

In the whole film "Red Sorghum", red is a color that runs through the whole film, which has the characteristics of China people's traditional culture and obvious implications. Red sedan chair, red wedding dress, red sorghum and so on are all related to red. Red is not only festive, but also bloody. The whole movie is like telling a love story and war stories. What impressed me most was that the heroine didn't say a word for a long time in the film, only by her expression, movements and eyes. This fascinating technique attracted the audience's attention, and I was most moved by the deep feelings generated by the male and female protagonists when they looked at each other. One look will make everyone understand, and there are not many words to describe it. That kind of emotion may be ordinary and shy, but in my opinion, it is the truest and warmest. It also conforms to the social environment at that time. Young men and women cannot fall in love freely, and marriage must be designated by their parents. Without freedom of love, they were oppressed by the society at that time, reflecting the characteristics of the society at that time. In the quarrel between the heroine and her father, we can see that she is also a stubborn woman, trying to get rid of this cruel fate and bravely fighting it. Another important clue in the film is red sorghum wine, which also has certain symbolic significance. Whenever a batch of new wine is brewed in the workshop, a wine ceremony should be held to worship God and thank him for his gift. All these reflect their simplicity and kindness, and they know how to repay kindness. By coincidence, my grandfather created a unique way to brew good wine. Finally, because there was no weapon of revenge, I came up with the idea of frying with wine, which resulted in heavy casualties and more innocent lives. The dark red of wine is mixed with blood ... At the end of the film, in the dark red of blood, the song "Sister, go forward boldly ..." rings in the sorghum field. Finally, as background music, it made me want to cry. The song bears the desolation of the yellow land, and with the blood-red in his eyes, the loneliness and wordless deep pain of the tower man watching his sister step onto the horizon emerge in his mind. As the song faded away, "Niang, Niang, go to the southwest, the road is high, full of travelling expenses, Niang, Niang, go to the southwest ..."-My father's sonorous childlike voice echoed endlessly, making people move.

The film was directed by Zhang Yimou. The style and characteristics of this film are very similar to those of previous films, and the production is very delicate and vivid. The heroine's personality characteristics played by Gong Li are very distinct, and her gentleness reveals a kind of stubbornness, which seems weak in appearance but strong in fact, while the hero also shows the open-mindedness and simplicity of the northwest man at that time, and bravely stands up when the nation is in danger. Zhang Yimou is also a director who pays great attention to form and color. The process of watching this film is also an aesthetic process. The bold use of color makes the audience shine, so this is a classic film worth watching, which is very intriguing and worth savoring.

Review of 800 words of Red Sorghum 5

Red Sorghum is an anti-Japanese story told from a folk standpoint. It interprets some things of that era from different angles, perhaps from a more real angle. In the form of virtual family memories, it uses all the scenes to describe the folk armed forces organized by bandit leader Yu Zhanao and all kinds of wild stories that happened in the rural world of Gaomi Northeast Township. The bloody scenes that appear constantly are full of strong emotional complaints. Three days later, the bride came home and fell in love with Yu Zhan. The vast and wild sorghum field in the story is also rendered into a vast and dazzling space criss-crossing history, tradition and urban and rural areas by the lens. Its passionate narration, constantly subverting and interspersed with inverted time clues, its characters full of wild life and creativity, its carnival publicity of folk culture and spirit, its recollection and approximation of the original truth of modern and contemporary history, and its lyrics as fast as beauty and ugliness have all caused earthquake-like effects. It depicts the primitive and wild life of a group of farmers in China in 1930s and 1940s with a brand-new artistic form. Love is true love, hate is true hate, love is great hate, life is great death, which aroused people's pursuit of heroes' overflowing passion, wildness and freedom in that crazy and disorderly era.

The film is set in War of Resistance against Japanese Aggression, but the whole content is extremely complicated: there is a struggle against the Japanese aggressors, a struggle between the state and bandits; It not only expresses the contempt for traditional ethics and the pursuit of free personality, but also shows the folk customs and habits in different forms ... Watching this film, I get not only aesthetic pleasure, but also inner throb, even the pain of watching after sinking into the film. Watching Red Sorghum made me admire in shock, tremble in emotion and sigh after pain. ...

In Mo Yan's works, "Gaomi Northeast is undoubtedly the most beautiful, ugly, detached, secular, holy and filthy place on earth, the most hero, the most jerk, the most drinkable and the most loving place. Zhang Yimou used the lens to show teams of crimson people pulling nets in sorghum fields for decades. They kill people and steal goods. They are loyal to their country. They performed heroic dance dramas, which dwarfed our living descendants. While making progress, I really feel the degradation of species. " In the film, whether it is a bandit or a hero, Yu Zhanao is heroic and domineering; Or Dai Fenglian, a woman with amazing temperament in dealing with major accidents, "big and meticulous, big and generous"; Both Liu Luohan, who is compassionate, and the bloody man in Gaomi Northeast Township in sorghum fields and wineries exude tenacious and shocking vitality and will to life. These men and women are so cheerful, open-minded, bold and wild, and so amazing, admirable, emotional and shocking. In their view, life is free and fearless. They face fetters, get rid of fetters, face freedom and indulge in release; They are free and unrestrained in the face of life and fearless in the face of death. Among them, there are bandits and heroes, bandits and heroes. They have the brutality of bandits, but they have stronger national feelings. In the face of foreign enemies and death, they are the real heroes and a group of national heroes that people can't help but admire! I like watching this movie, but I am shocked by these lifelike characters and the artistic truth under the director's lens. Looking at them, my passion for life seems to be awakened, and my national feelings are also being stimulated.

When I read Red Sorghum, I also saw some non-Americanization tendencies, which are not only reflected in the director's reappearance of bloody scenes, but also in the undisguised national inferiority and the ignorant and backward quality of the characters. Undeniably, watching the film Red Sorghum, I felt pain from some blood, filth, filth and horror, and I felt a sigh from the accumulation of ignorant and backward folk customs and farmers' consciousness. From this, I seem to see that our national psychology or national memory does have some shortcomings, and I also see another unfortunate inferiority of China culture. It is in this strange way that the novel describes the context and conceptual basis of national character. I like watching this movie, because it makes us tremble and ponder in the recovery of national memory, and makes us move forward in pain and sigh.

The film awakens our sleeping national memory, and shows us the road our nation has traveled, its loftiness and sadness, its generosity and sadness. At the same time, it also makes people deeply reflect on some social spirits and cultural psychology: the relationship between history and reality, yesterday and today. Perhaps, people nowadays should really watch this movie when they deeply feel the heaviness and depression, depression and boredom of modern social life. Maybe it can inject an ancient, national and primitive vitality into you.

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