Isolation map

Wang Bi's "Recluse Map" shows that the mountains are majestic, the vegetation is lush, the pines are flat, the hermits are leisurely and comfortable, and the realm is vast and magnificent. Wang Meng's painting style is patriarchal, such as meticulous object structure, sharp pen as the center, Jie Suocun's combination of rigidity and softness, and exquisite ink painting, which are quite meaningful to Wang Meng. But compared with Wang Meng, it has more simple natural beauty.

You need to learn the lotus leaf, which is a kind of thread, similar to Jie Suocun. When you start writing, you often start from the ridge, hook up the mountain bones, and then show the rock structure to the mountains on both sides. Usually, rocks such as Huangshan Mountain and Huashan Mountain can be displayed, and soil forests in the south can also be displayed. This method is widely used by modern landscape painters.

It is not easy to get results when using lotus leaves for the first time, but this high painting method is completely different from the previous dark rubbing, but it leads to the same goal. Isn't it wonderful? Although Mr. Yuan gave me great affirmation in his comments, there are a few questions that I really feel inadequate. First, the ink used in the distant mountains is not ethereal enough. In fact, I can't draw a stroke of the distant mountain. Second, the dark parts of the towering hills are rubbed too hard, and some eat lines; Third, it is best to omit the five senses and customs of the villain.

Attachment: Wang Bi, a painter in the early Ming Dynasty, was born in the 22nd year of Yuan Dynasty (AD 1362). He is both a fu and a fu. The word Meng Duan, followed by the word line, was named Peng Shi Sheng, a native of Wuxi, Jiangsu. He is good at landscapes, especially dead wood and bamboo stones, and draws bamboo with the expertise of famous artists since the Northern Song Dynasty. He has a unique style of flowing, flowing vertically and horizontally, vigorous and powerful, and is called "the first in Ming Dynasty". In the first year of Yongle (1403), he began to participate in the compilation of Yongle Dadian. Less a disciple, he went to Beijing in the 11th year of Ming Hongwu (AD 1378) to "defend Shuozhou (now Datong, Shanxi)". Twenty years later, in the second year of Wen Jian (AD 1400), he returned to the south of the Yangtze River and lived in seclusion in Jiulong Mountain, so it was also called Jiulong Mountain. In the first year of Yongle (A.D. 1403), he worked in Wenyuan Pavilion and worshipped China calligraphers. In the 14th year of Yongle (A.D. 14 16), he died in Beijing at the age of 55. He is the author of Wang Sheren's Poems.

Teacher Fan Yuan drew: