Tea Break Area Soaked in Light, Shadow and Words

Photography @ Zhang Huishu 218.1.2 Wen | Photography: Zhang Huishu

After eating the sumptuous breakfast in the hotel, he took Mr. Mu Xin's "The Feast of Fish and Beauty" and went to the tea break area on the wing of the hotel lobby for a short sit. Due to the geographical deviation, non-scenic spots and short construction, the whole tea break area presents a gesture of dressing up and waiting for guests. I am happy to enjoy this deep feeling and exclusive feeling, and I am ready to let the happiness before, during and after shooting cycle here.

Mr. Mu Xin said, "Shallow knowledge is more disturbing than ignorance, and deep knowledge makes people stable. We are nothing more than falling into such a shallow depth." Sofa seats under the sun are in full bloom like petals, and they make the shallow and deep contrast particularly touching under the light and shadow. Time is hidden in this shallow depth. Sofas seem to be basking in the sunshine solemnly, and talking with the past or some time in the future for a moment, but only you can hear and see.

The skills of trisection, symmetry, and Jiugongge, which I learned from the mobile phone photography class of Panda Primary School, keep flashing in my mind. The Jiugongge skill is used in the above picture. The theme of the picture, the delicate and beautiful flowers, is just above the two intersections of the vertical and horizontal lines of Jiugongge. The sofa in the background is robbed by strong light, but it can still tell that it is the same color as the flowers. This composition is not rigid, but the theme is clear. Only by using the new skills can you become your own.

? Photography @ Zhang Huishu 218.1.2

However, this shallow knowledge is still shallow after all. My mind has always been disturbed by the rustling sound of how to compose a composition. Although it is not to the extent of anxiety, it is difficult to reach the state of Tao Ran's selflessness or the shining end point of "stillness, painting and me" as Mr. Mu Xin said. Let's sit down and read Mr. Mu Xin's "The Feast of Fish and Beauty" first!

"Childhood is enthusiasm, young people are enthusiasm, and middle age is enthusiasm ... The evolution of enthusiasm is more mellow and clear than the enthusiasm ... Melancholy is depressed enthusiasm."

The words "enthusiasm", "enthusiasm" and "enthusiasm" in Mr. Mu Xin's remarks bring people the richness and beauty of Chinese characters, and make people savor them more carefully. The interest that germinates in middle age is no longer a gust of wind or a rain; No longer suddenly come, suddenly leave; No more coming, no more going; It should be triggered by sincerity and accumulated by sincerity. This interest may be for the sake of distinguishing features and blossoming on the bar, but more people should listen to their inner voices and regain their inner enthusiasm. When enthusiasm is picked up and no longer depressed, it is actually a process of self-treatment for depression.

? Photography @ Zhang Huishu 218.1.2

I looked up again and saw a different story. This time, it seems to be a long talk between two good friends, or a dialogue between "me" and "higher me" Aristotle said: Friendship is that one soul lives in two bodies. Here, whether it is a monologue of the soul in a body or a dialogue between different bodies, in short, such a dialogue is about the soul.

? Photography @ Zhang Huishu 218.1.2

Out of the window, osmanthus flowers are in full bloom, and the faint fragrance is floating in my heart. The time when the flowers are intertwined and the jade pots are shining is deep in the memory of the wine glasses. They prefer to stare at the flowers blooming and the fragrance overflowing the courtyard.

? Photography @ Zhang Huishu 218.1.2

The bouquet on the coffee table reminds me of the heroine in the movie Out of Africa. She left her native land and married Kenya in East Africa. After all kinds of life storms, she gradually fell in love with this magical land. Her servant never forgets to put a bunch of freshly picked wild flowers on her dressing table every day. Even when she is away from the manor, she still keeps changing them. According to the servant, it is to keep the fragrance in the house.

The bouquets on the coffee table here don't need to be changed every day, but they are displayed in the most perfect posture every day. Fragrance only exists in the bottom of my heart and is achieved by fictional imagination. The word "fiction" makes young middle-aged people who are pragmatic and enthusiastic about pursuing non-fiction disdain it.

But Nietzsche said, "Everything that can be thought of must be Fiction."

Wallace Stevens also said, "Maybe what people believe in the end is Fiction."

Mr. Mu Xin also interpreted Nietzsche like this: "Everything that can be thought of is already fiction."

The bouquets in the vase not only cast oblique shadows under the illumination of light, but also cast shadows on the ground as bright as a mirror. Except that the ground can't sway like the water, it seems to be a real and unreal drama in broad daylight. One subject here deduces two subjects, which reminds me of the "two selves" mentioned by Mr. Mu Xin. That's what he said when he talked about his "memory theme": "What I like about the theme of" memories of the past "is not the" past ",but that I can get two" I's "at the same time through memory, one is dead and the other is still alive .......

Get two "bouquets" by light and shadow, one is graceful and the other is solemn; One intersects and the other separates; A clear, a fuzzy; As for which one to see, let's rely on our own imagination to make it up.

it's not only light and shadow, but also words that are wonderful. In this silent tea-break area, the changing light and shadow, Mu Xin's words connect the past moments with the present. Perhaps Mu Xin, who was interviewed in The Feast of Fish, is talking on the sofa here. Listen, Mu Xin is saying:

"All the life I have seen has just been done, and it doesn't matter if it is completed."