Traditional Culture Encyclopedia - Photography and portraiture - What kind of photographic lamp should I buy to shoot people's clothes to get such an effect?
What kind of photographic lamp should I buy to shoot people's clothes to get such an effect?
The side is the main light and the front is the auxiliary light. Try the light ratio of 3: 1 first, and then adjust it to the desired effect.
If the lights are connected, the effect is average. When choosing, you should choose three-color bulbs. Photographer Peng Zhong will try to choose W above 100W.
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How to use photographic lights well in different environments
At night, in complex environments such as indoors, hotels, cars and elevators, if you want to shoot beautiful pictures, you need to use lighting reasonably. Here is how to fill the light in several environments.
1. Description of Lighting Design for People Interview
Interviews with people are usually in offices, houses, hotels and other places. At this time, the environment is more complicated, and the traditional lighting is inconvenient to pull the power cord, with high power and large space, which will consume your precious time and resources. Here is a brief introduction to the method of light distribution with high-efficiency LED photography lamps: This kind of interview ambient light is generally dominated by 5600K color temperature, so we should choose two or three camlight photography lamps with a basic color temperature of 5600 K ... Pay attention to make full use of the natural light outside the window when lighting, which may become your main light or side light. Use PL-68 cloth with built-in battery for other lamps. In short, it is necessary to cooperate with field light to construct main light, auxiliary light and side light. Through these treatments, the illumination of the site can be improved by 300-800LUX, and a perfect lighting environment is presented to your eyes.
2. Description of news shooting fill light
In most news shooting environments, except for special lighting environment, auxiliary lighting is theoretically needed. You can see these under-the-lamp shots in the news programs of various TV stations every day. In fact, it is very simple to fill the light when shooting news. According to the characteristics of light weight and long battery life of camlight photographic lamp, as long as it is installed on the camera, the lamp can be turned on synchronously as soon as it is turned on, which is very convenient to use. Most shooting environments have a color temperature of 5600K and a lamp holder angle of 45 degrees. When it is two meters away from the subject, the illumination can be increased by 150-300LUX. When you shoot some news with this lamp, you will find that the picture without fill light is really inferior. In fact, it's only a few hundred lux, and the picture has been greatly improved after a small range of fill light with PL-68!
3. Description of fill light for small scene shooting
Camlight photography lamp also has the most unique application. Many film and television dramas are inseparable from the lens in the car, and the lighting in the car has always been a headache for lighting technicians and photographers. According to the practical application of "Forever Mangrove" crew, PL-68 has well solved the lighting requirements of cars when parking and driving. How to use it is to fix PL-68 on the window glass with the hose bracket of the camera with sucker, and adjust the brightness and angle as needed. In fact, camlight photography lights also have quite a few outstanding performances in small environments, such as elevators, which are indispensable shooting locations for modern drama. Of course, in large-scale shooting environment, lights are also suitable for drawing details.
In the process of shooting people, the use of camlight photography lamp and soft mask has a very good effect: the brightness is adjustable, the color rendering is good, and the details such as the eye light of the person can be outlined. Appropriate addition of auxiliary light sources can make better image effects of people and add new operational technical conditions for photography.
In film and television lighting and photographic lighting, the basic technical requirements are the same, but there are different requirements in specific occasions. For example, photographic lighting is a picture work, and its fineness is much higher than that required by TV shooting. Especially for point and line lighting, the use of modern lighting technology will greatly improve the shooting effect, but TV images have entered the era of high definition, so the requirements for lighting have also improved.
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