Let's talk about the aesthetics of violence in movies and appreciate its extreme exquisiteness.

Speaking of violence aesthetics, perhaps everyone's first reaction is Quentin's series of representative works "Kill Bill". Jiang Ge Liberated, these classic masterpieces. Because of the super-A temperament of Liu Yuling, the star of Kill Bill in Fatal Woman, her Japanese kimono in Kill Bill in her early years once again boarded the hot search with the lens of mountain city, emitting a cold and unique oriental beauty. ?

This is pure advanced aesthetic feeling, so it is called classic.

However, violent movies always seem to be associated with barbarism, ruthlessness and coolness? For example, vocabulary, but such labels are directly different from criminal action movies, so I think the boundaries of violent aesthetics have always been unclear and easy to confuse.

In recent years, popcorn movies known as violent aesthetics include Task Force X, which is famous for its clown's sexiness, and Ready, which survives with women's impossible luck. All popcorn movies are short-term "hot" movies with low quality, strong sense of rhythm, lack of details in characterization and illogical plot.

This kind of violence for the sake of violence and for the sake of bloody setting is not aesthetic, so it belongs to a kind of violence at most.

To achieve an aesthetic level, I think the key element is "emotion".

Violence generally refers to a kind of intentional injury psychology, and its source is a kind of confrontational behavior produced by people in the old society under strong pressure. So I will say that violence is based on certain emotions, and it is impossible to be mentally ill for no reason like the general routine.

1 9 8 1.5.2 5? Gana Film Street

In fact, many people watch this movie, in fact, they can order more. This performance of "performance art" is due to the face value of the heroine Ajiani, and I am no exception. However, many people regard Agani's photo as a headshot, as a background for chatting, and even once became one of the non-mainstream trend groups, which is not very good.

However, by the way, there are only a handful of people with good looks and acting skills like her, but it is another matter to elaborate.

Back to the topic, many people are talking about the horror of this movie. In fact, I think the bloody and filthy scenes in the process of watching movies are still very attractive and straightforward, and may be disgusted by a certain scene, such as the classic scene left for film history: the mating between the heroine and the devil.

And the transition reaction of the woman in the underground passage, shaking and twitching all over. On the one hand, it is the inner struggle of self, on the other hand, it is the fusion of spirit and flesh, because the liquid left by the stimulus reaction makes the female host become a demon more thoroughly. This performance really has this position in the history of horror movies. Its cool tone and distorted harmony give people a subversive emotion.

I can only say that I did feel uncomfortable, but what shocked me even more was the director's handling, which showed the inner changes and their intensity of the characters in a way of insulting the human body. This method is very annoying, but it is also so annoying that it shows more intuitively the realm of "telling more in silence than in sound".

Including the depiction of bloody feeling, the whole film is full of beauty in photography and color matching: a touch of bright red embellishment in cool colors.

But as for fear, I think it's more fear.

1 9 8 0.5.2 3 USA

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The biggest difference between this film and Enchanted is that it is rarely bloody. Through the behavior of the characters, the most important thing is the expression, showing the inner struggle. And its success is also in the face, reflecting a kind of terror.

For example, the heroine looks strange, angular and has different eyes from ordinary people.

In thriller movies, this kind of appearance is actually rare and often favored, such as the appearance of tim burton's Corpse Bride.

In fact, the most terrible part of the film is not the classic scene on the poster.

All the emotional preparations, as well as the psychological hints given by this hotel, leave room for careful thinking and fear.

Repeater typewriter?

Is it the ghost of the hotel owner or the imagination of the protagonist?

The first view of boys riding bicycles?

Why did the dead twins meet the little boy?

Mysterious photos of the hotel

Is this a conspiracy of the hotel owner or an empty mapping in the hero's heart?

I really want to know whether sharping is an ability or a curse.

2 0 0 6.5.2 7 Japan

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The overall tone is very different from the last two films. This film follows the style of black humor comedy, and the recent hit "I am Yu Huanshui" has similar irony.

The violence of this film lies in its core.

Through some violent forms (discrimination against pine nuts, some physical conflicts in domestic violence, and changes in the shape of pine nuts), the audience deeply realized that "everyone has a pine nut."

In addition to the saturated tones unique to Japanese movies, there are also scenes depicting.

With the deepening of the plot, the audience is more immersed in mourning for Matsuko's tragic life. At this time, the bright and full colors are in deep contrast with them, and the tragic colors seem to be more intense.

The most violent place is repression.

Making faces to please his father made pine nuts feel sad.

The pine nuts that became the third party were finally abandoned.

Killing for profit, pine nuts for venting.

Because he wanted love, he went to the underworld to be a mistress, and Songzi's life has been rolling in the abyss.

The world failed her, or she trusted the world too much.

Finally, I am lonely, but I have stars all over the sky.

Born to be human, I'm sorry.

Pine nuts and Osamu Dazai are like people in two parallel worlds, who have similar experiences and are both tortured by this world.

Violence aesthetics is not a very cool thing, but describes the repressed heart through violent and bloody scenes.

Written by: Xin Nv No.1/Tian

Typesetting: Tian

E-mail: u571yq259 @163.com.