Who is Marcel Lepierre?

Marcel Lepierre

Marcel Lepierre (April 23, 1890 - November 26, 1979) poet, French writer, producer and The director is also a famous film educator. He has written poetry and drama scripts. His greatest contribution to the film industry was the founding of the film school IDHEC in the 1940s.

Chinese name: Marcel L'Herbier

Foreign name: Marcel L'Herbier

Nationality: France

Birthplace: France Paris

Date of birth: April 23, 1890

Date of death: November 26, 1979

Occupation: Poet, film director

Representative works: "Money", etc.

Character introduction

Marcel Lepierre, French poet, professional director, not only a French writer, producer and director, He is also a famous film educator. His greatest contribution to the film industry was founding the film school IDHEC in the 1940s. In this cradle of film masters, Marcel taught various courses about film. Many European heavyweight directors studied at this school, including Louis Malle, Alain Resnais, and Walker Schloss. Londorff et al. Marcel Lepierre has been the director of this film school for 25 years.

Main experience

On April 23, 1890, Marcel Lepierre was born in Paris, France. First, he was a poet, who wrote "In the Secret Gambling Hall" and also wrote drama scripts (such as "Dead Man's Birth", 1919). He enlisted in the army during the First World War, worked in the French Army Photography Corps, and became a film screenwriter. In 1940, the film school IDHEC was founded.

Personal works

1918: Wrote the film scripts "Turrent" and "Bulklet", which were made into films by Mel Condon and Ewell.

In 1917, an experimental film "Phantom" was filmed using the halo technique.

1919: "The Rose of France" (main actors: J. Cattelan and C. Franz), "The Sheepshed" (adapted from Bernstein's original work).

1920: "The Carnival of Truth" (main actors: S. Deplet, P. Caplani, scenery: Odan-Laha), "The People of the Sea" (based on Barr Adapted from Zach's original work, main actors: R. Carr, J. Catlan, M. Prato).

1921: "Prometheus the Banker", "Destiny Hill".

1922: "El Dorado" (Photography: Lucas, main actors: Cattelan, Prado, E. Francis, P.Ph. Elia).

1922: "Don Juan and Faust" (set: R.J. Garnier, costumes: Odan-Laha).

1923: "The Heartless Woman" (Screenwriter: MacOlan, Set Decoration: M. Stevens, Fernand Lecher, Cavalcanti, Composer: Darius Milhaud, main actors: G. Leblanc, J. Cattelan).

1925: "Easter Fire" (adapted from Pirandello's original work, scenery: Cavalcanti and Meyerson, photography: Rutoit and Bouchard, main actors: Mozyushin, Prado, P. Bagev, M. Simon). 1926: Dazed and Confused (based on Mellay's play).

1927: "The Haunted Man" (adapted from the novel by De Larue Martellus).

1928: "Money" (adapted from Zola's original work, main actors: B. Helm, A. Abel, Alcove).

1929: "The Night of the Prince" (adapted from Kessel's original work). 1930: "Products of Love" (adapted from Bataille's original work).

1931: "The Perfume of the Woman in Black", "The Secret of the Yellow Room" (adapted from the original work by G. Leroux). After that, many sound films were made, including: 1936: "The Eve of the Big Day".

1937: "The Silent Fortress". 1939: "The Comedy of Happiness".

1942: "Fantasy Night" (screenwriter: Chavans, main actors: Grawe and Michel Pressler, photography: Montazier).

1943: "The Honorable Catalina".

1951: "The Last Days of Pompeii".

1953: "The Lady's Father".

He has been making videos for television since 1954.

Appreciation of works

"Money" is an epic masterpiece by Lepierre and a representative work of the late French Impressionist films. Co-produced by France and Germany. The film is adapted from Zola's novel of the same name. However, Marcel Lepierre moved the plot of the original novel to contemporary France. Before "Money", Marcel successively filmed "Easter Fire" (adapted from Pirandello's novel) and "The Haunted Man" (adapted from Muldrew's novel), especially "El Dorado" , establishing his status as a master of French avant-garde cinema. Some scenes of "Money" were shot on site at the Paris Stock Exchange, recording the face of a greedy and depraved capital world.

But while the stock exchange was a real protagonist in Zola's novel, it became a pictorial backdrop in Marcel Lepierre's film. Baroness Sandolfo, a minor character in the original novel, became the central character. The purpose of doing so was entirely to give actress Brigitte Elm a role to play. "Money", like Marcel's other Impressionist films, places form far ahead of content. Georges Sadoul commented on this avant-garde film: "'Money' is a film about love entanglements, performed in luxurious sets. In these sets, the light camera seems to be doing a crazy dance: suddenly disappearing into the distance , sometimes falling from the ceiling, sometimes rising from the floor, or spinning around like a horse in a stable. This kind of subjective impressionism that puts everything under novel vision and rare photographic angles finally developed to the point of denying human beings. and society. It only retains the appearance, shape, and shadow of people and society, arranging them into abstract geometric figures.

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