Material composition "The Taiji of People on the Journey"

I just watched "Journey to the Road 2" and would like to express my little thoughts. Thailand is also very compatible with the movie itself. Some plots are related to Thailand, and the whole movie looks very Thai and tropical. The picture is not bad either, the colors are rich and fresh. The soundtrack is also pretty good and doesn't feel deliberately funny. The transitions are also interesting and have a sense of production.

The rhythm is also very good, with a sense of relaxation and relaxation. After being chased by gangsters, there was the calmness of Xu Zheng alone on the road. After Xu Zheng was brainwashed by Wang Baoqiang who poured a basin of cold water from upstairs, there was the relief of putting on the Kongming Lantern. There is also a buffer of roasted snake meat and chat after the snake bite sequence.

Some parts are handled very cleverly, including the old scene of driving on a rampage, but Wang Bao's forced sentence "This is the same as in the movie" makes it much more interesting. Moreover, when Wang Baoqiang failed to start the car, he said, "Why is this different from what was shown in the movie?" as a foreshadowing.

The details are not bad either. For example, Wang Baoqiang was told to put everything into plastic bags at the beginning, which paved the way for Xu Zheng and him to be able to make calls on their mobile phones after they were in the river. And Wang Baoqiang's opening and closing of "My mother said..." also foreshadowed his later tender scenes about his mother.

Xu Zheng, Wang Baoqiang, and Huang Bo almost all played the roles they are best at: hapless successful people, innocent second-partners, and cunning villains. They performed well but had no surprises. Huang Bo's role is a bit sparse, and it feels unbalanced.

Fan Bingbing appears at the end. Although she is completely a vase character, Meicheng is really "making the best use of everything". When playing with "Dang", if it is bold enough, the effect will be very good.

At the end of the credits, almost no one left the show because the extras were so fun. It is said that watching the end credits is a sign of respect for the filmmakers, but it is really difficult to sit there and watch Zhang San Li Si with black characters on a white background. Plus the behind-the-scenes scenes are so simple and easy to use that they don’t have much movie use.

It is not easy for Xu Zheng to achieve this level in his directorial debut. Students should read this article carefully to gain a deeper understanding of the life principles conveyed to us by Director Xu Zhang.