Li Bai's Travel Route and Poetry

Li Bai's travel routes and poems are as follows:

Li Bai has been traveling all his life and has traveled all over the country. His travel route is closely related to his poetry creation, and his poetry is full of love for natural scenery, history and culture.

When Li Bai was 25 years old, he sailed eastward along the Yangtze River and arrived at Jiangling, Jiangxia, Dongting Lake, Jingmen, Xunyang, Lushan and Tianmen Mountain. In the process, he wrote famous poems such as Looking at Lushan Waterfall and Looking at Tianmen Mountain.

Later, Li Bai went to the southern region and visited Suzhou, Hangzhou and Yangzhou. He wandered among the mountains and rivers in Suzhou, and wrote such famous articles as "Thinking about Sleeping at Night under the Niuzhu Mountain". In Hangzhou, he was attracted by the beautiful scenery of the West Lake, leaving poems such as "Two rains on the lake drink Chu Qing".

In addition to the Yangtze River basin and the southern region, Li Bai has also been to the Yellow River and Huaihe River basin. He once climbed to the top of Huangshan Mountain, lamented the magnificent natural scenery of China, and wrote poems such as "Meeting the Master after Returning to Taoism". Li Bai's travel route and poetry creation are mutually successful, and his poetry has become a treasure in the history of China literature, which has been passed down to this day.

Main influence

Li Bai has the highest achievements in Yuefu, Gexing and Jueju. His songs completely broke all the inherent forms of poetry creation, with no one to rely on and many strokes, reaching the magical realm of vagaries and swaying. Li Bai's quatrains are natural and lively, elegant and chic, and can express endless feelings in concise and lively language. Among the poets in the prosperous Tang Dynasty, Wang Wei and Meng Haoran were good at the Five Wonders, while Wang Changling and others wrote the Seven Wonders well. Li Bai is the only one who is good at both the Five Odds and the Seven Odds.

Li Bai's poems are magnificent and elegant, and his artistic achievements are extremely high. He eulogized the mountains, rivers and beautiful natural scenery of the motherland, with bold and unrestrained style, elegant and fresh, full of romantic spirit, and achieved the unity of content and art, so he was called the "fallen fairy". His poems mainly described the mountains and rivers and expressed his inner feelings.

Li Bai's poems have the artistic charm of "the pen is shaken by the wind and rain, and the poem makes the gods cry", which is also the most distinctive artistic feature in his poems. Li Bai's poems are full of self-expression and subjective lyricism, and the expression of feelings is overwhelming. He and Du Fu are called "Big Du Li" (Li Shangyin and Du Mu are called "Little Du Li").

In Li Bai's poems, imagination, exaggeration, metaphor and personification are often used comprehensively to produce magical brilliance and magnificent artistic conception, which is the reason why Li Bai's romantic poems give people heroic, unrestrained, elegant and immortal.