Briefly describe the difference between the tourism literature of the Song Dynasty and the tourism literature of the Tang Dynasty

The Tang Dynasty was the most dazzling era of ancient Chinese names, and it was also the dazzling era of Chinese tourism literature. From the "Reign of Zhenguan" to the "Kaiyuan Dynasty", the Tang Dynasty had the most brilliant and dazzling reputation for more than 100 years. The body of a powerful empire rises and stands in the east of the world. A strong national power, a vast territory, enlightened politics, developed transportation, free integration of Chinese and foreign cultures, and an endless stream of various tourism activities have undoubtedly promoted the development of tourism literature to a higher field.

During the peak period of Chinese poetry in the prosperous Tang Dynasty, there were not only bright stars and clouds of masterpieces, but also the emergence of the landscape pastoral poetry school and the frontier fortress poetry school that have been passed down through the ages. Two great poets emerged—— Li Bai and Du Fu.

There are also many excellent works of describing scenes in the poetry of the Song Dynasty. It also reflects social life and mountain scenery in a wide range, and the description of scenery is particularly vivid. The famous works include "Three Poems on a Spring Outing in Fengle Pavilion" by Ouyang Xiu of the Northern Song Dynasty, "Two Poems on the Wall of Mr. Hu Yin" by Wang Anshi, and "Two Poems on Mr. Hu Yin's Wall" by Wang Ling. "Jinshan Temple" Su Shi's "Visiting Jinshan Temple", "Dengzhou Haishi" "Hundred Steps of Hong" Huang Tingjian's "Sent Off to Lin Zifang at Dawn from Jingci Temple" Lu You's "Drunkenly Going Down to the Zhaitang Gorge to Watch the Flying Spring on the Rock Wall" Wen Tianxiang's "Yangtze River" and so on.