Looking for the name of an ancient classical Chinese document. The content is a collection of Zen prose by famous (or unknown) writers.

Ying Yiping

Understanding the immortal style of Zen in ancient my country from the "Anqi Shouzao Picture"

"Wenbo" Issue 1, 2009. Cover highlights article.

A brief introduction to "Gathering in the West Garden" and "Wenbo" Issue 1, 2009.

Tranquility, purity and emptiness—a reading of the image "creation of the environment" in Gong Xian's "Pictures of Peaks, Terraces and Pavilions"

"Art Research" Issue 02, 2009.

Read Qian Xuan's "Picture of White Plum Blossoms and Cold Birds" from the perspective of life value and interesting products

"Wenbo" Issue 2, 2009.

Boundless and wonderful paths are all ancient in meaning - reading "Lanying Fa Ancient Landscape Book"

Wenbo, Issue 3, 2009. Cover highlights article.

Following the Path to Taoist Painting——Rereading the Part 2 of "Lanying Fa Ancient Landscape Book"

"Wenbo" Issue 4, 2009. Cover highlights article.

The sky is long and the water is far away - Appreciation of Wu Daosu's "Guxi Quarry"

Wenbo, Issue 5, 2009.

A light boat is attached to this body - reading Wu Zhen's "Zhenyi Rock Dwelling Picture"

"Sichuan Cultural Relics" Issue 5, 2009.

"Following the Path to Taoist Painting"

"Art Friends" Issue 6, 2009.

The changes in the courtyard style—an artistic analysis of Fang Cong’s "Pavilion and House View"

"Wenbo" Issue 1, 2010.

Read "The Picture of Sending Tao Zhengjun Back to Emei"

"Wenbo" Issue 2, 2010.

Cultural Symbols in Landscape Painting Images—Reading the Anonymous "Song Dynasty People Listening to Qin Deep in the Cloud Mountains"

"Sichuan Cultural Relics" Issue 5, 2010.

Feeling close to the wood and looking at the distant sky——Reading Lan Ying's "Donggao Quiet Thoughts"

"Wenbo" Issue 4, 2011.

Escape into Buddhism and Chant the Changing Wind—A Study of the Anonymous "Xingyin Diagram Found in Cold Mountains" of the Southern Song Dynasty

"Wenbo" Issue 1, 2012.

The framework of the rise - a preliminary exploration of Shenzhen's thoughts

"Shenzhen Youth Daily" September 30, 1986

The freedom and transcendence of stagnation - 85 Aesthetic Criticism of New Wave Art (Zhuo Fei)

"Northwest Art" Journal of Xi'an Academy of Fine Arts, Issue 4, 1988.

A few thoughts - about my three paintings in "The Painter", Issue 7, 1988

The Four Seasons on the Desolate Plateau, "The Painter", Issue 9, 1989

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Concepts of Form and Color in Traditional Chinese Painting (Master's Degree Thesis in Fine Arts, 1988)

"Collection of Fine Arts Essays on the 50th Anniversary of the Xi'an Academy of Fine Arts"

People Published by Fine Arts Publishing House in 1999.

Don’t listen to the rain and be alone - talking about Yang Xiaobao’s ink painting "Big Vision" Issue 1, 2003.

The mood of pen, ink and rhyme - Appreciation of Gong Xian's works

"Collection of Essays of Teachers of Xi'an Academy of Fine Arts" Shaanxi People's Fine Arts Publishing House, 2007.

Cheng Jianbo Yingzhe’s Thoughts - Foreword to the Exhibition of Professor Zhao Butang’s Reading Notes in 2007

Consider and be proud - Looking at the "Separation of Scenes" in landscape paintings from Dai Jin's "Visiting Friends in the Autumn Mountains" " and "Creating the Environment"

"Northwest Art" Issue 4, 2008.

Great Fine Arts, Great Academy of Fine Arts, Great Freehand Style - A Record of Yang Xiaoyang, the Practitioner who Constructed the Chinese Art Education System

"Shaanxi Talents" Issue 5, 2008.

"Exploring Practitioners of Chinese Art Education" records Yang Xiaoyang, winner of the third session of the Distinguished Teaching Teacher in Higher Education Institutions and President of the Xi'an Academy of Fine Arts.

China Education Science Press "Ode to Famous Teachers" Volume 3, 2008.

Both virtues and arts—in memory of Yang Xiaoyang, Vice Chairman of the China Artists Association in 2008.

"The promotion of the spirit of freehand brushwork - starting from the "Feng Shui - Big Freehand Painting Exhibition""

"Dahe News" and "Dongfang Jinbao" in 2008.

Explore, expand and innovate - Dr. Zhu Jinhui of Xi'an Academy of Fine Arts

"Shaanxi Talents" Issue 10, 2009.

A brief explanation of some issues about "Chinese Paintings of Past Dynasties Collection of Xi'an Academy of Fine Arts"

"Northwest Art" Issue 3, 2009.

Appreciating the world under the curtains of the sky - reading the unknown painting "Three Old Men Discussing Taoism"

Don't forget Tang Ruowang in the Nantang - reading "Dog Washing" by Tang Ruowang

< p> "Shanghai Artists" 2009 supplement.

Preaching the Gospel for Thousands of Miles - Reading Matteo Ricci's "Priest's Treasure Map"

"Shanghai Artist" Issue 3, 2009.

A series of 24 reviews on the appreciation of paintings collected by the Xi'an Academy of Fine Arts

"Yanhe" bimonthly 2008-2009

Walking along the path to appreciate the paintings "Chinese Ancient Dynasties" The Origin of the Editor of "Paintings from the Collection of Xi'an Academy of Fine Arts"

"Collection of Chinese Paintings from the Xi'an Academy of Fine Arts" People's Fine Arts Publishing House 2009

Fenghua No. 1 Presents Auspiciousness - Reading the Anonymous Painting "Mingyuan" "Grand View"

"Shanghai Artists" 2010 supplement.

I couldn’t help but cover up the scroll several times - Preface to Zhao Butang’s landscape sketch

"High Mountains and Long Rivers" Shaanxi People's Fine Arts Publishing House, 2010 first edition.

"Paris Notes", "New York Travel", "Into Brisbane" and "Xi'an Tonight" were published in magazines such as "Western Airlines" and "China Travel".

Ling Ling Piao, looking towards the blue shadow - reading Shen Shichong's "Yunshan Zen Meditation Pictures"

"Northwest Art" Issue 1, 2010.

Appreciating Wu Daosu's landscape painting "Guxi Quarry" from a geocultural perspective

"Social Science Forum" Issue 2, 2010

Hu Tianhui Looking at the Moon in Chang'an - Reading "Autumn Moon in the Han Palace" by Luo Lan

Shaanxi Radio and Television News, June 2010.

The hanging pot that helps the world comes to the east - Appreciation of Matteo Ricci's works

"Shaanxi Provincial Radio and Television News" July 2010.

The "Journal of Xi'an Academy of Fine Arts" has launched the "Tibetan Painting Appreciation" column since the first issue in 2011.

Each issue publishes a series of articles on ancient painting appreciation by Ying Yiping.

The beautiful water and the beautiful mountains reflect the light of the sky - reading the unknown painting "Water Village Collection" by the Ming Dynasty

"Northwest Art" Issue 1, 2011.

Looking at the past - an overview of the paintings collected by Xi'an Academy of Fine Arts

"Collection" Issue 6, 2011.

Reading Zheng Banqiao's "Orchid, Stone and Sparse Bamboo"

"Yangzhou Evening News" May 28, 2011.

The sky mirror boat is dimmed with smoke - reading Xie Shichen's "Picture of Stone Lake Villa"

"Collection" Issue 7, 2011.

A lone traveler under the temple—reading Huang Shen's "Dongfang Shuo's Peach Picture"

"Yangzhou Evening News" July 16, 2011.

Qingguang is still full of people - read Zeng Jing's "Su Wenzhong Gong Li and Clogs Picture"

"Collection" Issue 9, 2011.

Spiritual dialogue across time and space—interpretation of two freehand antique paintings by Wang Hui

"Art Education Research" Issue 11, 2011.

Standing up the image to express the meaning, Shen Bo Yourong - Overview of the paintings collected by Xi'an Academy of Fine Arts

"Shanghai Artist" Issue 6, 2011.

Walking in the plain position, the spiritual mountain is in sight - Preface to the collection of Zen prose by Yao Zhanxiong

"The Pure Heart is Dustless" was published by Chang'an Publishing House of China.

The existence mode of subject and object in image modeling - On the concepts of "form" and "color" in Chinese painting (Part 1)

"Northwest Art" Issue 4, 2011.

The existence mode of subject and object in image modeling - On the concepts of "form" and "color" in Chinese painting (Part 2)

"Northwest Art" Issue 1, 2012.

The resurrected Kunming Pool - Praise to Xixian

"Shaanxi Daily" December 9, 2011

The wind blows the dust, the fragrant ink and the colorful chapter—— Appreciation of Guo Xianlu's ink paintings

"Shaanxi Art" Issue 1, 2012.

With no makeup and no beauty, the heart is in harmony - Appreciation of Guo Xianlu's ink paintings

"Shanghai Artist" Issue 1, 2012.

Sitting Alone in a Pavilion on the Qingjiang River—Reading Li Yin’s "Looking at the Qingjiang River"

"Northwest Art" Issue 1, 2012.

The heaven and the earth leave a name for the hermit - reading the "Songxi Xuantan Picture" by an anonymous person in the Ming Dynasty

"Northwestern Art" Issue 2, 2012.

Guo Xianlu's ink paintings

"Urban Economic Herald" January 16, 2012

Reminiscing about the past *** Wandering - Reading Wen Zhengming's " "Reminiscent Pictures of Mountain Houses"

"Collection" Issue 3, 2012.

The sky mirror boat is dimly covered in smoke - what I thought of when reading ancient paintings

"Yi Wen Zhi" Issue 2, 2013

Seeing the heart is like Dharma and the eyes are wide ——Read Huang Shen's "Pictures of Yixian"

"Golden Autumn" in the second half of the 4th issue in 2013