Jiang Kun and Degang Guo staged a great reconciliation of the century! Explain to each other in good faith, but the contradiction will not be solved for a while, don't you think?

Degang Guo appeared in the Music Association and visited Yu Qian. Visiting Yu Qian is the second, and Degang Guo's appearance in the Music Association in such an open state is interpreted as having special significance. On that day, Degang Guo rarely appeared in the Beijing Music Association, and Li Weijian, chairman of the Beijing Music Association, warmly greeted him. It is reported that Yu Qian cooperated with the Quxie, which is a cross talk drama called Still Beautiful. This time, Degang Guo came to Quxie to visit Yu Qian.

Compared with visiting Yu Qian, Degang Guo's appearance in Quxie is obviously more concerned, and the attitudes of both sides seem to be unusually "harmonious". First of all, before entering the meeting place, Degang Guo took off his hat to show his respect. In addition, Degang Guo has always maintained a respectful attitude. No matter who he shook hands with, he bowed slightly, showing enough humility. Degang Guo and Li Weijian started a hot chat mode, which was also interpreted as the century reconciliation between Deyun Society and Quxie.

Degang Guo and Jiang Kun kidnapped by public opinion

No matter how goodwill is released between Degang Guo and Jiang Kun, most netizens will not buy it. After all, few people can think independently and understand the meaning. For a long time, the relationship between Degang Guo and Jiang Kun has formed a mindset on the Internet. When they are involved, it must be a matter of life and death. Do you want to make peace? Netizens are the first to say no.

To say, who is the initiator of this mentality? Of course, Degang Guo itself may be a kind of; I ate enough bonuses when I was young, but I have to pay my debts slowly when I am old.

What is the contradiction between Degang Guo and Jiang Kun?

The dispute between Degang Guo and Jiang Kun originated from the dispute of crosstalk schools. Degang Guo and Jiang Kun have different understandings and different expressions of cross talk. Jiang Kun, the representative of mainstream crosstalk, advocates that crosstalk should keep pace with the times and be entertaining. Degang Guo is a typical representative of non-mainstream crosstalk. Cross talk is advocated for fun. When I said you were happy, it was a cross talk. One is a stage within the system, and the other is a small theater.

Although Degang Guo has long advertised himself as a non-mainstream, he is an orthodox teacher. He studied storytelling from Gao Qinghai, a storytelling elder, and then from Chang Baofeng, a famous crosstalk artist, and Hou, a crosstalk master. In the meantime, I studied Peking Opera, Pingju, Hebei Bangzi and other operas, and went to Liyuan for many years.

As early as 2006, Degang Guo's cross talk was put forward by the phonographer to resist vulgarity, vulgarity and kitsch in cross talk, but it was later taken as a burden by Degang Guo's loyal hand. Later, I took this opportunity to create a comic dialogue piece "I want to resist the three customs", which was called a classic in "Guo-style comic dialogue" by many people.

The feud between Degang Guo and Jiang Kun lies in the contest between the decline of "mainstream orthodox" crosstalk and the rise of "non-mainstream theater" crosstalk.

In the golden age of cross talk, there were many artists and famous jokes. However, due to the limitations of time stage props and so on, especially the impact of the times, cross talk declined rapidly. Degang Guo and Jiang Kun have nothing personal. They represent two positions, and different positions have caused irreconcilable contradictions.

Jiang Kun is famous for his cross talk on TV. He was born after 8090. The only channel for the spread of Quyi is TV and radio, and there are no small theaters, cinemas and KTV in society. If a crosstalk performer wants to be famous, he must kiss up to the TV station and say it according to the requirements of the TV station to publicize the main theme.

Later, Jiang Kun became the best of these crosstalk performers. Indeed, in the 1990s, the popularity of Jiang Kun was very high, no less than that of Degang Guo now. Of course, his fame mainly depends on the Spring Festival Evening. When he was old, Jiang Kun became the leader of the Music Association. As the leader of the Music Association who grew up in that era, he thought that the main theme of TV cross talk was the mainstream, but he didn't realize that the early cross talk was actually a popular culture. It was Ma Ji and Jiang Kun, their generation, who turned crosstalk into TV crosstalk with high platform education.

What Degang Guo said was theater crosstalk, which inherited the street crosstalk before TV crosstalk.

Therefore, in Jiang Kun's eyes, Degang Guo has become a non-mainstream, and there are many dross in cross talk that can't be put on the stage (in fact, it can't be put on TV). Jiang Kun once tried to manage and restrain Degang Guo, because he believed that he had both rights and obligations, and his duty was to "purify" the crosstalk industry. However, Degang Guo is a freelancer outside the system, and street crosstalk is his livelihood.

Actors in the system say that mainstream cross talk is paid. If he also talks about mainstream cross talk outside the system, no one will buy tickets. Therefore, this contradiction is irreconcilable. Degang Guo can only insist on street crosstalk under various pressures, because only in this way can he survive.